hywel dix (206 resultados)

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Hardcover. Condición: Very Good+. Lightly crimped corner, otherwise text clean and tight; no dust jacket; 8vo 8" - 9" tall; 224 pages.

Hardcover. Condición: As New. Hardcover with printed boards, no jacket. Shows light shelf wear, otherwise as new. Pages are clean and unmarked. No notes or highlighting.

Condición: Used - Very Good. VG paperback. New edition, 2013. A very nice copy, almost as-new.

Paperback. Condición: New. This book, based on a conference organised by The Friends of Mr Biswas, explores the writing careers of Seepersad Naipaul and his two sons, Vidia and Shiva, within the sustenance and sometimes pain of family connections -- synergies that V.S. Naipaul laboured to conceal, as the publishing histories of his father's collection of short stories and Letters between a Father and Son both show. Essays by Brinsley Samaroo and Aaron Eastley focus on Seepersad Naipaul's importance as a journalist who opened up what was hidden in Trinidadian society, who boldly creolised reporting styles and offered his sons an example of the possibilities of combining fiction and non-fiction. Arnold Rampersad, in his moving essay on his journalist father, Jerome, further makes the case for seeing a tradition of Trinidadian newspaper writing that achieves literary quality. Not only is the father given long-overdue attention, but so too is the work of Shiva Naipaul, exploring the same family territory in his deservedly classic novel, Fireflies.Essays find new things to say about V.S. Naipaul: Andre Bagoo writes on his fascination with gay sexuality and cinema (another essay deals with the themes of sadomasochism and incest), Hywel Dix advances the idea of "lateness", in an insightful reading of Magic Seeds, whilst other essays focus on issues of race, gender and globalisation in the Naipauls' work. Kevin Frank, for instance, explores the contrast between the father's engagement with Creole society, and his sons' recoil, and Elizabeth Jackson and Paula Morgan write respectively on masculinity and motherhood in the Naipauls' work.Seepersad and Sons is highly readable because contributors to this book have followed the example and urging of the keynote speaker, Professor Kenneth Ramchand, to address readers beyond an academic circle, and convey the importance of the Naipauls and their literary heritage to the wider society. Literary contributions from Sharon Millar, Raymond Ramcharitar and Keith Jardim make connections with the Naipaulian legacy that show just how alive it is. Robert Clarke provides a visual dimension to the book in a photo essay on the St James district of Port of Spain and J. Vijay Maharaj writes on the complementary art of Shastri Maharaj.Contributors include: Kenneth Ramchand, Vijay Maharaj, Bhoendradatt Tewarie, Nicholas Laughlin, Aaron Eastley, Brinsley Samaroo, Arnold Rampersad, Robert Clarke, Andre Bagoo, Sharon Millar, Keith Jardim, Raymond Ramcharitar, Kevin Frank, Jim Hanna, Hywel Dix, Elizabeth Jackson, Paula Morgan, Fariza Mohammed, Meghan Cleghorn, Varistha Persad and Nivedita Misra.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This is the first comparative study of the distinctive literatures and cultures that have developed in Wales, Scotland, England and Northern Ireland since political devolution in the late 1990s, especially surrounding Brexit. The book argues that in conceptualising their cultures as 'national', each nation is caught up in a creative tension between emulating forms of cultural production found in the others to assert common aspirations, and downplaying those connections in order to forge a sense of cultural distinctiveness. The author explores the resulting dilemmas, with chapters analysing the growth of the creative industries; the relationship between UK City of Culture and its forerunner, the European Capital of Culture; national book prizes in Britain and Europe; British variations on Nordic Noir TV; and the Brexit novel. With regard to separate cultural precursors and responses in each nation, Brexit itself is debated as a factor that has widened their differences, placing the future of the UK in question.

Condición: New. In.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Brand New. new edition. 225 pages. 8.50x5.50x0.75 inches. In Stock.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New.

Paperback. Condición: New. Autofiction and Cultural Memory breaks new ground in autofiction research by showing how it gives postcolonial writers a means of bearing witness to past cultural or political struggles, and hence of contributing to new forms of cultural memory.Most discussion of autofiction has treated it as an individualistic form, dealing with the personal growth of its authors. In doing so, it privileges narratives of private development over those of social commitment and accords with Western concepts of ownership and authorship. By contrast, Hywel Dix shows how a variety of writers outside the Western world have used the techniques of autofiction in a different way, placing themselves on the side lines of their own stories to show solidarity with struggles against imperialism and tyranny.Drawing on examples from Algeria, Ethiopia, the Caribbean, the Americas, India and Turkey, Dix presents autofiction as a form which combines the life stories of authors with the collective struggles of their societies to restore to view historical injustices that have been marginalised and forgotten. By contributing to new forms of cultural memory, autofiction raises important questions about what we choose to remember and what we value in the present. This book will be of interest to anyone working in postcolonial studies, world literature, trauma studies, autobiography, life writing or social justice.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

1st edition. 8vo. Prelims. + 216pp. Original pictorial white boards lettered in blue and black, near fine. ISBN 9781350030060 US$12.

Condición: New. Series: Writing Wales in English. Num Pages: 224 pages. BIC Classification: 1DBK; DSK. Category: (G) General (US: Trade). Dimension: 139 x 216 x 20. Weight in Grams: 340. . 2013. Paperback. . . . .

Paperback. Condición: New. This book, based on a conference organised by The Friends of Mr Biswas, explores the writing careers of Seepersad Naipaul and his two sons, Vidia and Shiva, within the sustenance and sometimes pain of family connections -- synergies that V.S. Naipaul laboured to conceal, as the publishing histories of his father's collection of short stories and Letters between a Father and Son both show. Essays by Brinsley Samaroo and Aaron Eastley focus on Seepersad Naipaul's importance as a journalist who opened up what was hidden in Trinidadian society, who boldly creolised reporting styles and offered his sons an example of the possibilities of combining fiction and non-fiction. Arnold Rampersad, in his moving essay on his journalist father, Jerome, further makes the case for seeing a tradition of Trinidadian newspaper writing that achieves literary quality. Not only is the father given long-overdue attention, but so too is the work of Shiva Naipaul, exploring the same family territory in his deservedly classic novel, Fireflies.Essays find new things to say about V.S. Naipaul: Andre Bagoo writes on his fascination with gay sexuality and cinema (another essay deals with the themes of sadomasochism and incest), Hywel Dix advances the idea of "lateness", in an insightful reading of Magic Seeds, whilst other essays focus on issues of race, gender and globalisation in the Naipauls' work. Kevin Frank, for instance, explores the contrast between the father's engagement with Creole society, and his sons' recoil, and Elizabeth Jackson and Paula Morgan write respectively on masculinity and motherhood in the Naipauls' work.Seepersad and Sons is highly readable because contributors to this book have followed the example and urging of the keynote speaker, Professor Kenneth Ramchand, to address readers beyond an academic circle, and convey the importance of the Naipauls and their literary heritage to the wider society. Literary contributions from Sharon Millar, Raymond Ramcharitar and Keith Jardim make connections with the Naipaulian legacy that show just how alive it is. Robert Clarke provides a visual dimension to the book in a photo essay on the St James district of Port of Spain and J. Vijay Maharaj writes on the complementary art of Shastri Maharaj.Contributors include: Kenneth Ramchand, Vijay Maharaj, Bhoendradatt Tewarie, Nicholas Laughlin, Aaron Eastley, Brinsley Samaroo, Arnold Rampersad, Robert Clarke, Andre Bagoo, Sharon Millar, Keith Jardim, Raymond Ramcharitar, Kevin Frank, Jim Hanna, Hywel Dix, Elizabeth Jackson, Paula Morgan, Fariza Mohammed, Meghan Cleghorn, Varistha Persad and Nivedita Misra.