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EUR 36,74
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Añadir al carritoHardcover. Condición: new. Hardcover. Since the mid-2000s, Swiss artist David Hominal has been one of the most original and vigorous voices of the contemporary art scene. Working primarily with paintingprincipally in serieshe also explores sculpture, drawing, film, printmaking, performance and installation. His multifaceted work is the offspring of an exceptionally intense relationship with the world. It is a place where images drawn from both personal and everyday sources interact; where disciplines such as dance, music and the visual arts converge.This first monograph on his oeuvre offers an overview of his practice, underlining his engagement in representation, expression of the self and the traditions of art and art history. As French art critic and curator Stephanie Moisdon states in her commissioned essay: "Hominal's oeuvre stands firm in the middle of the contemporary tumult, neither reveals nor conceals any hidden part. It stands there, in the entire coarseness of its appearance. No tongue-in-cheek humor, no false flooring, illusion or trickery. His painting expresses only what it shows, diverting the endeavors, as tiring as they are many, to clarify and reveal. In his work there is a constant oscillation between homage and dismantling, between too much and too little, between the elimination (of sources, of contexts) and the appropriation (of sensations, of intensities), from which bare forms arise." A second essay by Laurence Schmidlin, Musee Jenisch Deputy Director and Head of the Cabinet cantonal des estampes, analyzes Hominals practice and relationship to printmaking in the global context of his work.David Hominal was born in 1976 in Evian, France. He graduated from ECAL (Lausanne) and is now based in Berlin. He exhibited recently at Helmhaus, Zurich; Centre dart contemporain, Geneva; Kunsthalle Bern, Bern; and the Swiss Institute, New York. Recent exhibitions include a solo show at Le Consortium, Dijon, and at Musee Jenisch Vevey (on the occasion of which this volume is published). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 34,43
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Añadir al carritoHardcover without dustjacket as issued, 64 pages; in French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Idioma: Inglés
Publicado por Jrp Ringier Kunstverlag Ag, 2016
ISBN 10: 303764463X ISBN 13: 9783037644638
Librería: Revaluation Books, Exeter, Reino Unido
EUR 47,01
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Añadir al carritoHardcover. Condición: Brand New. 63 pages. 11.25x8.00x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Jrp Ringier Kunstverlag Ag, 2016
ISBN 10: 303764463X ISBN 13: 9783037644638
Librería: Revaluation Books, Exeter, Reino Unido
EUR 47,01
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Añadir al carritoHardcover. Condición: Brand New. 63 pages. 11.25x8.00x0.75 inches. In Stock.
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Añadir al carritohardcover. Condición: Gut. Seiten; 9783037644638.3 Gewicht in Gramm: 1.
EUR 74,24
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Añadir al carritoHardcover. Condición: new. Hardcover. Since the mid-2000s, Swiss artist David Hominal has been one of the most original and vigorous voices of the contemporary art scene. Working primarily with paintingprincipally in serieshe also explores sculpture, drawing, film, printmaking, performance and installation. His multifaceted work is the offspring of an exceptionally intense relationship with the world. It is a place where images drawn from both personal and everyday sources interact; where disciplines such as dance, music and the visual arts converge.This first monograph on his oeuvre offers an overview of his practice, underlining his engagement in representation, expression of the self and the traditions of art and art history. As French art critic and curator Stephanie Moisdon states in her commissioned essay: "Hominal's oeuvre stands firm in the middle of the contemporary tumult, neither reveals nor conceals any hidden part. It stands there, in the entire coarseness of its appearance. No tongue-in-cheek humor, no false flooring, illusion or trickery. His painting expresses only what it shows, diverting the endeavors, as tiring as they are many, to clarify and reveal. In his work there is a constant oscillation between homage and dismantling, between too much and too little, between the elimination (of sources, of contexts) and the appropriation (of sensations, of intensities), from which bare forms arise." A second essay by Laurence Schmidlin, Musee Jenisch Deputy Director and Head of the Cabinet cantonal des estampes, analyzes Hominals practice and relationship to printmaking in the global context of his work.David Hominal was born in 1976 in Evian, France. He graduated from ECAL (Lausanne) and is now based in Berlin. He exhibited recently at Helmhaus, Zurich; Centre dart contemporain, Geneva; Kunsthalle Bern, Bern; and the Swiss Institute, New York. Recent exhibitions include a solo show at Le Consortium, Dijon, and at Musee Jenisch Vevey (on the occasion of which this volume is published). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Alemán
Publicado por Genève: Centre d'Edition Contemporaine, 2013., 2013
Librería: Antiquariat Im Seefeld / Ernst Jetzer, Zürich, Suiza
Original o primera edición
EUR 45,04
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Añadir al carritoCondición: Sehr gut. Erstausgabe. Unpag. (164 S.), 4°, Kart., mit farbigen Abb. Sprache(n)/language(s): deSehr guter Zustand.
Idioma: Alemán
Publicado por Genève : Centre d'édition contemporaine, 2013
Librería: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Alemania
EUR 43,00
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Añadir al carritoCondición: Gut. [164] S. Ein gutes und sauberes Exemplar. - Through the Windows -- Nature Morte in Front of the Window -- WINDOWS & ANANAS -- Ni le soleil ni la mort. -- From Desmond -- Cigarette paper & gouache -- Leonardo da Vinci & Chocolate Paper -- ONION & BREAD and REPRESSION: .ciao, ciao, ciao., .politics, politics, politics. -- ONION (Red) I-V, .sorry, sorry, sorry., .kiss, kiss, kiss. et BREAD -- Royal Blue -- Violet Dark -- Sap Green -- Prussian Blue, A Tribute to What, 21Fet KlasA -- Inszenieren ist Lieben -- Study for Green I & II and Red I & II. Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.