jack disney (93 resultados)

paperback. Condición: Very Good. Illustrated by CASSELL, BOB Illus Ilustrador. first edition,1p; first printing". VERY GOOD CONDITION PAPERBACK,solid copy; small mountain lion kitten cover photo. (original cover pr ice 45C).Back cover photo shows large puma on car rooftop. ; 78pg pages; . "based on the WALT DISNEY MOTION PICTURE" cover banner.

Magazine Format. Condición: Very Good. First Edition. Summer 1965, Magazine Format, First Edition. A wonderful, vintage Disneyland publication. Condition: creases to binding and upper corners of pages, lightly age toned; else overall Very Good. Text is readable, photos clear. This issue includes articles such as "Great Moments with Mr. Lincoln," "There's Magic in this Kingdom" (all about Disneyland), "World's Most Famous Berry Farm," information about Disneyland (with two-page map), "Tips for Travelers," "Vacationland Highlights," "Disneyland Services," and more. Wonderful vintage advertising throughout, including Aunt Jemima's Kitchen, United Airlines, Marineland, Knott's Berry Farm & Ghost Town, Mission San Fernando, Danish Village Breads, Santa Monica, and more. Historical. Collectible. Note: We are a well-established, well-respected, ethical book dealer in business since 1991. We describe the condition of our books thoroughly and honestly, so you'll know exactly what you will be receiving when you order. We ship promptly.

vg+/vg, mild corner bump, dj edge chips/tears, bright & tight. size 6x9 with 190 pages, wonderful nature scenes. Illustrated by photographs thruout. 1st printing edition. Binding is hc.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Magazine. Condición: Very Good. First Edition. Articles include - DISNEY'S EVERGREEN GOLD MINE - CARD WALKER TELLS HOW PROPERLY TIMED REISSUES REPLENISH COMPANY CASH BY WILLIAM TUSHER - FERNANDO LAMAS DIRECTS, WALTER READE AGREES TO TAKE A CODE RATING, METROMEDIA PLANS MORE THAN 20 SPECS THIS YEAR, NACY HANKS NAMED REPLACE ROGER STEVENS, ALICE'S RESTAURANT TOPPLES RECORDS, RENEE VALENTE SEEKS UNKNOWN, JULIAN GOODMAN NAMED NBC'S CHIEF OFFICER, MCA FIRESTONE DEAL EXPECTED WIND TWO WEEKS, LALA ELECTED PARA SENIOR V-P, JACK JONES APPEARING AT THE SANDS AD.

Hardcover. Condición: Good-. Frontispiece by Walt Disney Ilustrador. 1st Edition. See photos for condition details. Hardcover, blue cloth boards with gilt text on front and spine. Exterior shows quite a bit of spotting to the cloth which is caused by the finish degrading. Spine is heavily affected as well. Internal binding is good except for some very small openings at the top of the board hinges, these measure an inch or less. Front pastedown has a small sticker in the bottom stating the book was originally sold through The Organ Literature Foundation of Nashua N.H. Front end page also has small embossed initials in the bottom right corner which read A.T.O. - meaning this book was assigned to the Association of Theater Organists. No other owner markings found in book. Pages are tone due to age and some minor spotting and foxing is present, the end pages show quite a bit of foxing though. Title page states first edition and frontispiece is a color illustration by Walt Disney of Snow White and the Seven Dwarfs with Grumpy playing a large organ.

Hardcover. Condición: Très bon. Couverture différente. Edition 2006. Tome 7. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2006. Volume 7. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condición: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Magazine. Condición: Fine. First Editon. Articles include - THE MAKING OF WOLF BY SHELDON TEITELBAUM, THE SHADOW KNOWS BY MARK A. ALTMAN, FILMING NECRONOMICON BY DENNIS FISCHER & STEVE BIODROWSKI, SINISTER SENTINEL BY JULIE CARMEN; ALIENATED BY LES PAUL ROBLEY, JEFFREY COMBS - RE-ANIMATOR, HAUNT COUTURE - LISA TEMMING, CABIN BOAYBY STEVE BIODROWSKI, BARBARA STEELE INTERVIEW, CTHUL-WHO? BY RANDY PALMER, POINT-COUNTERPOINT BY ANTONY MONTESSANO.

Condición: good. Daan Jippes; Tony Strobl; Carl Barks; Don Rosa; Jack Bradbury; Daniel Branca; Vicar; Wanda Gattino Ilustrador. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Comic. Condición: Good. ; A 1934 comic; the cover has come apart from the body of the comic, and the remainder of the comic has started to come away from the staples as well; contents include W. E. Johns content includes Captain Justice, Robin Hood, article on Laurel & Hardy, Biggles in Wings of Fortune Episode 4 of 7 (Serialisation of the book "Cruise of the Condor") ; Biggles; Vol. 14; 4to 11" - 13" tall.

Comic. Condición: Good+. ; A 1934 comic; the cover has come apart from the body of the comic, and the remainder is held together with 1 staple; contents include W. E. Johns content includes Captain Justice, Robin Hood; Jimmy Rock's Freak's; Biggles in Wings of Fortune Episode 3 of 7 (Serialisation of the book "Cruise of the Condor") ; Biggles; Vol. 14; 4to 11" - 13" tall.

1931. (Mass market paperback) Good to very good. Spine worn and chipped. November, 1931. Full page Disney cartoon: "Mickey Mouse's Musical Career". The BRUTE by Conrad. Don Marquis. FLUSH of GOLD by Jack London. The IDEAL LOVER by Wilde. A LOST LADY by Cather. And more.

Soft cover. Condición: Very Good. Ron Miller Illustrated Cover. Ilustrador. PBO (Paperback Original) True First Ed. RARE Book; a MUST HAVE item for any TRUE FAN of Uncle Scrooge or CARL BARKS; >>> Other than the cover illo, this book is NOT illustrated; >> 5-3/8" x 8-1/2" Size; >> Limited Print Run of ONLY 2000 copies; 76 pages including Covers; >> Includes; (1) Ancestry, (2) Making It, (3) Keeping It, & (4) Barks Scrooge Bibliography, by Kim Weston; Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st ed., 1st printing ; xix, 127 pages : illustrations ; 26 cm ISBN 9780252015533, 0252015533 OCLC 17676686 LCCN 88004825 LC KF5692 .C67 1989 Dewey 346.73045 and 347.30645 ; grey cloth in pictorial dustjacket ; Contents : Aesthetics in the Museum and in the Courthouse -- East side, west side all around the town (and nation) -- The case for coherence -- Aesthetics at any price opr no aesthetics at all -- The case for legal aesthetics -- Aesthetics and the Legal System -- The swinging pendulum -- A blessed union? -- A return to first principles -- Legal Aesthetics and legal institutions -- Icons and Aliens -- A format for aesthetics controversies -- The aesthetics impulse: Beauty as a nonstarter -- Aesthetics and Process Values -- Legal language and lay language -- Process and end-state values: Pathways to accommodation -- Epilogue -- Notes -- Index ; Discusses issues surrounding the daily war being fought in cities across the country--developmental change and business growth versus historic preservation. Can there be a meeting of the minds beween those who strive to preserve our environment and historical landmarks and those who continue to try to meet the needs of a changing society? publisher's promotional materials laid in, associated with a Kiwanis Club presentation to Memphis area Law alumni ; SIGNED letter to attorney Richard W. Foster from the author with comments upon the city of Memphis, laid-in with envelope ; John Costinis was dean of the Vanderbilt Law School who previously taught in the urban design, historic preservation and property fields on the law faculties of New York University and Illinois. A frequent contributor of essays on design and land use topics to legal and lay publications, Costonis was also the author of Space Adrift, Landmark Preservation and the Marketplace, a seminal study of the use of incentive zoning to finance the preservation of endangered urban landmarks. ; Allan Jacobs was was a professor of environmental design, University of California at Berkeley and the former director of planning, Department of City Planning, San Francisco ; includes discussions about the Zucchini on Park Avenue, East Side buildings on Manhattan's West Side, Billboards along a scenic Arizona highway, Sodium vapor lamps in downtown Bronxville, An international style tower atop the Beaux Arts Grand Central Terminal, a Con Ed pumping station on Storm King Mountain, the Transamerica Building in San Francisco, McDonald's Speedee Service Drive-in, Goodyear Airdock, Isaac I Rice Mansion, Upper East Side Historic District, ; inlcudes numerous New Yorker cartoons and black and white photographs ; FINE/FINE. Signed by Author(s). Book.

Couverture rigide. Condición: bon. RO70172042: 2007. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 57 pages - nombreuses photos et illustrations en couleur dans le texte - contreplats et pages de garde illustrées en couleur. . . . Classification Dewey : 843.0693-BD adultes.

Hardcover. Condición: Near Fine. 1st Edition. 96 pp. Hardcover, bound in printed boards with dustjacket. Light shelf-wear. Signed by Jack Hannah, often credited with developing, if not creating, the personality of the animated version of Donald Duck, cited by Disney historian Jim Korkis as "Donald Duck's Other Daddy.". Signed by Illustrator(s).

Condición: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

[18] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held December 7 - January 25, 1981. Watercolors selected by Brooks Adams, Martha Beck, Jack Boulton, Paul Cummings, Donald Droll, Klaus Kertess, Beatrix Medinger and Roberta Smith. Artists included Alan Saret, Gary Bower, William Allan, Mimmo Paladino, Barbara Novak, Richard Tuttle, Robin Bruch, Stephen Mueller, Michael Tetherow, Robert Kushner, George Sugarman, Judy Pfaff, Carroll Dunham, Stephen Ellis, Nancy Mitchnick, John Torreano, Nancy Spero, Judith Linhares, Wes Disney, Ellen Phelan, Lucio Pozzi, Edith Gauthmey, Frank Moore, Gioia Timpanelli, Sondra Freckelton, Saul Steinberg, Jack Youngerman, Robert Kitchen, William Garbe and Thomas Lo Cicero. Fair. Significant wear to bottom edges of publication including yellowing, soiling and bumping. 4 mm. tear to right side recto edge. 4 mm. tear to left side edge of verso. 7 mm. dog-ear to upper right corner of recto and 1.2 cm. dog-ear to bottom left corner of recto. 3.3 cm. of yellow to bottom edge of verso, continuing through to interior pages. Additional handling wear and rubbing.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney of a typical day in the Disney Studios story department. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989). This illustration appears on page 76.Ó In the drawing a group of men from the story department are facing a large wall with several bulletin boards holding various drawings that the team is working on as they develop a cartoon. One of the boards has a bulls eye dart board on it, and the staffers are throwing push pins at it instead of being serious about their work. One of the fellows has the unfortunate task of crawling around on his hands and knees gathering fallen pins into a tray while his colleagues throw pins over his head. The caption reads: ÒStory Meeting. Indoor Sport Push Pin Throwing.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney titled ÔThe Background DepartmentÕ depicting two Disney animators: Emil Flohri sitting at his desk with a paintbrush in hand working on a piece with Carlos Manriquez standing in front of him flexing his arm and smiling. The accompanying text on the drawing reads: ÒEmil Flohri was at one time the editor of Life Magazine.Ó and ÒCarlos played hand ball - so one arm was larger than the other.Ó With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing appeared in the final published version of the book in Chapter 1, ÔOff the Street, into the TrenchesÕ on page 19 and both men are mentioned in ÔNotes on the CharactersÕ section at the end of the book. Near fine condition with just a trace of handling. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. ÊIn 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Hardcover. Condición: Fine. Jack Smith Ilustrador. 1st Edition. a fine large original ink and watercolor drawing from the animator artist Jack Smith, signed by him in ink of Guy Williams as the original star of Zorro, produced by the Walt Disney Studios in 1957 dressed as in the happy California Robin Hood with a background of the Hollywood studios with sword in hand measures 20 by 25 inches on matte board. excellent rendering of Zorro. A real sample of Californiana and Disney. By the Artist.

Original ink & pencil drawing by Disney animation artist Jack Kinney for his book Walt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney (Harmony Books, 1989), however this drawing did not appear in the book. The drawing is titled ÒWhen Knighthood Was in FlowerÓ and shows a knight in full armor watering a potted flowering plant on the ground at his feet from a spigot protruding from his lower torso, with a castle in the background. Includes a signed letter of authenticity. Near fine condition with just a trace of handling. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Original ink & pencil drawing by Disney animation artist Jack Kinney for his book Walt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney (Harmony Books, 1989), however this drawing did not appear in the book. The drawing depicts the end of WWII when people at the studio would return from war duty with the text, ÒSoon the Boys and Girls Returned.Ó It has Ò1946Ó and ÒPEACEÓ drawn at the center of the page with a cartoon chicken below the text for comic effect. Includes a signed letter of authenticity. With a 1 1/4 inch tear to the left edge, else near fine condition with just a trace of handling. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

First Edition. Signed by the author / illustrator, Jack Kinney, and with a large original drawing signed,ÒThanks, Jack Kinney.Ó The drawing is of Mr. Magoo standing outside leaning in close to read a sign which says ÒKeep off the grass.Ó while he says, ÒConfound it I want to buy a book!Ó In the background is a sign reading ÒTo LowryÕs BooksÓ pointing in the opposite direction. Foreword by film critic and historian Leonard Maltin. Fine in a fine dust jacket. Extensively illustrated. Jack Kinney started working with Disney as an animator in 1931, working on Mickey Mouse cartoons and eventually had major roles working on ÔPinocchioÕ, ÔDumbo,Õ and ÔPeter Pan.Õ He received five Academy Award nominations and won an Oscar for ÔDer FuhrerÕs Face.Õ.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney showing Disney story man Harry Reeves working on an idea. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989). This illustration appears on page 67.Ó In the drawing Kinney shows Reeves hard at work, struggling for a story idea, shaking his head with a cloud of dandruff flying, as he says, ÒSon of a Buck.Ó The caption reads, ÒHarry ÔSnackeryÕ Reeves had dandruff and a nervous habit of tugging his collar while trying to think of a gag or piece of ÔbusinessÕ.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney of a practical joke being played on story man Honor Brightman. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This complete drawing did not appear in the final published version of the book, however part of it appears on page 89 as an illustration for an anecdote about Disney story man Honor Brightman. In the full drawing Brightman is wearing only an undershirt and boxers as he excitedly provides the voices of various Disney characters while a man in a radio booth directs him. The gist of the gag was that, in rehearsal for a radio spot, the director convinced Brightman to remove one item of clothing after the next, telling him that the sound quality was being distorted by his clothes. For the published version, we see only the part of the drawing with Brightman in his underwear, holding a script, as he speaks into the mike. Kinney has written ÒTake 97, Roll it.Ó above the director in the sound booth and ÒHi-Ya Minnie, HÕLo Pluto, Arf, Arf, Heh, Heh, Heh.Ó above Brightman. The drawingÕs caption reads ÒAudition.It was a Hot Night.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney of a group of his colleagues. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. The drawing shows a line-up of KinneyÕs fellow Disney staffers, featuring Ralph Wolf, Hal Adelquist, and Marion OÕCallahan, with a caption reading, ÒNot all the Bad-Men and Women Play Villains in the Westerns.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.

Original ink & pencil drawing signed by Disney animation artist Jack Kinney showing a game of gin being played at the office. With a printed authentication certificate from Cartoons & Comics of Burbank, CA hand-signed by Howard Lowery, the internationally known Walt Disney and cartoon art expert, authenticating the drawing as Òan original work of art by the distinguished Walt Disney animator and director Jack Kinney. It was created as an illustration for his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at DisneyÕ (Harmony Books, 1989).Ó This drawing did not appear in the final published version of the book. The drawing shows two Disney staffers playing a game of gin at a desk in the studio offices, with the caption, ÒKeeping OneÕs Hand In.Ó Fine condition. Jack Kinney (1909 - 1992) was hired by Walt Disney in 1931, the early days of the Depression, to work at the Walt Disney Studio on Hyperion Avenue in East Hollywood. His beginning career includes his work on several shorts, including Santa's Workshop (1932), The Band Concert (1935), and Moose Hunters (1937). He went on to become a director of cartoons, working on the features Pinocchio and Dumbo, but he really shined in the shorts department, where his Goofy cartoons are among the best to come out of the Disney Studios. He received five Academy Award nominations and won an Oscar for the 1943 cartoon ÔDer FuhrerÕs Face,Õ the only Donald Duck film to win an Academy Award. In 1959, Jack left Disney to start (with his brother Dick) Jack Kinney Productions, an independent animation studio. In his book ÔWalt Disney and Assorted Other Characters. An Unauthorized Account of the Early Years at Disney,Õ Kinney recounts the highs and lows of daily life as a member of the creative department at Disney, where the staff referred to themselves as ÔinmatesÕ and the practical jokes and camaraderie provided rich material for the gags and scenes that they created for the screen. Working for Walt Disney could be as inspiring as it could be frustrating and his book presents an insiderÕs perspective with great humor and candor. He puts it best in his introduction: ÒThese are my personal recollections of the Disney Studio where I worked for more than a quarter-century. It is the story of the little people, the strivers, the doers. It is about the pranks, the gags, the human foibles we remember so lovingly, and about the growing pains suffered by all involved. The Golden Age of Animation was a glorious experience.Ó.