johnson peter wright (8 resultados)

Soft cover. Condición: Very Good. Reprint. 1986 reprint. Paperback. 20x13cm. 575 pages with index. Flat spine. Flat covers. Clean & tight book. No inscriptions. Flat pages. Dispatched Royal Mail First Class with TRACKING next working day or sooner securely boxed in cardboard. ref dch.

Soft cover. Condición: Fine. 1st Edition. First edition, first printing of this collection of 20 short music-themed noir original stories. SIGNED by Jim Fusilli and Reed Farrel Coleman on the title page. In fine condition. Signed by Author(s).

Soft cover. Condición: Very Good. 1st Edition. Volume has some age yellowing; binding has light wear; tight, text clean. 96 p., illustrated; printed on good quality glossy pages. (The Linnean. Special issue ; no. 2). [b 282].

Softcover-Großformat. Condición: Gut. 230 Seiten Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Einbandkanten sind leicht bestoßen. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 580.

Paperback. Condición: Brand New. 1st edition. 172 pages. 9.00x6.00x0.43 inches. In Stock.

Soft cover. Condición: Good. Spring'72 Issue. Light green cover with black lettering. Spine a little discoloured. Cover thumbed and well rubbed, yet bright. Heavier rubbing at spine and fore edge of front cover. Edges are slightly discoloured. Simple binding is sturdy and neat. This book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.

Original Wraps. Condición: Near Fine. Estado de la sobrecubierta: No Jacket, as Issued. Sean Jennett (Cover design) Ilustrador. First Edition. Vol. 5. No. 19 - August 1950 - the eighteenth issue in the original series of the historic Poetry magazine, edited by Richard March and Nicholas Moore, who had taken over from Tambimuttu. With front cover mandala illustration by Sean Jennett. ***Includes the poems: "New Year in the Midlands" and "Chandeliers and Shadows" - these being the first published appearance by Nobel laureate Harold Pinter, preceded only by his juvenilia. ***Front cover mandala type illustration by Sean Jennett. ***Near fine in the original thin blue illustrated stapled covers. The covers are remarkably clean and unmarked, with just light rubbing to the fragile spine. No significant creasing, just very light corner creases. Complete with the subscription slip present bound inside the rear cover. Hardly any of the usual foxing. Interior pages clean. Covers clean. No inscriptions. ***32 pages (plus adverts on inside of covers, including an advert for the forthcoming publication of "The Rent That's Due to Love" by Gwyn Williams and "The Pallisades of Fear" by Ronald Bottrall - Editions Poetry London. 248mm x 185mm. ***Contents: David Wright 'Verses from Northamptonshire', Gavin Ewart and Jack Clark 'Uncle Tom's Cabin', Louis Johnson 'On the Road', Harold Pinter 'New Year in the Midlands' and 'Chandeliers and Shadows', Donald Davie 'Christmas Week, 1948', Allen Curnow 'Elegy on my Father', B. A. Giles 'Europa', Peter Jackson 'I, Who Would Not See His Death', and 'On Mornings Claiming Kinship with the Sun', E. H. Kesterton 'Nostalgia, with a Little Despair' and 'Poem in the Manner of Seferis the Greek', Ruth Tenny 'The One Eternal', 'The New Age', 'The Wage' and Snare, Hook and Words'. ***Points of View: 'A Modern Tragedy' by Christopher Hassall, 'Prophets and Tramps' by Paul Dehn, 'What a Party!' by Jon Manchip White and 'The Recovery of Tradition' by S/ L. Bethell. ***Vol. 5. No. 19 - the nineteenth issue of the original first series of this renowned poetry magazine, published five years after the Second World War, and in remarkably good condition considering the fragility of the publication. Of interest to collectors of poetry first editions, the publications of Poetry London. and the early work of Harold Pinter. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).