junqueira sandro william (35 resultados)

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).

Paperback. Condición: New. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).

Paperback. Condición: new. Paperback. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Angel Gurria-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016). Translated into English for the first time, a bold and unsettling literary fable about a dystopian city which explores the dynamics of power and oppression, and the silent strength of revolt. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 352 pages. 5.04x1.10x7.72 inches. In Stock.

Condición: New. 2026. Paperback. . . . . .

Condición: New. 2026. Paperback. . . . . . Books ship from the US and Ireland.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear. And the fear is us.At the heart of a forest there is a city surrounded by walls. Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).

paperback. Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New.

Condición: Muy bueno. : Dos jugadores de snooker se enfrentan en la gran final: Alexandre, el mayor talento de Esposende, y Carlos Magnum. Tacos hechos a medida de los brazos y de las ambiciones. Eligen la mejor solución, observan los ángulos, espían el error y las flaquezas del adversario. EAN: 9789897832499 Tipo: Libros Categoría: Literatura y Ficción Título: Um tiro no escuro Autor: Sandro William Junqueira Editorial: Relógio D'Água Idioma: pt-BR Páginas: 72 Formato: tapa blanda.

Condición: New. 2025. Hardcover. . . . . .

Condición: New. In.

Condición: New.

Hardcover. Condición: Brand New. 352 pages. 6.22x1.50x9.13 inches. In Stock.

Condición: New. 2025. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 3 working days.

Hardback. , . Author: Sandro William JunqueiraFormat: HardbackNumber of Pages: 352'Brilliant, inventive and marvellously written' ALBERTO MANGUEL A world without walls, without curtains, is not believable. Because there is no world without fears. Walls, curtains, are the architecture of fear. And the fear is us. At the heart of a forest there is a city surrounded by walls. Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population. A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed. One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger. An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men. Angel Gurria-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016). Hardback.

Paperback. Condición: new. Paperback. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Angel Gurria-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016). Translated into English for the first time, a bold and unsettling literary fable about a dystopian city which explores the dynamics of power and oppression, and the silent strength of revolt. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Angel Gurria-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016). Translated into English for the first time, a bold and unsettling literary fable about a dystopian city which explores the dynamics of power and oppression, and the silent strength of revolt. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).

Taschenbuch. Condición: Neu. Neuware - 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).

Paperback. Condición: New. 'Brilliant, inventive and marvellously written' ALBERTO MANGUELA world without walls, without curtains, is not believable.Because there is no world without fears.Walls, curtains, are the architecture of fear.And the fear is us.At the heart of a forest there is a city surrounded by walls.Inside, the people are haunted by the memory of The Great Disaster that eliminated two thirds of their population.A dictatorial regime insists that order and discipline will protect the people from the threats of nature, but when a soldier is found mutilated outside the city walls on a winter's night, a new order takes root silently in the minds of the oppressed.One by one, they gather to listen to the voice of a man claiming to possess the gift of knowing what is to come. The man known as The Messenger.An unsettling, powerful and strikingly-written dystopian fable about revolution, power and oppression - for readers of Agustina Bazterrica, Margaret Atwood, and I Who Have Never Known Men.Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times. His translations include Other Carnivals: Short Stories from Brazil (Full Circle Editions, 2013) and The Return, by Dulce Maria Cardoso (Maclehose Press, 2016).