geismar thomas (19 resultados)

Hardcover. Condición: Very Good. No Jacket. 1st Edition. VG. 1st Printing of the 1946 Viking Portable 1st Edition thus, edited, with introduction and prefaces, by Maxwell Geismar. Book is securely bound (no gutter splitting, some looseness), uniformly age toned (including some fading to the yellow-dyed edges) and, except for pin-hole-sized ink mark on fore edge and prior bookshop sticker discreetly glued to top of rear pastedown, free of other markings and blemishes. Cover is clean and bright, with small scrape on front board, light age toning, mild bumping to corners, joints, headband and tail, and crisply legible, clearly distinct lettering and design. No Dust Jacket. (Please see Seller images). Pre-ISBN. ShiroBooks, independent bookseller, takes pride in accurate descriptions, careful wrapping and safe shipping. CONTACT SHIROBOOKS PRIOR TO ORDERING if any questions or for more information, details or photos.

Decorative Canvas Hardcover. Condición: Good. No Jacket. Published August 1946. 712 pp. Solidly bound copy with moderate use. No dj. Fraying on fore edge of front cover board. Slightly bumped cover board corners.

Hardcover. Condición: Poor. No Jacket. Boards are moderate to severely edgeworn. Binding is so loose that the book will stay open to any given page. Shows more than the usual amount of shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Condición: Fair. . No Dust Jacket Dampstained. Writing inside. From the library of American author, columnist, journalist, and presidential speechwriter William Safire. (literature, short stories, anthology).

Hardcover with dustjacket in illustrated slipcase; unpaginated; very good condition; light rubbing to slipcase; book as new; clean and crisp; no internal marks. Shipping will be extra for this oversize book.

Hard Back/Hard Cover. Condición: Book Very Good. Estado de la sobrecubierta: No Dustjacket. First in This Edition. 712 pages. Very clean light brown binding with dulled gilt titles to spine & small decoration to front. Ink stamps to front endpapers. Page-edges lightly yellowed o/w contents very clean & tidy.

Hardcover. Condición: USED Good. Former library copy.

Hardcover. Condición: VG. In slipcase. Some rubbing & edgewear; some yellowing; overall clean & tight. Slipcase has some rubbing, scuffs, small corner bumps, edgeewar, but is in overall nice shape. 712 pages.

Hardcover, 8vo, green cloth, stated 1st edition, 712pp, Very Good minus in Good dust cover, dj has moderate edge wear with no sizable chips lacking, still nice on brodart cover. 27 pp intro by Geismar. Scarce edition.

Hardcover. Condición: Like New. Estado de la sobrecubierta: As new dust jacket. First edition. Fine copy. As new in as new dust jacket and box. Folio. Dramatic and compelling catalog. Binding is tight, sturdy, and square. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book is not available for expedited/priority shipping; extra charges to apply for international shipping.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good+. Book and dust jacket have been lightly worn, rubbed, and soiled. Includes VG+ slipcase and a separate catalog of contents inserted at back of book.

Condición: Very Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Slipcase ] Publisher: Harry N Abrams Pub Date: 9/1/1998 Binding: Hardcover Pages: 160 Slipcase edition.

Hardcover. Condición: Good. Cloth/no dust jacket Octavo. green cloth, gilt lettering, 712 pp, cover lightly frayed at the edges, markings in pencil throughout text Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Soft Cover. Condición: Very Good. Thomas Geismar (Cover Design) Ilustrador. 3rd Printing: March 1993. 240 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Relevant materials included from previous owner.

Edited by Maxwell Geismar Ilustrador. Very Good (covers nice, contents clean & tight); little wear (few nicks; short, closed tear front cover) d/j. 12mo., grey cloth in dust jacket; 712 pages First Edition, first printing. With "1946" on the title page and "Published in August 1946" on the copyright page.

Couverture rigide. Condición: bon. RO60107450: 1946. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 712 pages. Tranche jaune (légèrement passée). . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Soft cover. Condición: Very Good. 92 pp., sewn in pictorial stiff paper wrappers. Age toning and shelf wear, very good copy. All about the Expo '70 in Osaka. Illustrated in black and white and colour.Text in German, English and French. 30 x 23 cm.

Small Glazed Bds. w/o. Dj. First Editions. Two beautiful children's books designed by the great designer Chermayeff who uses bright colorful shapes in bold designs to teach children about snakes, birds and other creatures. Irresistible. Published without dustjackets. Both books are fine and are being sold as a collection. Press release for a gallery exhibition of Chermayeff's collages laid in. Book.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.