Fulmer george (11 resultados)

Condición: New.

Condición: New.

Condición: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Hardcover. Condición: New.

Condición: Good. 25 pp, light extraction roughness at spine, age staining and spotting, self wrappers. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Postwar manufacturing expansion and Clearwater Florida's food industry photo archive by George Fulmer documenting the manufacturing, shipment, retail display, and commercial service of American food in 1953. Featured in this photo archive is Snow Crop's industrial frozen food operation, and a mid-century supermarket and cafeteria economy that reshaped the American diet after World War II. Snow Crop's founders sold the brand to Clinton Foods after the 1946 frozen food market collapse, and Clinton used the division to expand into groves, packing plants, and frozen food contracts as frozen foods moved from a luxury category toward mass market circulation in the late 1940s. The added Kwik Chek and Morrison's Cafeteria assignments place that industrial story inside Clearwater's consumer facing food landscape: retail histories identify Clearwater as the location of the first Kwik Chek store in 1952, while Morrison Cafeterias entered the 1950s as a Southern cafeteria company with 17 dining rooms and began expanding into institutional food service by 1951 to 1953. This archive shows how the food economy expanded to support rapid population growth in the post war Sun Belt expansion era. This photographer's work is featured in Clearwater Historical Society's holding of tens of thousands of his negatives, cataloged and preserved as a record of the city's civic and commercial life. Photo archive of 70 items contained in 7 original studio envelopes, including 30 silver gelatin photographs and 40 large format negatives, comprised of some original and duplicate images between the negatives and photographs. Ranging from 3" x 4" to 4" x 5". Clearwater, Florida, 1953. George Fulmer's inscribed envelope notations include "Clinton Foods," "Evaporator Load," "Evaporator Part," and "Freight Loading," and dates including September 16, 1953, and October 1, 1953. "Kwik Chek," a notation appearing to read "P. & J. Dept.," "Morrison's Cafeteria," and "324 Park St.," with dates including September 16, 1953, and October 1, 1953. Industrial scenes move from plant exteriors with broad rooflines and service yards to shop floors holding polished metal ducting, cylindrical components, and a massive honeycomb ended evaporator vessel large enough to dwarf nearby workers. Road transport scenes carry the finished unit on a flatbed trailer beside a semi tractor, its side lettered "Another Clinton Evaporator Snow Crop." The new Kwik Chek views look down a high supermarket aisle filled with stacked boxed and canned goods, shelf price tags, aisle marker "13," cartons of All detergent, sale placards, and a produce wall labeled "GARDEN FRESH FRUITS AND VEGETABLES." The Morrison's Cafeteria interiors show an empty dining room arranged with square and round tables, bentwood chairs, checkered flooring, partitions, curtained windows, coat stands, suspended light fixtures, and mural panels across the upper walls of a large cafeteria hall. By the early 1950s, frozen food could circulate at national scale because processors, packagers, household freezer makers, and mechanically refrigerated carriers were beginning to meet the zero degree storage standards required for frozen products. Supermarket design was changing at the same time: refrigeration let shoppers buy more food per trip, Sylvan Goldman's grocery carts helped stores increase carrying capacity in 1937, and Orla Watson's telescoping cart, developed in 1946 and first used in 1947, conserved sales floor and storage space for self service retailers. Clearwater's own postwar growth gives the archive a local setting beyond the factory gate, with local historical sources identifying 1957 as the year the city was known as the fastest growing city in America. Light handling wear to prints and negatives; manuscript envelopes toned and creased; photographs generally clean and strong. Overall in very good condition. The archive now carries Clearwater's postwar food economy from plant floor and flatbed shipment to grocery aisle. Signed.…

Largo, Florida photograph archive taken by George Fulmer, c. 1951, documenting education, youth culture, housing, commerce, religion, and recreation as a citrus and farming community entered the first phase of its postwar transformation into a suburban city. Largo's population and physical landscape changed rapidly after World War II as groves and grazing land gave way to housing and industrial development; within the wider Pinellas County school system, enrollment rose from roughly 16,000 students in 1946 to about 69,000 in 1962, requiring the construction of 64 new schools between 1948 and 1965. The photographs concentrate unusually closely on the generation educated during this transition, recording Largo High School athletics, Future Farmers of America, Future Homemakers of America, youth baseball, school music, and other organized activities at the moment when the occupational and domestic assumptions of an agricultural community were meeting the demographic and economic conditions of suburban Florida. Photo archive of approximately 87 items including 38 silver gelatin photographs, and approximately 38 associated large format negatives, Photograph prints ranging from 4.5 x 2.5 to 5 x 4 inches, and each negatives about 4 x 5 inches, all retained in 11 original numbered photographic job envelopes bearing client, subject, and occasional date notations, Largo, Florida, principally 1951. The photographs and negatives were made by George Fulmer, the longtime Clearwater commercial and civic photographer whose surviving files document decades of local institutional life in central Pinellas County. The original job envelopes preserve Fulmer's assignment structure, linking negatives and prints to named Largo clients and subjects rather than leaving the photographs as unidentified local views. The school material includes a large Largo High School Future Homemakers of America group posed beneath the organization's emblem; young women displaying and examining patterned skirts and clothing outdoors; a group identified on its envelope as "Largo High School Boys Girls FFA & FHA"; and children and adolescents posed beneath a sign reading "Largo Chapter Future Farmers of America Department of Vocational Agriculture," some holding hoes, shovels, and other agricultural implements. Football assignments show night games under field lights, players running, tackling, and breaking through defensive lines, referees moving through plays, crowded grandstands, cheerleaders, and a large uniformed marching band packed into the bleachers. Other files document Largo Junior League baseball teams posed with bats, gloves, coaches, and locally lettered uniforms; a Largo Baptist Church choir arranged in the sanctuary; Sinclair gasoline station employees receiving a trophy beside an HC gasoline pump; new residential and commercial buildings; and modern domestic interiors furnished with low upholstered seating, lamps, paneled walls, and contemporary cabinetry. Most negatives duplicate surviving prints. The Largo recorded here was still closely identified with agriculture. Citrus, cattle, and dairy had dominated the local economy through much of the early twentieth century, and Largo had developed into one of Florida's major citrus centers after the arrival of the railroad; within a few years of these photographs, freezes in 1957 and 1962 damaged the citrus economy while population growth increased demand for residential and commercial land. Largo High School embodied that transition directly. Its own history recalls an educational culture in which young men studied agriculture, tractor repair, wood shop, and animal science while young women took home economics, a gendered vocational division visible here in the paired presence of Future Farmers and Future Homemakers. The Future Homemakers photographs record an educational ideal that treated domestic labor, clothing, food preparation, and household management as formal preparation for female adulthood, while the FFA material trained boys for an agricultural economy whose physical basis was already beginning to contract. Largo's accelerating growth soon made the older educational infrastructure inadequate: in 1957 a new Largo High School opened taking 37 acres of land. Postwar industrialization accelerated this transformation as Honeywell and General Electric facilities helped move Largo from an agricultural center toward a suburban economy; housing and trailer parks replaced groves and grazing land, and by 1970 the city counted roughly 22,300 residents, up from 5,302 in 1960. The apparently all white school organizations also belong to Pinellas County's segregated educational structure: after the 1954 Brown v. Board of Education decision, the county nevertheless built nine additional all Black schools between 1954 and 1963, and only about 200 Black students attended desegregated county schools in 1964. The photographs show some curling but remain in very good condition. Some negatives show fading; original paper job envelopes show handling wear. Overall in very good condition.…

1950s Clearwater, Florida photographed by George L. Fulmer, documenting real estate expansion and early housing and rental marketing, showing how ranch houses, apartment courts, furnished efficiencies, and street addressed properties were presented during the postwar Sunbelt expansion of Pinellas County. After World War II, Florida's housing market was pushed by returning veterans, retirees, northern migrants, automobile commuting, and seasonal tourism, while federal mortgage programs and private development made small houses, garden apartments, and furnished rentals central to the state's growth. Fulmer's commercial assignments connect that boom to named local properties: each job envelope ties the house or rental unit to a studio number, client or property name, address, and in several cases a 1951 date. The archive reveals how Clearwater real estate moved through a practical commercial process, with repeated exterior records, interior room studies, duplicate proofs, and labeled job packets created for owners, brokers, and rental promotion. Photo archive of 47 items including 25 silver gelatin photographs and 22 large scale negatives. Many photographs have correlating negatives while some negatives contain unique images. Contained in 6 original photo studio envelopes. Photographs measure approximately 3 x 5 inches and negatives 4 x 5 inches, Clearwater, Florida, circa 1951. Exteriors include one story ranch houses with low hip and gable roofs, picture windows, shutters, carports, mowed lawns, curbside plantings, palm trees, shell or gravel yards, television antennas, and street frontage arranged for automobile approach. Apartment material includes a roadside sign reading "Bright Water Apts" with "Vacancy," a two story rental building set behind trees, and a long low apartment row with a fenced yard and children's play equipment. Interiors include living rooms staged with patterned sofas, lounge chairs, framed floral and figural prints, table lamps, venetian blinds, wall rugs, and coffee tables; bedrooms with paired beds, dressers, and striped coverlets; small dining alcoves set with tables and chairs; and compact kitchens built around metal cabinets, white sinks, refrigerators, cooktops, wall ovens, and built in storage. Fulmer photographs the houses, apartments, furnishings, appliances, and rental readiness as the product. Studio envelopes preserve job numbers and partly legible entries including Bright Water Apts, Nokomis 1021, 235 Bayshore Dr., 315 Venetian St., 420 Brightwater, Mary Ann Apts Beach, and dated jobs from July, August, September, and October 1951. These photographs were taken in the decade when Clearwater shifted from a compact Gulf Coast resort city toward a year round Sunbelt housing market shaped by suburban lots, furnished rentals, small apartment complexes, and real estate photography meant to make properties legible to buyers and tenants before arrival. The interior shots record what was being sold inside the walls from tropical curtains, tile floors, small dining rooms, compact kitchenettes, wall ovens, living rooms sized for seasonal use, and domestic decoration calibrated for a middle class Florida market. The address level job records support comparison with city directories, tax records, property files, architectural surveys, and later redevelopment histories, making the archive usable for reconstructing specific Clearwater buildings rather than only identifying broad mid century style. Negatives show handling wear, and envelopes show toning and some small tears. Overall in very good condition.…

Women and civic institutions photo archive documenting the professional and volunteer labor supporting Clearwater, Florida during its rapid postwar expansion, 1951 to 1952, with photographs of nurses, teachers, blood bank workers, women's organizations, public employees, hospital auxiliaries, schools, arts education, and college recruitment. Made during a period when American culture strongly promoted marriage, motherhood, and homemaking as female ideals, the photographs instead record women working throughout the public and institutional life of a growing Florida city, sometimes as paid professionals and sometimes through organized volunteer service. Notably, the health care photographs document the postwar continuation of women's expanded wartime role in medicine, when World War II had accelerated the recruitment and professional mobilization of nurses and placed women's medical labor at the center of military and civilian health care. The Morton Plant Hospital and blood bank assignments show that labor carried into the postwar landscape through nurses administering bedside care. Photo archive of 79 photographic items including 40 silver gelatin photograph prints and 39 corresponding large format negatives, Photograph prints measure approximately 3 x 5 inches each and large negatives are about 4 x 5 inches each, All contained in 15 original George Fulmer studio job envelopes bearing handwritten client or subject identifications all largely dated, Clearwater, Florida, principally 1951 to 1952. Fulmer was a longtime Clearwater commercial and civic photographer whose numbered studio files preserve commissioned assignments across the institutional life of Pinellas County. The retained envelopes establish the original working context of these photographs, connecting prints and negatives to individual clients and assignments rather than leaving the scenes unidentified. Morton Plant Hospital photographs show a uniformed nurse with a female patient and medical apparatus, a nurse greeting a man beneath the entrance marked "Morton F. Plant Hospital visitors entrance," and other hospital activities; related blood bank assignments show nurses and attendants working among closely arranged donor beds, women registering or processing donors. Women's organizational work appears in files identified with the Women's Civic Council of Clearwater and other groups, including women handling folded textiles and participating in formal gatherings. Education is represented extensively: elementary teachers conduct lessons at chalkboards, supervise reading and written work, lead children standing beside an American flag, circulate among pupils at classroom tables, and teach from a displayed "Safety pledge"; another series identified "Florida Gulf Coast Art Center Children Class" shows children painting at easels and working in a purpose built art classroom. A "College Day" assignment follows young men and women through presentations, group meetings, and the examination of college literature, while a tax collector assignment shows citizens crowded before a public counter staffed by a woman working beside office machinery. Other photographs record a public meeting conducted before microphones, graduation groups, women's organizations, an older woman working at a large floor loom, and the overlapping worlds of professional employment, education, voluntary association, and public service that structured women's activity beyond the household. The archive belongs to a pivotal period in the history of women's work after World War II. Wartime employment had demonstrated women's capacity across occupations previously barring women's participation. During this time, postwar American popular culture and public discourse strongly reasserted the home, marriage, and motherhood as the expected center of female life, but the actual labor requirements of expanding American communities were more complicated. By 1950 roughly one third of American women were participating in the labor force, while teaching, nursing, clerical work, and other occupations increasingly depended upon female employees; outside paid employment, women's clubs, hospital auxiliaries, church groups, and voluntary associations supplied substantial labor to local health and welfare systems. Clearwater makes that contradiction particularly visible because the city and surrounding Pinellas County were expanding rapidly while the photographs were made. In Fulmer's photographs documents the institutional machinery of a rapidly growing postwar community and women's role in making it function: nurses, teachers, hospital work, blood banks, public administration, civic organizations and volunteer labor. Light curling to photographs, two negatives warped in fair condition, rest overall very good condition. Envelope captions remain clear and legible. …

Clearwater Lions Club photo archive, circa 1951 to 1953, documenting civic service, youth recreation, disability-related programs, fundraising, and organized community life in postwar Clearwater, Florida, during the final decades of Jim Crow segregation. The photographs record the club carrying out children's recreation programs, benefit projects, public events, and organized fellowship at a moment when service clubs formed an important layer of civic life between municipal government, local business, and private citizens. Made by longtime Clearwater photographer George Fulmer, the archive documents activities at Crest Lake, children's fishing programs, dog shows, club luncheons, fundraising projects, and other assignments, showing how a national service organization translated its ideals of charity, citizenship, and community improvement into recurring local activity. Photo archive of 90 items, including 44 silver gelatin photographs and 46 corresponding large-format negatives, Clearwater, Florida, principally 1951 to 1953, retained in 17 original George Fulmer studio envelopes with manuscript assignment identifications. Photograph prints measure approximately 3 x 5 inches each and large-format negatives about 4 x 5 inches. The photographs record Clearwater Lions Club members opening Crest Lake for fishing and promoting a children's fishing jamboree; a club delegation gathered beside automobiles marked "Clearwater Lions Club Miami bound"; a 1953 dog show including children's winners and an assignment identified on its envelope as "Blind Man Show"; officer presentations and club luncheons; and a boy receiving a bicycle beside a fish he caught at Crest Lake. Another sequence documents a handmade pipe organ constructed of Florida wood and auctioned as a Lions benefit. A surviving April 5, 1953 newspaper clipping reproduces one of Fulmer's photographs and identifies the instrument as the work of A. J. Smith, confirming its display at the Auction House on Clearwater-Largo Road and its planned auction for the benefit of the local Lions Club. Other photographs show members staging fishing publicity at Crest Lake, displaying equipment and prizes, and conducting programs before assembled audiences. The archive documents the practical importance of voluntary associations during Clearwater's rapid postwar expansion, but it also belongs to the racially divided civic landscape of Jim Crow Florida. The Clearwater Lions Club had been founded in 1931 by twenty local businessmen and professionals and was particularly active during the 1950s, sponsoring the Safety Harbor Lions Club in 1950 and the Largo Lions Club in 1957 as the Lions network expanded alongside the metropolitan area. The club's activities recorded here-organizing children's recreation, raising money through auctions, sponsoring competitions, providing disability-related services, and staging public events-demonstrate the substantial role such organizations played in defining and providing "community" service. Yet this civic culture developed within a segregated Southern society in which Black residents did not participate equally in the institutions and networks through which white businessmen and civic leaders organized public life. The history of Lions clubs in the segregated South reflects these racial boundaries; predominantly Black Lions organizations emerged only later during the Civil Rights era. Clearwater itself provides a particularly revealing context for the photographs. In 1950, at essentially the same moment Fulmer was photographing Lions activities, Black residents of North Greenwood were seeking adequate municipal services within a segregated city. After Black civic leader Horace Carson petitioned the City Commission for library service, Clearwater agreed to fund a separate library only after the Black community secured a building and librarian; Christine Wigfall Morris became the city's first African American librarian at what was then officially designated th.…

Postwar Clearwater civic organization photo archive, circa 1951 to 1952, documenting the clubs, veterans' groups, political organizations, youth programs, and fraternal associations through which ideas of patriotism, citizenship, leadership, and public service were organized during the early Cold War. American Legion meetings, Boy Scout troops and camps, Elks activities, Junior Service League programs, and Republican organizing place children, veterans, women, and civic leaders inside a dense culture of voluntary association whose activities ranged from recreation and charity to electoral politics and the deliberate education of young citizens. The political component includes Republican women gathered around an oversized portrait of Dwight D. Eisenhower, one wearing an "I like Ike" button, linking Clearwater club culture directly to the 1952 presidential campaign, when women constituted more than half of the American electorate. Photo archive of 72 items including 36 silver gelatin photographs, with 36 corresponding large format photographic negatives, approx 4 x 5 inches, Silver gelatin prints are approx 3 x 4.5 to 4 x 5 inches, Clearwater, Florida, c. 1950s. The 72 photographic items remain in 14 original George Fulmer studio envelopes bearing numbered job records and handwritten identifications of organizations, subjects, or assignments. Fulmer's photographs show Boy Scouts posed in uniform with merit badges and adult leaders; Methodist affiliated Scout troops; boys cooking beside rows of canvas tents at a Scout camp; large Scout gatherings with adult civic and public safety figures; American Legion members meeting beneath flags and Legion insignia; Legion men and women posed separately and in mixed groups; and an American Legion state meeting attended by uniformed veterans and auxiliary members. Other photographs show an Elks presentation centered on a ceremonial elk head; Junior Service League activities involving children; a large children's gathering decorated with American flags; men assembled around a box labeled "Packard invitation month contest"; and Republican Club women holding a domestic political gathering around Eisenhower campaign imagery, refreshments, and campaign buttons. The photographs repeatedly move between youth and adulthood, showing boys entering organized civic life under the supervision of fathers, veterans, clergy, and club officers, while women participate through auxiliaries, service organizations, and partisan political groups. The organizational culture recorded here developed within the heightened nationalism of the first years of the Cold War. The American Legion had treated "Americanism" as a formal program since its early years, combining citizenship education, youth programs, and later militant anticommunism; in January 1950 it convened an "All American Conference" with sixty six other organizations to coordinate opposition to communism. Scouting occupied a particularly important place within that program. At the Legion's first national convention in 1919, delegates specifically urged local posts to assist Boy Scout troops, beginning a relationship that tied veterans' organizations to the training of boys in leadership, service, discipline, and citizenship. Fulmer's Clearwater assignments record that national civic program operating at local scale: wartime veterans convert military service into postwar organizational authority; Scoutmasters and church sponsors train boys for adult citizenship; fraternal organizations combine sociability with ceremonies, charity, and youth work; and Republican women enter electoral organization during a presidential campaign whose success demonstrated the growing political weight of female voters. The archive consequently records nationalism not principally as governmental policy but as a daily social practice carried through meetings, uniforms, insignia, camps, elections, auxiliary groups, youth instruction, and club ritual. Light curling and occasional handling marks to photographs and negatives; overall very good, but for 2 negatives warped in poor condition, studio envelopes with expected toning. Overall in very good condition.…