james baker pyne attributed to (4 resultados)

No Binding. Condición: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed 'Nel Foro Romano . The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Remains of glue on borders of verso from its mounting. 47.5cm by 32cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Condición: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Foro Romano Aprile 1854. The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Spotting to the paper. Remains of glue on borders of verso from its mounting. 49.1cm by 32.4cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Condición: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Al Foro Romano April 1854. The sketch comes from a collection of others by James Baker Pyne, including further sketches of the Roman Forum dated 1854, consistent with a year he was in Italy. The sketch has been removed from a mount; fragment of another pencil sketch on verso. Remains of glue on borders of verso from its mounting. 50.5cm by 31.2cm. Rectangular. James Baker Pyne (1800-1870) was a well-known English landscaper painter who was heavily influenced by J.M.W. Turner.

No Binding. Condición: Very Good. Large pencil sketch and study of ruins at the Roman Forum in Rome, inscribed Al Foro Romano, Aprile 1854 . The sketch comes from a collection of others by James Baker Pyne and is consistent with a year he was painting in Italy. The sketch is coming loose from the mount; writing on the verso pictured that may be also consistent with Pyne s handwriting. 42cm by 29.7cm. Rectangular, in mount.