Keyssar helene (80 resultados)

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres--from Western (McCabe and Mrs. Miller) and science fiction (Quintet) to detective story (The Long Goodbye) and musical (Popeye)--offering us what Vincent Canby once called a "Gallery of American Portraits." And though few of his movies have met with huge commercial success (apart from the blockbuster M*A*S*H) Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. In Robert Altman's America Helene Keyssar shows why it is time we consider this unusual auteur among the pantheon of great directors. Informed by a vast knowledge of both film history and the most up-to-date critical theory, Keyssar offers a new and much-needed context for evaluating and understanding Altman's ouevre. Divided into five sections, Robert Altman's America identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, the 1975 Nashville, a "gleeful vision of an American landscape perpetually exploding upon itself." An especially helpful film chronology is also included in an appendix. Through the course of the book, Keyssar shows how Altman's approach to filmmaking subverts the very notion of the idea of "authorship," or of a single creative force behind a picture. While his point of view is always present, Altman's films are to a great extent the result of collaborative efforts with screenwriters, playwrights, and actors. His montage of images, the cacophonous intermingling of conversations--in essence, his deliberate ambiguity--undermine, Keyssar demonstrates, the singular authority of the director. Altman's lens, we come to recognize, is a dispassionate "penetrator of culture": his films do not tell us about America; rather, they fuse the myths of American life with the facts of history and allow the viewer to make his own interpretation of the American Dream. Robert Altman's America is an indispensable guide to the work of one of our finest and most enigmatic filmmakers. Anyone interested in contemporary cinema--and contemporary society--will find its insights compelling and richly rewarding.…

Paperback. Condición: Very Good. Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres--from Western (McCabe and Mrs. Miller) and science fiction (Quintet) to detective story (The Long Goodbye) and musical (Popeye)--offering us what Vincent Canby once called a "Gallery of American Portraits." And though few of his movies have met with huge commercial success (apart from the blockbuster M*A*S*H) Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. In Robert Altman's America Helene Keyssar shows why it is time we consider this unusual auteur among the pantheon of great directors. Informed by a vast knowledge of both film history and the most up-to-date critical theory, Keyssar offers a new and much-needed context for evaluating and understanding Altman's ouevre. Divided into five sections, Robert Altman's America identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, the 1975 Nashville, a "gleeful vision of an American landscape perpetually exploding upon itself." An especially helpful film chronology is also included in an appendix. Through the course of the book, Keyssar shows how Altman's approach to filmmaking subverts the very notion of the idea of "authorship," or of a single creative force behind a picture. While his point of view is always present, Altman's films are to a great extent the result of collaborative efforts with screenwriters, playwrights, and actors. His montage of images, the cacophonous intermingling of conversations--in essence, his deliberate ambiguity--undermine, Keyssar demonstrates, the singular authority of the director. Altman's lens, we come to recognize, is a dispassionate "penetrator of culture": his films do not tell us about America; rather, they fuse the myths of American life with the facts of history and allow the viewer to make his own interpretation of the American Dream. Robert Altman's America is an indispensable guide to the work of one of our finest and most enigmatic filmmakers. Anyone interested in contemporary cinema--and contemporary society--will find its insights compelling and richly rewarding.…

Condición: good. Used book that is clean, average condition without any missing pages.

paperback. Condición: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Used - Very Good.

Condición: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condición: Good. Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres--from Western (McCabe and Mrs. Miller) and science fiction (Quintet) to detective story (The Long Goodbye) and musical (Popeye)--offering us what Vincent Canby once called a "Gallery of American Portraits." And though few of his movies have met with huge commercial success (apart from the blockbuster M*A*S*H) Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. In Robert Altman's America Helene Keyssar shows why it is time we consider this unusual auteur among the pantheon of great directors. Informed by a vast knowledge of both film history and the most up-to-date critical theory, Keyssar offers a new and much-needed context for evaluating and understanding Altman's ouevre. Divided into five sections, Robert Altman's America identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, the 1975 Nashville, a "gleeful vision of an American landscape perpetually exploding upon itself." An especially helpful film chronology is also included in an appendix. Through the course of the book, Keyssar shows how Altman's approach to filmmaking subverts the very notion of the idea of "authorship," or of a single creative force behind a picture. While his point of view is always present, Altman's films are to a great extent the result of collaborative efforts with screenwriters, playwrights, and actors. His montage of images, the cacophonous intermingling of conversations--in essence, his deliberate ambiguity--undermine, Keyssar demonstrates, the singular authority of the director. Altman's lens, we come to recognize, is a dispassionate "penetrator of culture": his films do not tell us about America; rather, they fuse the myths of American life with the facts of history and allow the viewer to make his own interpretation of the American Dream. Robert Altman's America is an indispensable guide to the work of one of our finest and most enigmatic filmmakers. Anyone interested in contemporary cinema--and contemporary society--will find its insights compelling and richly rewarding.…

Paperback. Condición: Very Good. Robert Altman is the most quintessentially American of contemporary directors. His films cut across virtually all genres--from Western (McCabe and Mrs. Miller) and science fiction (Quintet) to detective story (The Long Goodbye) and musical (Popeye)--offering us what Vincent Canby once called a "Gallery of American Portraits." And though few of his movies have met with huge commercial success (apart from the blockbuster M*A*S*H) Altman's unique vision of our society, his distinctive directorial signature, and his defiance of conventional film "language" have all helped reinvent the way we look at America. In Robert Altman's America Helene Keyssar shows why it is time we consider this unusual auteur among the pantheon of great directors. Informed by a vast knowledge of both film history and the most up-to-date critical theory, Keyssar offers a new and much-needed context for evaluating and understanding Altman's ouevre. Divided into five sections, Robert Altman's America identifies the peculiarities of the Altman style, discusses his films from both a feminist and political perspective, and offers a chapter-length discussion of one of his most important films, the 1975 Nashville, a "gleeful vision of an American landscape perpetually exploding upon itself." An especially helpful film chronology is also included in an appendix. Through the course of the book, Keyssar shows how Altman's approach to filmmaking subverts the very notion of the idea of "authorship," or of a single creative force behind a picture. While his point of view is always present, Altman's films are to a great extent the result of collaborative efforts with screenwriters, playwrights, and actors. His montage of images, the cacophonous intermingling of conversations--in essence, his deliberate ambiguity--undermine, Keyssar demonstrates, the singular authority of the director. Altman's lens, we come to recognize, is a dispassionate "penetrator of culture": his films do not tell us about America; rather, they fuse the myths of American life with the facts of history and allow the viewer to make his own interpretation of the American Dream. Robert Altman's America is an indispensable guide to the work of one of our finest and most enigmatic filmmakers. Anyone interested in contemporary cinema--and contemporary society--will find its insights compelling and richly rewarding.…

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. some shelfwear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Contents Include: The Great Patriotic War and the Good War; The Fronts; The Home Fronts; Representations of War; Why We Fought; Allies; The Meeting of the Elbe; Victories; Legacies of War: Some Personal Reflections. Good to good+ tight condition with good+ slightly worn dust jacket. Language: eng Language: eng 0.0.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good-. Estado de la sobrecubierta: Very Good. First Edition. Small bumps on edges of cover. Dustjacker has very minor edge wear.; Small 4to 9" - 11" tall; 254 pages.

Paperback. Condición: Fine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condición: Good. DJ: Good. 2d ptg. 399 pp. 6 1/2 x 9 5/8. Gray boards with qtr red cloth, stamped in silver on spine. Glossy gray pictorial dj. Remainder mark at top page edges; minor edgewear on dj at foot, binding slightly cocked. No markings noted.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.