gustav ucicky (13 resultados)

Abb., 2 Bl., gefaltet, ca. 22 x 15 cm ---mit Stempel "Löwenlichtspiele Gengenbach", mit kl. Läsuren.

Condición: Gut. 28,5x11,5cm 1 Blatt. Blatt sehr geringe Altersspuren, gut. Illustration. -------- Mutterliebe (1939): Unter der Regie von Gustav Ucicky entstand ein für die NS-Zeit typisches Melodram, das oft als "Hohelied auf die Mutterliebe" interpretiert wurde. Die Hauptrolle spielte Käthe Dorsch. Der Film zeigt das Aufopfern einer Mutter über ein halbes Jahrhundert.

Vintage program for the 1943 German film. Text and titles in German. An impoverished noblewoman decides to marry a widowed porcelain manufacturer in order to finance medical treatment for her ailing sister, but the marriage uncovers deeper secrets-including the fate of the manufacturer's deceased first wife. 7.25 x 10.5 inches. Bifold. About Near Fine.

8°, 1 Doppelblatt. ZUSTAND 1. Der Dirigent der wiedergegebenen Messen von Joseph Haydn des Orchesters der Wiener Hofburgkapelle war Josef Krips.

Vintage program for the 1947 Austrian film. Text and titles in German. A dramatization of the history of the founding of the Vienna Boys Choir, and the life of composer Josef Haydn. 8 x 11.5 inches. Bifold. About Near Fine.

Albumblatt (1 S. 8° ca. 1930, mit aufgezogenem Zeitungsbild), mit Empfehlung eigenhändig signiert (dito : ROSS-Fotoporträtpostkarte, mit E§mpfehlung eigenhändig signiert Euro 45,-).

Vintage program for the 1943 German film. Text and titles in German. A doctor finds herself caught between her former lover, now a paraplegic seeking her treatment, and a highly respected fellow doctor in Vienna. 7.25 x 10.5 inches. Bifold. About Near Fine.

Vintage program for the 1947 German film. Text and titles in German. A sawmill administrator at the center of a remote forest contends with the wishes of the factory heiress, who wishes to borrow an astronomical sum in order to open a nightclub in town. 7.25 x 10.5 inches. Bifold. About Near Fine.

Condición: Gut. 47cm 1 Blatt beidseitig bedruckt. Blatt 2mal gefaltet, sonst gut erhalten, SELTEN. mit Abb., HINTEN Stempel der Union-Lichtspiele Karlsruhe, Kaiserstrasse 211. -------- "Unter heißem Himmel" ist ein deutscher Spielfilm aus dem Jahr 1936, in dem Hans Albers die Hauptrolle des Kapitäns Kellersperg spielt. Der Film wurde von der UFA produziert und ist Teil von Albers' erfolgreicher Filmkarriere während der NS-Zeit.

Softcover. Condición: vg to vg+. First edition. Large quartos. 9x12". B/w photo-illustrated stapled wrappers, with white lettering on the front covers. Directed by Gustav Ucicky, and starring the acclaimed theater and film actor Otto Gebühr, this film was the third of the so-called Prussian films, to star Gebühr as Frederick the Great, the role for which he would become most famous. These patriotic historical dramas glorified Prussia and its military, and were produced from the 1920-1940s. Gebühr, first played the role in the first part "Fridericus Rex" (1922-1923) and continued for "The Mill at Sanssouci" (1926), and this film which was the first in sound. Incredibly the film was filmed in part on the grounds of the Sanssouci Palace itself. 1. Illustrierter Film-Kurier, No. 1572. Upaginated [6 pages]. Verlag Alfred Weiner. The publication is an issue of the of the promotional supplement to the German weekly, Illustrierter Film-Kurier, promoting the release of the 1930 German historical drama "Das Flötenkonzert von Sanssouci". The booklet is profusely illustrated throughout with b/w photogravure images depicting scenes and characters from the film. Text throughout, including cast and crew credits, in German. [WITH] 2. Original Theatrical Program. Unpaginated [14 pages]. Verlag Illustrierte Filmwoche. The promotional program issued upon the premier of the film in Berlin, in December 1930, is illustrated throughout with b/w photogravure images including full page images and photomontage, depicting scenes, characters and production designs from the film. Text throughout contains a number of fascinating short essays on the historical background and various production aspects including "The History and Soundtrack" by producer Günther Stapenhorst, a discussion of the Fredrick the Great's musical compositions and their use in the film by Wilhelm Roentz, statements on the production by actors Otto Gebühr and Renate Müller, and a general essay on the subject by author Hans. W. Fell. Text in German. Wrappers with some light rubbing to extremities including along the spines. A few sporadic minor water stains and or smudges throughout, with images and text almost entirely unaffected. Images clean and bright overall. Wrappers and interiors in very good to very good+ condition overall.

Autogrammkarte mit aufgezogenem Zeitungsbild, in Tinte eigenhändig signiert (6.12.1932).

Albumblatt mit eigenhändiger Unterschrift signiert - mit Repro-Porträt unter Passepartout gerahmt, 1 S. 4°.

1 page, typed document. Important document about the Nazi-looted and subsequently privately sold Klimt's masterpiece, the Water Serpents II. Gustav Klimt'sWater Serpents IIwas painted between 1904 and 1907 and was originally commissioned for and owned by Jenny (Eugenie) Steiner (neé Pulitzer;18631958), the wife (and at the time of the issue of the present document already the widow) of a wealthy Viennese Jewish industrialist. The painting was apparently an asset of the late husband's silk company, "Brüder Steiner" as it is referred to in the document. In June 1938, after the Anschluss, under the threat from the Nazis, Jewish herself, Jenny Steiner fled from Vienna, and the painting, together with several of her valuable tangibles, including other works by Klimt and Egon Schiele, was confiscated as Jewish property. In 1940, three of Steiner's Klimt paintings, including the Water Serpents II, were offered on the sale of the leading Viennese auction house, Dorotheum (458. Kunstauktion, March 46.; the two other paintings were the Country House by the Atteree and the Portrait of Mäda Primavesi). (Fleckner, 2017) However, by the intervention of Josef Bürckel, then Gauleiter of Vienna, the painting was withdrawn from the auction, and sold privately to the Nazi filmmaker and alleged illegitimate son of Klimt, Gustav Ucicky (18991961) through his second wife Inge (Ingeborg Davis). The picture remained in Ucicky's possession until his death in 1961, when his third wife, Ursula (née Kohn; b. 1922) inherited it. In 2013, Ursula Ucicky, in agreement with the heirs of Jenny Steiner sold the Water Serpents II through Sotheby's, sharing the income 50/50. The painting reached the price of $112 million, at the time the 6th most expensive painting in the world, and the most expensive Klimt painting by then to be sold. The present typewritten and signed secretarial note(Aktenvermerk. Betrifft: Ölgemälde des Malers Klimt ["Wasserschlangen"])was written on behalf of Hermann Drum (19111945), the administrative assistant (Adjutant) of Josef Bürckel, the Gauleiter, and later Reichsstatthalter too of Reichsgau Vienna, (in office as Gauleiter from 30 January 1939, as Reichsstatthalter from April 1 1940 until 2 August 1940) in regard the withdrawing from the auction and the private sale of Klimt'sWater Serpents II. (See also in Lillie's Was einmal war; note that in the book the intervener erroneously ascribed as Reichsstatthalter Baldur von Schirach, in fact it was Gauleiter Bürckel.) In the text Drum's secretary summarizes how the painting ended up at the Dorotheum sale, with the estimated value of 6,000 Reichsmark, states the wish of the Gauleiter that the painting should be sold privately to Mrs. Ucicky, and delineates a plan, developed together with dr. Deigelmaier, an official from the local revenue service, for withdraw and sell the painting out of the sale if an appropriate purchase offer would be made privately("ich halte einen Preis von 89,000 RM für angemessen" / "I think a price of 89;000 RM is reasonable"). The secretary misspells the name"Ucicki", and also mixes up the family relations, claiming Mrs. Ucicky the descendant of Klimt. Rare and important document related to one of the most well-known Nazi-looted pictures. Literature: Fleckner, U. et al. Markt und Macht Der Kunsthandel im »Dritten Reich«. De Gruyter 2017. pp. 3049; Lillie, S. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin 2003. . Punched twice at the left edge. In fine condition.