jonathan walley (59 resultados)

paperback. Condición: Softcover. Softcover. Minor shelf-wear. For any additional information or pictures, please inquire.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft cover. Condición: As New. 1st Edition. First edition. Softcover. 172 pages. Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema. McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. This book includes a major essay by Branden Joseph, an interview with the artist by Jonathan Walley, and the first photo-documentation ever made of his pieces as well as diagrams of related works. Features 100 never-before-seen reproductions of historical photographs, sketches, and diagrams from the artist's archive. New photography of the never-before-photographed Long Film For Four Projectors, 1974 was commissioned for this book. Includes numerous color and black and white images, biography and lists of selected films, selected performances, list of previous exhibitions and screenings, and selected bibliography.

Condición: New. In.

Paperback. Condición: New. Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity.In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.

Wrappers. Condición: Bueno. 1st ed. 18.5x23.5. Wrappers. Good. . English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 432 pages. 9.25x5.25x1.00 inches. In Stock.

Paperback. Condición: Very Good. Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: new. Paperback. Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast newhorizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold newaccount of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits ofcinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake outcinema's unique aesthetic terrain - its ontology, its independence, its identity.In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, iturgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change. A bold new account of its subject, Cinema Expanded provides the first scholarly studies of lesser-known avant-garde cinematic works, in addition to the works of artists like Andy Warhol and Nam June Paik, and argues that these works radically explore cinema's outer limits, even challenging the definition of cinema itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Very Good. 1st Edition. Excellent used condition; Uncreased spine, Unmarked text, ships from Berlin Bookshop bxn42.

Softcover, 174 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New. 2020. Paperback. . . . . .

Paperback. Condición: Brand New. 432 pages. 9.25x5.25x1.00 inches. In Stock.

Condición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

First edition. Softcover. 172 pages. Foreword by Pamela and Richard Kramlich. Introduction by editor Christopher Eamon. Essay by Branden W. Joseph with the text of an interview of McCall by Jonathan Walley. Includes numerous color and black and white images, biography constituted of lists of selected films, selected performances, list of previous exhibitions and screenings, and selected bibliography. A clean near fine copy in French style wrappers.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Paperback. Condición: New. Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity.In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.

Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New.

172 pp.; 28.6 x 22.9 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Anthony McCall. Texts by Brandon W. Joseph and interview with McCall by Jonathan Walley. Edited by Christopher Eamon. Includes a biography and bibliography. Very Good / Fine. Very light wear to covers, contents are clean and unmarked.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is a collection of newly commissioned essays by established and emerging scholars that maps out the current landscape of experimental cinema studies and sets agendas for future work in the field. Introducing new critical methodologies and calling overdue attention to neglected artists, regions, and topics, the contributions to this volume reassess and reassert experimental cinema as a site of formal exploration and interrogation as well as resistance to institutional, political, and social norms. This collection articulates what it means for experimental cinema to be these things in the contemporary moment, staking out new directions in thinking about the subject not only as a growing sub-field of cinema studies, but as an artistic and scholarly tradition in dialogue with art history, visual culture, philosophy, and the sciences. The contributions reflect a diversity of voices and perspectives, weaving together theoretical, poetic, and personal modes of writing and traversing questions of form, emotion, materiality, nationality, postcoloniality, the body, and ecology.

hardcover. Condición: Very Good.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: As New. Never read, no marks or highlighting in the book. Our copy is hardback, with printed covers, showing light shelf-wear.