gretchen adkins (21 resultados)

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: good. Signs of wear and consistent use.

Condición: good. Hardcover Book. Includes dustjacket.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: VG. Estado de la sobrecubierta: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condición: As New.

Hardcover. Condición: As New. Estado de la sobrecubierta: Like New. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

hardcover. Condición: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

hardcover. Condición: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or tears. Looks nearly new.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 252 pages with 318 illustrations 259 in color. Foreword by Andrea D. Rich, Director. Published on the occasion of the exhibition from the Los Angeles County Museum of Art, Los Angeles CA June 4-September 17, 2000 and the Kemper Museum of Contemporary Art, Kansas City MO December 15, 2000-March 4, 2001. Selected Bibliography. Book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 251 pages, illustrations (some colour); 27 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art and three other institutions between June 4, 2000 and October 2, 2001. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Drawn from the collection of the Los Angeles County Museum of Art, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation. Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. In the early years of the twentieth century, pottery was primarily mass-produced in factories, where specialists in wheel throwing, glazing, and kiln firing worked under a system of divided labor. In the 1930s and 1940s, ceramists such as the renowned team of Gertrud and Otto Natzler began to perform all of these exacting functions-from mixing clay to firing kilns-in their own studios, creating one-of-a-kind pots, breathtaking in design and construction. Since that time, ceramic art has followed a metaphorical journey from the earth to the air, as concerns with utility, materials, and techniques have given way to abstract conceptual considerations. In Los Angeles in the 1950s, Peter Voulkos and his students upset the traditional values of craft pottery and the Bauhaus- inspired "form follows function" doctrine by creating nonfunctional, oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the hands of potters with their radical, irreverent, and satirical "Funk" pieces. Today, no longer confined to the decorative arts or other craft categories, ceramic artists around the world explore an unlimited range of influences, styles, and ideas, engaging in a graceful and inventive dialogue with centuries of ceramic tradition. A celebration as well as a valuable art-historical survey, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 showcases the finest works form the unparalleled collection of the Los Angeles County Museum of Art. Accessible to the novice as well as to the enthusiast, the book includes essays by Grechen Adkins, Garth Clark, Jo Lauria, Rebecca Niederlander, Susan Peterson, and Peter Selz. / Jo Lauria is assistant curatior of decorative arts at the Los Angeles County Museum of Art. She holds an M.F.A. from Otis College of Art and Design, an M.A. from Loyola Marymount University and a B.A. from Yale University. / Jo Lauria is assistant curatior of decorative arts at the Los Angeles County Museum of Art. She holds an M.F.A. from Otis College of Art and Design, an M.A. from Loyola Marymount University and a B.A. from Yale University." - Publisher. Size: 4to. Collectible.

Softcover, staple-bound, 20 pages, good condition, pencil underlinings and margin notes to a couple pages; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. 1st Edition. First Edition (2011.) Square 4to paperback with 78 pages. The book is in very good condition very slight shelf wear. Interior is clean and tight. Profusely illustrated. Pictures available upon request. "The Golden State of California 1960-1985 Presented by Craft in America and in Partnership with The Craft and Folk Art Museum (Los Angeles) Was an amazing gathering of California artists, including Dora De Larios, the Akermans Sam Maloof." White spine/no text. #034413 Size: Square 4to. Exhibition Catalogue /Art.

Condición: New. Satisfaction Guaranteed or your money back.