joel leivick (12 resultados)

Paperback. Condición: Very Good. Unmarked text. Exhbition catalog. Introduction by Joel Leivick. Includes 100 hundred photographs, selected from the Stanford collection. These images challenge the viewer to consider the different strategies photographers employ to transform into art what is seen through the lens. An effort has been made to include alongside well-known images many intriguing, but less familiar works. Photographers include Berenice Abbott, Diane Arbus, Walker Evans, Roger Fenton, Lewis Hine, Andre Kertesz, Nadar, Muybridge, Stieglitz, William Henry Fox Talbot, and others. 96p. Measures 8.5x11 inches.

Soft Cover. Condición: Very Good. Monochrome photographs Ilustrador. First Edition thus. 144pp [text block detached, as a solid unit; from surrounding covers at glue binding, else Very Good+] Size: 4to - over 9¾" - 12" tall.

Hardcover. First edition, first printing. Fine black-clothbound hardcover with crisp silver text to spine in a Fine dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A survey of John Gutmann's career; the catalogue for a traveling exhibition. Photographs by John Gutmann (1905-1998); essay by Sandra Phillips; exhibition organized by Joel Leivick and Bernard Barryte. 144 pages; 104 full-page duo-toned b&w plates + 18 text illustrations; 9.25 x 11.75 inches. LAID-IN is an illustrated announcement card for an exhibition of work by Gutmann.

Condición: Near Fine. First Edition. First Printing. FIRST EDITION SOFT COVER Book condition is Near Fine. Front cover has small horizontal lines near spine but book is tight and feels like new. Lavishly illustrated with Beautiful B&W and color photographs. 100 plates spanning the history of photography. Introduction by Joel Leivick. 8.5 x 11 Inches in size. 95 numbered pages.

hardcover. Condición: Good. Ships Out Tomorrow!

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. 4to. [ca 95 pp.]. Very Good. Soft Covers. Printed pictorial paper wraps. Pages fine. B&W photographic plates throughout. Since its invention more than a century and a half ago, photography has become an important vehicle for communication and expression. Whether made for personal, commercial, or artistic purposes--and these categories are not mutually exclusive--photographic images surround us. Nevertheless, as the works in this volume demonstrate, photographs maintain their capacity to stir our imagination by their beauty, their strangeness, their apparent objectivity, and their exceptional power to evoke a time, or a place, or a mood. Selected from a museum collection that surveys the history of the medium, The ENduring Illusion: Photographs from the Stanford University Museum of Art celebrates the ingenuity of artists who, by manipulating a technical device and a chemical process, create wonderful, varied, and compelling objects.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Joel Leivick Ilustrador. 1st Edition. 1st. Edition, 1st. Printing 1999, Purple cloth hardcover with the dust jacket, 84 page book. A scarce signed , dated and inscribed copy by the photo-artist Joel Leivick on the first title page. Illustrated with full page black & white photo plates. Condition : Fine. Size: Folio - over 12 - 15" tall. Inscribed by Author(s). Book.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9780804736374.

Paperback. Condición: Near Fine. Endpapers lightly foxed. Edges lightly rubbed; 11.75 X 0.5 X 13.25 inches; 84 pages; This book is a collection of 44 stunning black-and-white photographs by Joel Leivick of the marble quarries and quarry workers in and around Carrara, in the province of Tuscany, in northern Italy. The photographs are printed as tritones, to capture their delicacy and detail, and are preceded by an introduction that describes Leivick's goals and experiences as a photographer working at Carrara and provides a brief outline of the region's geology and long history of marble extraction. In an Afterword, anthropologist Alison Leitch discusses the culture of quarry work and the role of landscape in historical memory. The photographs of the Carrara quarries lay bare a vast and dramatic landscape as imposing as the Grand Canyon, reaching down from the mountains like a carefully orchestrated disaster of immense and inhuman size. But this vastness, hardly picturesque, is the result of steady attrition at the hands of man, a canyon carved by centuries of labor and ambition. With its overwhelming mass, Carrara is the scene for a primordial revealing of elements. In Leivick's words, "At every turn the human as well as the geologic record is exposed. The noble outcroppings of stone and the most mundane debris-layers of a complex history-were set before me, defined by brilliant, revelatory light. This was a landscape that could sustain me for years, and so I went to work, absorbed by the dust, in a fever of concentration.".

Condición: Good. 4to. [144 pp.]. Hard Covers. Dust Jacket. Very Good+. Pages fine. B&W plates throughout. Scarce hard cover copy with DJ. Original invitation card for press preview of exhibition, laid in.

Condición: Good. Folio. 144 pp. Oblong. Hard Cover. Near Fine. Gray cloth covered boards with B&W plate laid in. B&W plates throughout. Extremely Scarce.