Hickey ray (19 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. 1st.

Single Issue Magazine. Condición: Good. First Edition. Chicago: Ziff-Davis Publishing Company. 1947. First Edition. Softcover. Pulp magazine. Pictorial wrappers 6.75" x 9.75", 178 pages, illustrated. Includes "Tomorrow and Tomorrow" by Ray Bradbury. Good only copy tearing to the spine, creasing and edge wear and scattered chipping to the covers, pages toned. See Photos. mag 27. cover by Robert Gibson Jones (ilustrador).…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New. In English.

SingleIssueMagazine. Condición: Good. Vol. 1, No. 1. First issue of this long-lived magazine. Edited by Howard Browne. Front cover art by Barye Phillips and L. R. Summers; rear cover color photograph by Frank Lerner. Includes "Six and Ten are Johnny" by Walter M. Miller, Jr.; "For Heaven's Sake" by Sam Martinez; "'Someday They'll Give Us Guns'" by Paul W. Fairman; "Full Circle" by H. B. Hickey; "The Runaway" by Louise Lee Outlaw; "The Opal Necklace" by Kris Neville; "The Smile" by Ray Bradbury; "And Three to Get Ready" by H. L. Gold; "What If" by Isaac Asimov; "Professor Bingo's Snuff" ('Classic Novel') by Raymond Chandler. Illustrated by Virgil Finlay, David Stone, Ed Emsler, Ed Valigursky, Robert Kay, L. R. Summers, and L. Sterne Stevens. Spine losses; covers glued on at hinges; edgechipping; creasing; tanning.minor soiling. Book.…

Third printing (as stated upon copyright page; first published 1965). xiv, 209 pages. Hardcover: H 23.5cm x L 15.75cm. Dust jacket rubbed; 3.5cm deep chip at spine head; tears and other lesser chips at edges. Light green boards; bumping/wear at spine ends and board corners. Small stain at center fore-edge. Light toning to endpaper; past owner's ink signature on front free endpaper; interior pages are otherwise clean. Binding retains some crispness.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Original Cloth. Condición: Very Good. 1st Edition. First UK edition. This edition does not include four of the stories from the first US edition which was published by Pellegrini & Cudah in 1953. Boards have slight bumping and fading to the spine. Light surface discolouration to the front panel. Page edges are browned. Trace of a price in pencil to the front free endpaper but the pages are otherwise clean and unmarked. No jacket. First printing. …

SingleIssueMagazine. Condición: Very Good. Vol. 9, No. 3. Pulp magazine. Edited by Raymond A. Palmer. Cover art by Robert Gibson Jones for "The Tale of the Red Dwarf" (short novel) by 'The Red Dwarf' [Richard S. Shaver]. Includes "Meet My Mummy" (novelette) by Elroy Arno [Leroy Yerxa]; "Painting of the Prophet" by David Wright O'Brien; "When the Spirit Moves Me" by Lee Francis [Yerxa]; "Tomorrow and Tomorrow" by Ray Bradbury; "The Emperor's Eye" (novelette) by Lee Yerxa; "Shades of Henry Morgan" (novelette) by H. B. Hickey. Features: "The Editor's Notebook"; "The Man Who Mapped the Brain" by Gary lee Horton; "The Luck That Failed" by Pete Bogg; "Romance of the Elements: Hafnium" by Rod Ruth; "Human Electricity" by Jerry Walsh; "Flight Against Time" by H. R. Stanton; "The Pirate Barbarossa" by June Lurie; "Out of Any War" by Alexander Blade; "The Green Tower" by Sandy Miller; "Reader's Page"; "Animals Know" by Pete Bogg; "Disappearance of the Wolf-Men" by Jon Barry. Illustrated by Henry Sharp, Magarian, Gray, Brady, Virgil Finlay, and J. Allen St. John. Creasing; rubbing; tanning; spine a little sunned. Book.…

SingleIssueMagazine. Condición: Very Good+. Vol. 9, No. 3. Pulp magazine. Edited by Raymond A. Palmer. Cover art by Robert Gibson Jones for "The Tale of the Red Dwarf" (short novel) by 'The Red Dwarf' [Richard S. Shaver]. Includes "Meet My Mummy" (novelette) by Elroy Arno [Leroy Yerxa]; "Painting of the Prophet" by David Wright O'Brien; "When the Spirit Moves Me" by Lee Francis [Yerxa]; "Tomorrow and Tomorrow" by Ray Bradbury; "The Emperor's Eye" (novelette) by Lee Yerxa; "Shades of Henry Morgan" (novelette) by H. B. Hickey. Features: "The Editor's Notebook"; "The Man Who Mapped the Brain" by Gary lee Horton; "The Luck That Failed" by Pete Bogg; "Romance of the Elements: Hafnium" by Rod Ruth; "Human Electricity" by Jerry Walsh; "Flight Against Time" by H. R. Stanton; "The Pirate Barbarossa" by June Lurie; "Out of Any War" by Alexander Blade; "The Green Tower" by Sandy Miller; "Reader's Page"; "Animals Know" by Pete Bogg; "Disappearance of the Wolf-Men" by Jon Barry. Illustrated by Henry Sharp, Magarian, Gray, Brady, Virgil Finlay, and J. Allen St. John. Tanning; a little creasing; standard wear and tear at edges, but much less than usual. Book.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: New. 1st.

Hardcover. Condición: New. John Chamberlain rose to prominence in the late 1950s with energetic, vibrant sculptures hewn from disused car parts, achieving a three-dimensional form of Abstract Expressionism that astounded critics and captured the imaginations of fellow artists. For a seven-year period in the mid-1960s, the artist abandoned automotive metal and turned to other materials. Motivated by scientific curiosity, Chamberlain produced sculptures in unorthodox media, such as urethene foam, galvanized steel, paper bags, mineral-coated Plexiglas and aluminum foil. Since returning in 1972 to metal as his primary material, Chamberlain limited himself to specific parts of the automobile, adding color to found car parts, dripping, spraying and patterning on top of existing hues to an often wild effect. In recent years, the artist has embarked on the production of a new body of work that demonstrates a decided return to earlier themes. John Chamberlain: Choices accompanies the Guggenheim Museum exhibition, which comprises 95 works, from the artist's earliest monochromatic iron sculptures to the outsized foil creations he is working on today, encompassing shifts in scale, material and methods informed by the collage process that has been central to Chamberlain's working method. This fully illustrated exhibition catalogue includes essays by Susan Davidson, Donna De Salvo, Dave Hickey, Adrian Kohn and Charles Ray with an extensive chronology by Helen Hsu and a lexicon by Don Quaintance.…