Gretchen garner (66 resultados)

Soft cover. Condición: Good. 1 folded sheet ([5] pages) : color illustrations. Light wear to corners, residue of stamp to front panel; contents fine. Catalog of an exhibition held at the Grand Rapids Art Museum, Feb. 17-Apr. 2, 1989. 30 grams.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Very Good. Softcover book, barely cover wear. 18 Plates.

Hardcover. Condición: Very Good. Book in Very Good condition.

Paperback. Condición: Very Good. Grand Rapids Art Museum January 1989 Binding: Trade Paperback.

First Edition. First edition. Softcover. Published in conjunction with a show that ran June 2 through July 30, 1989. Introduction by guest curator Gretchen Garner. Includes black and white images by Russell Lee, Berenice Abbott, Phillipe Halsman, Francis Frith and numerous others. A fine copy in wrappers.…

hardcover. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condición: Good. No Jacket. This tall thin catalogue has little creasing, some light rubbing of the covers. Interior text is clean and tight in it's binding. Small biographies of the photographers and examples of their work, most in black and white. Size: 4to - over 9¾" - 12" tall. Various (Photographs) (ilustrador). …

PAPERBACK. Condición: cover wear otherwise very good. First edition. 64pp. b/w illustrations quarto paper s. includes A Conversation with John Pfahl by keith Davis and William Kay , Peter Hales the Hidden Hand Jacob Riis and the rhetoric of Reform, etc.

First Edition. First edition. Softcovers. 37 pages. This issue features a conversation with John Kouwenhoven by Jan Zita Grover and several other articles. A near fine copy in stapled wrappers with some light wear.

First Edition. First edition. Softcover. 53 pages. Volume 19, Number 4. Includes images from: Imogen Cunningham, William Henry Fox Talbot, Max Yavno, Lee Friedlander, Ellen Land-Weber, Bill Owens, Abigail Perlmutter, Richard Avedon, Richard Estes. A near fine copy in stapled wrappers.

First Edition. First edition. Softcovers. 51 pages. This issue features a conversation with Van Deren Coke by Jan Zita Grover. Mark Johnstone on "The Workshop Idea at Colorado College." Also includes John G. Morris "A Photographic Memoir." A near fine copy in stapled wrappers.

First Edition. First edition. Softcovers. 63 pages. This issue features an interview of Larry Viskochil by Gretchen Garner and a article by James Kaufmann on the photographs of Mark Goodman. A near fine copy in stapled wrappers.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

First Edition. First edition. Softcover. 30 pages. Features articles by Gretchen Garner, Julia Ballerini, and John Matturri. Also Includes a portfolio and text by Shelby Lee Adams. A fine unused copy in stapled wrappers.

Soft cover. Condición: Near Fine. 187 p. Pictorial paper wrappers fresh, corners sharp, spine uncreased; contents as new. Inscribed by author. 370 grams. Inscribed by Author(s).

Soft cover. Condición: Fine. Unpaginated. Poems and photographs on facing pages. Light shelfwear to pictorial paper wrappers; author's signature to title-page, else contents as new. 290 grams. Signed by Author(s).

Hardcover. Condición: Very good. Hardcover. xix, 293pp+ index. Previous owner's blindstamp on front free endpaper, else a very good hardback in a very good dustjacket.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: New. pp. xix + 305 Illus.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself. Num Pages: 328 pages, 138, 107 black & white halftones, 31 colour illustrations. BIC Classification: 1KBB; 3JJ; AJC; HBT. Category: (G) General (US: Trade). Dimension: 238 x 212 x 29. Weight in Grams: 1404. . 2003. Hardcover. . . . . …

Hardback. Condición: New. American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice.In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.…