Fulcher john thomson (7 resultados)
Más imágenesEditorial: Swan & Pentland, London, Glasgow, and Edinburgh 1900
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Librería: Midway Book Store (ABAA), St. Paul, MN, Estados Unidos de AmericaMidway Book Store (ABAA)
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 44,93
Envío por EUR 6,98Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Good. 27.5 x 21.5 cm. Quarto. vi 315pp. Rebound into plain black boards. Musical scores. Some of the pages have neat tape repairs. Previous owner's name on front free endpaper.
Editorial: Swan & Co.
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Librería: Sally Smith Books, Bury St Edmunds, , Reino UnidoSally Smith Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 68,83
Envío por EUR 33,36Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Hardback, no dust wrapper. Undated, but likely to date from the late 19th Century (presentation message on fep dated 1905). Dark blue cloth decorated to spine and upper board with gilt titles and designs and floral panels picked out in black. Bevelled boards and gilt to edges of text block. 316pp… plus 3pp publisher's adverts at rear. Binding sound. Cloth rubbed at corners and edges of spine with just occasional marks. Ownership details written at top of tp. Paper a little toned, but clean. An impressive, VG copy. Photos available on request. This heavy volume will require additional postage for an overseas purchase.
Editorial: SWAN & PENTLAND, EDINBURGH 1880
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- Primera edición
Librería: Gian Luigi Fine Books, albany, NY, Estados Unidos de AmericaGian Luigi Fine Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 103,34
Envío por EUR 8,46Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: VG. First Edition. BLUE DECORATIVE BOARDS, PUB. IN THE LATE 1800'S. GILT EDGES.
Editorial: Swan & Co. [c1880], London 1880
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- Primera edición
Librería: Renaissance Books, ANZAAB / ILAB, Dunedin, , Nueva ZelandaRenaissance Books, ANZAAB / ILAB
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 80,88
Envío por EUR 30,54Se envía de Nueva Zelanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Good. No Dust Jacket. First Edition. 1/2" chip to cloth at lower corner of front board. 1/4" tears and fraying to cloth at ends of spine and corners of boards. Front hinge broken. Rear hinge weak. Owner's signature on title page. Rubber stamp on title page "Chas Begg & Co Music & Pianos Dunedin". ; No date…[c1880]. vi, [2], 315, [1] pages + [4] pages advertisements. Brown cloth boards with gilt and black decoration. Page dimensions: 272 x 211mm. All page edges gilt. ; 4to.
Editorial: London : Swan & Co. 1900
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- Primera edición
Librería: MW Books, New York, NY, Estados Unidos de AmericaMW Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 120,68
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
1st edition. Good copy in the original elaborately gilt-blocked and tooled cloth over bevelled boards. All edges gilt. Generalised wear to the spine bands and board extremities. Minor tear in the cloth at the head and tail of the spine. Hinge starting. Minor foxing to prelims. Remains particularly well-preserved overall; tight,…bright, clean and strong. Physical description; 315 pp, 27 cm. Notes; Date is suggested. Contains musical scores. 4 pages of advertisements. Subjects; Songs. Scots. Piano and vocal score. 3 Kg.
Editorial: London : Swan & Co. 1900
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- Primera edición
Librería: MW Books Ltd., Galway, , IrlandaMW Books Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 120,00
Envío por EUR 13,95Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
1st edition. Good copy in the original elaborately gilt-blocked and tooled cloth over bevelled boards. All edges gilt. Generalised wear to the spine bands and board extremities. Minor tear in the cloth at the head and tail of the spine. Hinge starting. Minor foxing to prelims. Remains particularly well-preserved overall; tight,…bright, clean and strong. Physical description; 315 pp, 27 cm. Notes; Date is suggested. Contains musical scores. 4 pages of advertisements. Subjects; Songs. Scots. Piano and vocal score. 1 Kg.
Idioma: Alemán
Editorial: Swan & Pentland; Edinburgh o.J. (ca. 1900). 1900
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Librería: Borkert, Schwarz und Zerfaß GbR, Berlin, AlemaniaBorkert, Schwarz und Zerfaß GbR
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 76,00
Envío por EUR 40,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Goldgepr. Originalleinen. Condición: Sehr gut. 315 S. Einband u. einige S. lose; Gebrauchsspuren, einige S. fleckig. - Aus dem Nachlaß von Michael Richter. - Beiliegt: handschriftl. Index der Lieder bis S. 258 durch Michael Richter. - FOR A' THAT (page 84).-Burns wrote this song in 1794. Mr Stenhouse remarks that this song ' unf…ortunately came out at a period when political disputes ran very high, and his enemies did not fail to interpret every sentence of it to his prejudice. That he was the zealous friend of rational and constitutional freedom will not be denied, but that he entertained principles hostile to the safety of the State no honest man that knew him will ever venture to maintain. In fact, what happened to Burns has happened to most men of genius. During times of public commotion there are always to be found vile and dastardly scoundrels, who, to render themselves favourites with those in power, and push their own selfish views of interest and ambition, are ever ready to calumniate the characters and misrepresent the motives and actions of their neighbours, however good, innocent, or meritorious.' / Beranger, the French poet, said, ' This song was a song not for an age, but an eternity.' / The authorship of the air cannot be traced. / GLOOMY WINTER'S NOO AWA' (page 100).-The following account of the origin of this song is given in a small book entitled 'The harp of Renfrewshire,' published in Paisley in 1819. It forms a portion of a letter written by E. A. Smith, who was an / intimate friend of the poet: ' Miss -----, of-----, was particularly / fond of the Scottish melody " Lord Balgownie's Favourite," and had expressed a wish to see it united to good poetry. I accordingly applied to my friend (Tannahill), who produced his song, "Gloomy Winter's noo awa'" in a few days. As soon as I had arranged the air, with symphonies and accompaniment for the pianoforte, I waited on the lady, who was much delighted with the verses, and begged of me to invite the author to take a walk with me to the house at any leisure time. I knew that it would be almost impossible to prevail on Eobert to allow himself to be introduced by fair means: so for once I made use of the only alternative in my power, by beguiling him thither during our first Saturday's ramble, under the pretence of being obliged to call with some music I had with me for the ladies. This, however, could not be effected till I had promised not to make him known, in case any of the family came to / the door. But how great was his astonishment when Miss----- / came forward to invite him into the house by name ! I shall never forget the awkwardness with which he accompanied us to the music room. He sat as it were quite petrified, till the magic of the music and the great affability of the ladies reconciled him to his situation. / In a short time Mr------came in, was introduced to his visitor in / due form, and with that goodness of heart and simplicity of manner for which he is so deservedly esteemed by all who have the pleasure of knowing him, chatted with his guest till near dinner-time, when / Eobert again became terribly uneasy, as Mr-----insisted on our / staying to dine with the family. Many a rueful look was cast to me, and many an excuse was made to get away; but, alas! there was no escaping with a good grace; and finding that I was little inclined to understand his signals, the kind request was at length reluctantly complied with. After a cheerful glass or two, the restraint he was under gradually wore away, and he became tolerably communicative. I believe that when we left the mansion, the poet entertained very different sentiments from those with which he had entered it. He had formed an opinion that nothing save distant pride and cold formality was to be met with from people in the higher walks of life; but on experiencing the very reverse of his / imaginings, he was quite delighted; and when Mr-----'s name / happened to be mentioned in his hearing afterwards, it generally called forth expressions of respect.
