jean giacinta (34 resultados)

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Paperback or Softback. Condición: New. The Art and Industry of Stucco Decoration in Europe: L'Arte E La Tecnica Delle Decorazioni a Stucco in Europa Dalla Fine del XVI All'inizio del XVIII. Book.

Condición: New.

Paperback. Condición: new. Paperback. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian. AUTHORS: Giacinta Jean is an architect, professor in history and restoration techniques. He has carried out a professional activity dealing with architectural restoration and has worked in universities in teaching and research (University of Geneva, Polytechnic of Milan). Since 2005 she has been responsible for the degree course in Conservation and Restoration at SUPSI and the Swiss Conservation-Restoration Campus. She is the author of scientific and popular publications and a member of institutions active in the protection of cultural heritage. Alberto Felici is a restorer of wall paintings, graduated from the Opificio delle Pietre Dure in Florence, and graduated in History of Art from the University of Florence. Formerly a teacher at the Opificio Higher Education School, he is now active at the Superintendency of Archeology and Fine Arts of Florence. Since 2007 he has been teaching at the Master course in Conservation and Restoration at SUPSI in Lugano. Letizia Tedeschi director of the Archivio del Moderno of the Universita della Svizzera Italana since 1996, he founded this institute, defining its objectives, philosophy and scientific activity. Visiting professor at the Ecole nationale des chartes in Paris, the 'Sapienza' Universita di Roma and the Universite Paris 1 Pantheon-Sorbonne and is part of the scientific committee of the Institut national d'histoire de l'art in Paris (INHA). SELLING POINTS: . An interdisciplinary look that also involves sites, workshops and geographical areas little considered by studies with new high definition images . Investigation into the formal but above all technical aspects and the organisation of construction sites and workshops 230 colour, 38 b/w illustrations An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.

Paperback. Condición: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.

Condición: NEW.

Condición: New.

Condición: New. In English.

Condición: NEW.

Condición: As New. Unread book in perfect condition.

Condición: New.

Rilegato. Condición: new. Testo Italiano e Inglese.Milano, 2025; ril., pp. 416, ill. col., cm 22x28.(Arco). Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Libro.

paperback. Condición: New. Special order direct from the distributor.

Condición: Very Good. No markings. Minor cover wear. In either Italian, English or German. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Condición: New.

Paperback. Condición: Brand New. 416 pages. 9.87x7.87x9.84 inches. In Stock.

Condición: new.

Paperback. Condición: Brand New. 416 pages. 9.87x7.87x9.84 inches. In Stock.

Condición: NEW.

Paperback. Condición: new. Paperback. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian. AUTHORS: Giacinta Jean is an architect, professor in history and restoration techniques. He has carried out a professional activity dealing with architectural restoration and has worked in universities in teaching and research (University of Geneva, Polytechnic of Milan). Since 2005 she has been responsible for the degree course in Conservation and Restoration at SUPSI and the Swiss Conservation-Restoration Campus. She is the author of scientific and popular publications and a member of institutions active in the protection of cultural heritage. Alberto Felici is a restorer of wall paintings, graduated from the Opificio delle Pietre Dure in Florence, and graduated in History of Art from the University of Florence. Formerly a teacher at the Opificio Higher Education School, he is now active at the Superintendency of Archeology and Fine Arts of Florence. Since 2007 he has been teaching at the Master course in Conservation and Restoration at SUPSI in Lugano. Letizia Tedeschi director of the Archivio del Moderno of the Universita della Svizzera Italana since 1996, he founded this institute, defining its objectives, philosophy and scientific activity. Visiting professor at the Ecole nationale des chartes in Paris, the 'Sapienza' Universita di Roma and the Universite Paris 1 Pantheon-Sorbonne and is part of the scientific committee of the Institut national d'histoire de l'art in Paris (INHA). SELLING POINTS: . An interdisciplinary look that also involves sites, workshops and geographical areas little considered by studies with new high definition images . Investigation into the formal but above all technical aspects and the organisation of construction sites and workshops 230 colour, 38 b/w illustrations An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.

416 pages, illustrated. Paperback 25 x 20cms. ISBN: 9788833672670. A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian.

Paperback. Condición: new. Paperback. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian. AUTHORS: Giacinta Jean is an architect, professor in history and restoration techniques. He has carried out a professional activity dealing with architectural restoration and has worked in universities in teaching and research (University of Geneva, Polytechnic of Milan). Since 2005 she has been responsible for the degree course in Conservation and Restoration at SUPSI and the Swiss Conservation-Restoration Campus. She is the author of scientific and popular publications and a member of institutions active in the protection of cultural heritage. Alberto Felici is a restorer of wall paintings, graduated from the Opificio delle Pietre Dure in Florence, and graduated in History of Art from the University of Florence. Formerly a teacher at the Opificio Higher Education School, he is now active at the Superintendency of Archeology and Fine Arts of Florence. Since 2007 he has been teaching at the Master course in Conservation and Restoration at SUPSI in Lugano. Letizia Tedeschi director of the Archivio del Moderno of the Universita della Svizzera Italana since 1996, he founded this institute, defining its objectives, philosophy and scientific activity. Visiting professor at the Ecole nationale des chartes in Paris, the 'Sapienza' Universita di Roma and the Universite Paris 1 Pantheon-Sorbonne and is part of the scientific committee of the Institut national d'histoire de l'art in Paris (INHA). SELLING POINTS: . An interdisciplinary look that also involves sites, workshops and geographical areas little considered by studies with new high definition images . Investigation into the formal but above all technical aspects and the organisation of construction sites and workshops 230 colour, 38 b/w illustrations An interdisciplinary perspective no the spread and development of the stucco technique between the 16th and 18th centuries, and the different forms it took throughout Europe. Text in English and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.