fronth (16 resultados)

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Good. No Jacket. 1st Edition. No DJ. Light wear to cover edges/corners. Spine is sun faded. Content pages are clean and unmarked. Catalog.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 1999. Retrospective Exhibition Catalog. One of Per Fronth's finest achievements. Limited Edition of 3000 copies. Published as a softcover original only. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Essay by Malin Barth. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition held at the Dillon Gallery in 1999. Presents Per Fronth's "Lifedreams". Some of Per Fronth's finest and most representative photographic image-sequences. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist: "I want to redefine photography by way of using my paintbrushes such that assumptions of verisimilitude, accuracy, and fictional narrative all become equally ungrounded. Sumptuous visuality, whether as photographic near-abstraction or as intricate webs of cracked paint, is paramount" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This copy is very prominently and beautifully signed and inscribed in black ink-pen on the title page by the artist/photographer: "Dear Martha, Here's what's up in NY till Nov 3rd. Hope you'll be able to see it. Best wishes, Per Fronth". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is an important art photography figure. This title is a contemporary art and photography classic. As far as we know, this is the only such signed and inscribed copy of the Limited Edition available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN 096483409x. Signed by Author.

Hardcover. Condición: As New. 1st Edition. 1st Printing. 40 pages. Published in 1998. Exhibition Catalog. One of Per Fronth's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a tiny first print run as a hardcover original only. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Red cloth boards with gilt titles on the cover and spine, as issued. Photographically-based art by Per Fronth. Essay by Donald Kuspit. Printed on pristine-white, thick coated stock paper in South Korea to the highest standards. Without DJ, as issued. Presents Per Fronth's "Xingu Chronicles". Per Fronth's dramatically altered photographic images of the Xingu Indian tribe in the Amazon rain forest. Inspired by the "burning bush" motif that the Xingu tribe uncannily shares with the Western tradition, Per Fronth delicately applies the red color in all of the images he took. The results remind one of the work of two artist/photographers working in separate and divergent traditions: Edward S. Curtis and his pioneering photography of North American-Indian tribes and Luis Gonzalez Palma and his post-modern Romantic portraits in the Latin-American tradition. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. An absolute "must-have" title for Per Fronth collectors. This title is a contemporary art and photography classic. As far as we know, this is the only copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online are subsequent editions or have serious flaws. This is surely an accessible and lovely alternative. A rare copy thus. 30 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN 0964834065. no.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Unpaginated. Published in 2000. Exhibition Catalog. Limited Edition of 1500 copies. The first and only edition. Published as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Introduction by John Wood. Brief Biography appended at the end. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Per Fronth's "Cargo". Some of Per Fronth's finest and most representative work. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers", which are beautiful not just because they evoke the elemental power of art that, as noted by John Wood, is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. Hence the "cargo" of the title. In order to understand his work, John Wood believes one needs to turn to the music of such fellow visionaries as Arvo Part, John Tavener, and Henryk Gorecki. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. An absolute "must-have" title for Per Fronth collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. 13 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN B0006RKS0Y. no.

First Edition. First edition. Softcover. Essay by John Wood. Includes 3 small figures and 13 color illustrations. A fine copy in stapled wrappers. Scarce with only 4 copies listed in OCLC.

Couverture rigide. Condición: Très bon. Edition originale. ln-4° relié, 70 pages circa.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Unpaginated. Published in 2004. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was commercially distributed. There is no ISBN. The Exhibition Catalog is now rare. A brilliant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Except for the Brief Biography appended at the end, there is no text. Printed on pristine-white, thick coated stock paper in Norway to the highest standards. Without DJ, as issued. Published on the occasion of Per Fronth's landmark 2004 exhibition in his native Norway. Presents Per Fronth's "Undertow". Some of Per Fronth's finest and most representative work. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. "I want my work to be about life, not art" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the 2004 Gallerie BI-Z Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. Lavishly illustrated with full-page and doublespread color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG). no.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Unpaginated. Published in 2001. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was commercially distributed. There is no ISBN. The Exhibition Catalog is now rare. A brilliant production by Per Fronth: Oversize-volume format. The Catalog is elephant-sized. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Essay by Knut Blomstrom in the Norwegian original and felicitous English translation. Printed on pristine-white, thick coated stock paper in Norway to the highest standards. Without DJ, as issued. Published on the occasion of Per Fronth's landmark 2001 exhibition in his native Norway. Presents Per Fronth's "Archipelago". His heartfelt homage to his native land, simply beautiful photographs of Norway's iceberg seascapes, landscapes, and beautiful women. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. "I want my work to be about life, not art" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the 2001 Gallerie BI-Z Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. Lavishly illustrated with full-page and doublespread color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG). no.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. DILLON GALLERY SHOW CATALOG FROM 1998. FIRST HARDCOVER EDITION, STATED FOR THE EXHIBIT OF THE WORK BY NORWEGIAN ARTIST, PER FRONTH, "XINGU CHRONICLES" ART WORKS IN THE BRAZILIAN FOREST. RED BOARDS WITH GILT TITLES 8 3/4" X 8 3/4". 36 PAGES. HIS WORK IS A TRANSFORMATION FROM THE PHOTO TO THE PAINTING AND FOCUSES ON THE XINGU INDIAN TRIBESMEN WHO INHABIT THE AMAZON RAIN FOREST. MIXED MEDIA AND WORKS ON PAPER. CLEAN TIGHT COPY WITH A GIFT LABEL AT THE REAR OF THE BOOK; OTHERWISE, NO UNWANTED MARKS.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2000. Exhibition Catalog. Limited Edition of 1500 copies. The first and only edition. Published as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Introduction by John Wood. Brief Biography appended at the end. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Per Fronth's "Cargo". Some of Per Fronth's finest and most representative work. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers", which are beautiful not just because they evoke the elemental power of art that, as noted by John Wood, is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. Hence the "cargo" of the title. In order to understand his work, John Wood believes one needs to turn to the music of such fellow visionaries as Arvo Part, John Tavener, and Henryk Gorecki. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. An absolute "must-have" title for Per Fronth collectors. This copy is very prominently and beautifully signed and dated (in the year of publication) in black ink-pen on the title page by the artist/photographer: "Per Fronth 2000". It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. As far as we know, this is the only such signed and publication-year dated copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 13 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG) ISBN B0006RKS0Y. Signed by Author.

Soft cover. Condición: As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2008. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. An austerely elegant production by Per Fronth: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographically-based art by Per Fronth. Essay by the art historian Cecilie Tyri Holt. Brief Biography appended at the end. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Per Fronth's "Carbon Compositions". Some of Per Fronth's finest and most representative recent work. The great Norwegian artist/photographer enjoys cult status in both art and photographic circles throughout the world because he is a very special kind of artist: He begins with a photograph and then proceeds gradually to efface it by turning it into magical paintings ("totemic" is often used to describe the finished work). Per Fronth himself calls them "photo-transfers" that are beautiful not just because they evoke the elemental power of art, which is now absent in most "conceptual" contemporary painting: The power of his work may be traced to the fact that at the deepest level, Per Fronth is a humanist and Maximalist in a world largely populated by merely lapidary craftsmen and Minimalists. The transfer is so complete that it is often very hard to see whether the finished work is a photograph (which it isn't) or a painting (which it isn't either). Per Fronth takes on the entire history of Western art in his work and emphasizes its Romanticism. His work is about every human being's inner life, its happiness as well as its sadness, its burdens and concerns. While the technical finesse of his work is impeccable, Per Fronth's work can only be understood if one expects and demands radical vision rather than mere "ideas" from an artist. "I want my work to be about life, not art" (Per Fronth). An absolute "must-have" title for Per Fronth collectors. This copy is very boldly and beautifully signed and inscribed in black ink-pen on the title page by the artist/photographer: "Dear Martha, Best wishes from far away! If in NY please stop by. Sincerely, Per Fronth". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is an important art photography figure. Laid-in is a pristine copy of the Gallery Opening's Invitation. This title is a contemporary art photography classic. As far as we know, this is the only such signed and inscribed copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 25 color plates. One of the finest artist/photographers of our time. A fine copy. (SEE ALSO OTHER PER FRONTH TITLES IN OUR CATALOG). Signed by Author.

Oslo, 2009. 303 pp. Col. ills. Hardcover, d./j.

31,5x24 cm. 304 s. Rikt illustrerad. Förlagsband med skyddsomslag.

Press Publishing, Oslo 2009. 4to. Orig. boards with dust wrapper. Near Fine-/Very Good. * Dedication from the artist on title page.

Condición: Good. Xingu Chronicles, the portfolio, comprising 30 plates, photogravues in colors, each signed, dated and titled in pencil, each numbered 10/35, on wove paper, with full margins, housed in the original black clam shell box, with titled printed in gold on the uppers, overall size 790 x 600 x 60mm. 32 x 23.5 inches portfolio.In the middle of Brazil's once inaccessible rainforest,along the beautiful Xingu river, 16 different tribes share a common territory known as the Xingu Park. Spread out in 29 villages the four thousand Indians share a preservation of 12000-square-miles and continue to maintain clearly different languages, traditions and social structures.Through archeological studies one have established the origin of these peoples back more than a thousand years in the same area."Xingu Chronicles" is a photographic portrait of the Xingu culture, which at the end of the 20th-century is both threatened by profit-seeking multi-national companies, as well as facing the dilemmas of adjusting to the cultural influence of the outside modern society.The "Xingu Chronicles portfolio " consist of thirty individual photoengravings, recorded in 1996 and 1997 and first exhibited at the Dillon Gallery, New York in 1998.The edition of each individual image is limited to thirtyfive prints, with one BAT, two printers proofs and six artist proofs made. Printed on Lana Royal Classic Paper using Silicon-Intaglio technique.Handprinted by Nathan Kanofsky / Arak Kanofsky Studios, New York.