Gagné john (163 resultados)

Condición: good. The item has minimal writing and or highlighting inside.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Condición: Good. Paperback. Wrappers show wear & soiling, otherwise very good.

Condición: New.

Condición: New.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Condición: New.

Condición: New.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condición: New.

Condición: New.

Paperback. Condición: New. The Fabric of War traces the rich history of flags and banners in Renaissance Europe through a critical analysis of the cultural, ideological, material, and artistic histories of these complex and ubiquitous objects. It examines banners as numinous textiles that animated and adorned battle, energized and embellished armies, constructed and celebrated victory. Though flags are often investigated as mere symbols to be deciphered - as heraldic code revealing identity - they were vibrant and charismatic textiles whose mutability, movement, and multivalency constituted their appeal and salience. Banners propelled their viewers not only to decipher or identify, but to act.…

Condición: New.

Soft cover. Condición: Very Good+. First Edition. 176 pp. Digest format. Light edge and corner wear with a flat uncreased spine. Wraparound cover art by Kevin Eugene Johnson; interiors by: Paul R. Gagne; Tom Hanus; Allen Koxzowski; Kirk McKinlay; Rick Harrison; Robert E. Jennings; Roman Scott; Dave Carson; John Goodier; Earl Grier; Sam S. Adkins; John Linton; Denis Tiani; and Lon T. Roberts. This issue contains: Perverts by Whitley Strieber; Catmagic by Whitley Strieber; The Legend of Santa Claus by C. Bruce Hunter; When I Grow Up by Charles Grant; Masai Witch by Stephen Goldin; Danse Macabre by Phil Heath; The Phantom Knight by Darrell Schweitzer; Vertriloquist's Daughter by Juleen Brantingham; One for the Horrors by David Schow; The Kingdom of the Thorn by Janet Fox; Let No One Weep for Poor Sally Karnes by Charles Grant; Give a Little Whistle by Michael Bishop; The Hollow Grave by Gerald W. Page; Pulling the Hagen by Kevin Egan; Along About Sundown by Manly Wade Wellman; Final Game by Hugh B. Cave; and Home Call by Dennis Etchison and CC Palaski; along with an interview with Ray Bradbury by Robert W. Smith; and an H. P. Lovecraft art portfolio with drawings by: Roman Scott; Richard Huber; Dave Carson; John Goodier; and Earl Geier; and an assortment of regular features. Size: 8vo. Kevin Eugene Johnson; Paul R. Gagne; Tom Hanus; Allen Koxzowski; Kirk McKinlay; Rick Harrison; Robert E. Jennings; Roman Scott; Dave CArson; John Goodier; Earl Grier; Sam S. Adkins; John Linton; Denis Tiani; Lon T. Roberts; (ilustrador). Book.…

Soft cover. Condición: Good. Softcover is soiled. Name on endpaper. Pages are bright and unmarked, good binding.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Like New. Signed Copy paperback. Text block, wrappers and binding are in like new condition, without markings of any kind. As new, signed by author on title page. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Hardcover. Condición: new. Hardcover. While preparing for an event at the University of Sydney in 2017, a librarian turned to the back page of the librarys 1497 copy of Dante Alighieris Divine Comedy and made a curious discovery. In red chalk was a drawing of a woman and baby, and an inscription in Italian: "On the day of 17th September, Giorgione of Castelfranco, a very excellent artist, died of the plague in Venice at the age of 36 and he rests in peace."This discovery would shine the international art history spotlight on Sydney and begin a project that has seen state-of-the-art imaging techniques used alongside good old-fashioned archival research in a quest for answers. Was the drawing on the endpaper actually by Giorgione? Was Dante his inspiration? Do we have for the first time the dates of Giorgiones birth and death? How should we reimagine Giorgiones chronology? And how did the early edition of Divine Comedy end up in Sydney?Bringing together scholars from art history, Italian studies, librarianship and book history from Sydney to the Vatican, Giorgione, Dante and the Sydney Incunable tells the story of the provenance and significance of this remarkable discovery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Hardback. Condición: New. While preparing for an event at the University of Sydney in 2017, a librarian turned to the back page of the library's 1497 copy of Dante Alighieri's Divine Comedy and made a curious discovery. In red chalk was a drawing of a woman and baby, and an inscription in Italian:On the day of 17th September, Giorgione of Castelfranco, a very excellent artist, died of the plague in Venice at the age of 36 and he rests in peace.This discovery would shine the international art history spotlight on Sydney and begin a project that has seen state-of-the-art imaging techniques used alongside good old-fashioned archival research in a quest for answers.Was the drawing on the endpaper actually by Giorgione? Was Dante his inspiration? Do we have for the first time the dates of Giorgione's birth and death? How should we reimagine Giorgione's chronology? And how did the early edition of Divine Comedy end up in Sydney?Bringing together scholars from art history, Italian studies, librarianship and book history from Sydney to the Vatican, Giorgione, Dante and the Sydney Incunable tells a story of the provenance and significance of this remarkable discovery.…