Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 25,15
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 25,37
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 33,97
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Lars Muller Publishers, CH, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 44,00
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The publication analyzes the 30 000 sequences selected by the public. A detailed demonstration ofthe applied algorithms helps us to understand the connection between the photographs, the number of times they were chosen by an individual visitor, and how the visitors named their personal selection of images. The book traces the creative processes and the interaction of the visitors with the material of the installation as a work of art highly dependent on the involvement of the audience. Essays by curators and art historians discuss the subject on a theoretical level while examining the aspects of participation and emancipation as well as the question of the autonomy of images.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 41,67
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: medimops, Berlin, Alemania
EUR 37,19
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 31,70
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Lars Muller Publishers, CH, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 49,19
Cantidad disponible: 3 disponibles
Añadir al carritoPaperback. Condición: New. This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The publication analyzes the 30 000 sequences selected by the public. A detailed demonstration ofthe applied algorithms helps us to understand the connection between the photographs, the number of times they were chosen by an individual visitor, and how the visitors named their personal selection of images. The book traces the creative processes and the interaction of the visitors with the material of the installation as a work of art highly dependent on the involvement of the audience. Essays by curators and art historians discuss the subject on a theoretical level while examining the aspects of participation and emancipation as well as the question of the autonomy of images.
Idioma: Inglés
Publicado por Lars Müller Publishers, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 35,44
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Lars Müller Publishers, Zürich, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: moluna, Greven, Alemania
EUR 35,22
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Chronicle and analysis of an interactive exhibitionDie Publikation versteht sich als Erweiterung der interaktiven Ausstellung Phenotypes/Limited Forms. Die Ausstellung ermuntert die Besucher, mit der Arbeit Armin Linkes aktiv in Verbindung zu treten und.
Idioma: Inglés
Publicado por Lars Muller Publishers, CH, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 51,26
Cantidad disponible: 3 disponibles
Añadir al carritoPaperback. Condición: New. This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The publication analyzes the 30 000 sequences selected by the public. A detailed demonstration ofthe applied algorithms helps us to understand the connection between the photographs, the number of times they were chosen by an individual visitor, and how the visitors named their personal selection of images. The book traces the creative processes and the interaction of the visitors with the material of the installation as a work of art highly dependent on the involvement of the audience. Essays by curators and art historians discuss the subject on a theoretical level while examining the aspects of participation and emancipation as well as the question of the autonomy of images.
Idioma: Inglés
Publicado por Lars Müller Publishers GmbH, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: preigu, Osnabrück, Alemania
EUR 38,80
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Phenotypes/Limited Forms | Armin/Hanappe, Peter Linke | Taschenbuch | 384 S. | Englisch | 2018 | Lars Müller Publishers GmbH | EAN 9783037785751 | Verantwortliche Person für die EU: Lars Müller Publishers, Michael Klein, Hub 1, 84149 Velden, gpsr[at]lars-mueller-publishers[dot]com | Anbieter: preigu.
Idioma: Inglés
Publicado por Lars Muller Publishers, CH, 2018
ISBN 10: 3037785756 ISBN 13: 9783037785751
Librería: Rarewaves.com UK, London, Reino Unido
EUR 39,30
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The publication analyzes the 30 000 sequences selected by the public. A detailed demonstration ofthe applied algorithms helps us to understand the connection between the photographs, the number of times they were chosen by an individual visitor, and how the visitors named their personal selection of images. The book traces the creative processes and the interaction of the visitors with the material of the installation as a work of art highly dependent on the involvement of the audience. Essays by curators and art historians discuss the subject on a theoretical level while examining the aspects of participation and emancipation as well as the question of the autonomy of images.