jan ernst adlmann (36 resultados)

Softcover. Condición: Very Good. 96 pages.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Large hardcover in fine condition with fine dust jacket.

hardcover. Condición: Good.

Hardcover. Condición: Used - Very Good.

Original Wraps. Condición: Fine. Mild coverwear. Clean, crisp and tight pages, very nice color photo illustratins of paintings. Staple binding. Forward in english and german. Essay by Jan Ernst Adlmann.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Used-Very Good. First Edition. Pap. Slight shelf wear. Else a bright, clean copy.

Condición: Very Good. 96 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Fair. 1st Edition. Work of Richard Segalman. Bottom right corner of bindings, front and back, damaged. Signed by author. Signed by Author(s).

Hardcover. Condición: Used - Very Good.

Hardcover. Condición: Poor. Estado de la sobrecubierta: Poor. 2 This is a reading or reference copy only. Previous owner's child got to this copy. About ten pages have child doodling on them, which is not so bad. However, those pages also have some closed edge tears. One page in particular has a large open tear in the middle of the page. The dustjacket also has a few edge tears. Not an attractive copy. Not for collectors. ; 12.20 X 10.30 X 1.30 inch.

Hardcover. Condición: VG. Inscribed and SIGNED by author on front end paper. Corners lightly bumped else Fine in Fine jacket.

Wrappers. Condición: Near Fine. 96 pp., many illustrations 23 in color. Published on the occasion of the exhibition from the Cooper-Hewitt Museum, The Smithsonian Institution's National Museum of Design, New York NY November 27, 1978-February 4, 1979, Sarah Campbell Blaffer Gallery, University of Houston, Houston TX March 2-April 29, 1979, Portland Art Museum, Portland OR June 4-July 11, 1979 and The Art Institute of Chicago, Chicago IL September-November 1979. Book.

Softcover. White & illus. wraps. 96 pp. Numerous bw & color plates throughout. Accompanied a 1978-1979 traveling exhibition. Defines the style of Vienna Moderne, and profiles some of the designers who fit the bill. With an illustrated essay, a chronology, brief artist bios, and many nice illustrations. VG. Some light wear to wraps. May have owner's name written on first page.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Richard Segalman Ilustrador. Very good condition Dust jacket is clean and bright with light rubbing on back panel Spine is square; Cover boards are bright, clean and lie flat. Binding is strong and in very good structural condition Contents are clean and unmarked throughout.

Hardcover. Matte color boards. There is a dust jacket with the title in white down a multi-colored spine. Pages: (10), 11-235, (1). Profusely illustrated with color images. John Fincher has created art that celebrates what the artist terms modestly "the trappings of the American West." These "trappings" encapsulate references that are both familiar and totemic of the Great American Frontier and its mythic role as a reservoir of pride, strength, individualism and renewal. Distinguished by a singular blend of sensuality and authentic realism, his art explores diverse art historical and personal references to offer new understandings of America's natural and cultural landscapes. His images of towering poplars, pine limbs set against crystalline skies, richly hued desert hillsides, the array of colors within canopies of aspens turning, and aggressively cropped prickly pears unravel the manifold cultural meanings inscribed within representations of the mythic American West. Elsewhere, as in an enigmatic painting of a lone padlock and a suite of serially repeated images of shaving brushes, the artist transmutes commonplace objects into powerful expressions that compound the equivocal with the intensely diaristic. With essays by James Moore, William Peterson and Mila Pajes Merriman, as well as an extensive interview with the artist, this is the first comprehensive volume dedicated to John Fincher's 40 year career. - from the publisher's web site. VG+/VG+: Exlibrary book. Stamp on front free end page.

Hardcover. Condición: NF/NF. Bw-illustrated boards; brown lettering on spine. Color-illus. dj with French folds. 192 pages, 128 color illustrations. A bit oversized at 13 x 10 inches, and 6 pounds, so will require extra postage. John Fincher has created art that celebrates what the artist terms modestly "the trappings of the American West." These "trappings" encapsulate references that are both familiar and totemic of the Great American Frontier and its mythic role as a reservoir of pride, strength, individualism and renewal. Distinguished by a singular blend of sensuality and authentic realism, his art explores diverse art historical and personal references to offer new understandings of America's natural and cultural landscapes. His images of towering poplars, pine limbs set against crystalline skies, richly hued desert hillsides, the array of colors within canopies of aspens turning, and aggressively cropped prickly pears unravel the manifold cultural meanings inscribed within representations of the mythic American West. Elsewhere, as in an enigmatic painting of a lone padlock and a suite of serially repeated images of shaving brushes, the artist transmutes commonplace objects into powerful expressions that compound the equivocal with the intensely diaristic. With essays by James Moore, William Peterson and Mila Pajes Merriman, as well as an extensive interview with the artist, this is the first comprehensive volume dedicated to John Fincher's 40 year career. - from the publisher's web site.

Hardcover. Condición: Good. No Jacket. Dust jacket missing. SIGNED by the author. Shelf and handling wear to cover and binding, with general signs of previous use. Cover shows moderate scuffing; Binding is sound; Interior pages are unmarked; Secure packaging for safe delivery. signed by author.

Oblong 4to 10 1/4" tall x 11 1/4" wide. Blue cloth stamped in dark blue. Many color reproductions of his paintings. Dust jacket. MINT. Like new/ Like new.

Hardcover (Original Cloth). Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Signed by Author. Signed by Segalman Dust Jacket is in fine condition without tears or chips or other damage. Dust jacket in mylar guard. Quantity Available: 1. Category: Art & Design; Signed by Author. ISBN: 0975871307. ISBN/EAN: 9780975871300. Pictures of this item not already displayed here available upon request. Inventory No: 20983.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 144 page oblong hardcover with 98 color illustrations of Segalman watercolors. No flaws - a beautifully produced book with little, if any, use. Dust jacket is bright, complete and clean. Full blue cloth exterior with title on front cover and spine in black. Interior is unmarked, tight and clean.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 5th or later Edition. Large hardcover with dust jacket. Folio(10.25 x 12.25 in.). Signed with a dedication to sculptor Maurice Lowe and his wife Mary. Beautiful black cloth with debossed white lettering. Same treatment on the spine. Very nice condition, no marks or stains. Interior pages of high quality paper are clean, in good condition. Photo reproduction is excellent. Flat black front and rear end pages. Jacket features a full color wrap-around image of a major Moroles piece in detail. It shows little surface wear and, essentially, no edge wear. This book is really well produced with excellent photography that shows the power of Moroles' work, which is presented in chronological order. Its being signed to another prominent sculptor adds to its value. Due to the size and weight of this book, shipping will require extra charges which must be approved by the buyer.

Paperback. Condición: Fine. First Edition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition.

Paperback. Condición: Very Good. 1997 Bohlau large format English/German dual language paperback edition. Light reading wear else very good condition.

1st edition hardback with dust jacket As New quarto 226pp., col. & b/w pls., Artists inc. Ron Adams, David Anderson, Stuart Arends -- Thomas Barrow, Dirk De Bruycker, Constance De Jong, Herbert Lotz, Agnes Martin, Patrick Mehaffy, Forrest Moses, Tasha Ostrander, Florence Pierce, Ken Price, Susan Rothenberg, Luis Eligio Tapia, Richard Tuttle -- Steina and Woody Vasulka, Tom Waldron, Emmi Whitehorse, & Melissa Zink.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine copy in hardcover with fine jacket. 4to. Signed in sharpie on the photo of Moroles at the beginning of the book. Signed by Author(s).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 255pp. Black Boards, embossed white lettering.Ink inscription and signature by Moroles on the photo of him opposite the table of contents.Hundreds of color photographs of his work throughout. As new in as new pictorial jacket, "This book is a look at the work of world renowned Texas sculptor, Jesús Moroles, who has over 2,000 works in place in China, Egypt, France, Italy, Japan, Switzerland, United States, and in esteemed private, museum, corporate, and public collections. Moroles's sculptures have been included in over 300 museum and gallery exhibitions worldwide. Introduction by Peter C. Marzio, Director, Museum of Fine Arts, Houston. Text by Jan Ernst Adman. Designed by Jerry Herring". Inscribed and Signed By the Artist. Book.