frankel simon (62 resultados)

Hardcover. Condición: Very Good. Appears to be unread--a nice copy. No dust jacket, as issued.

Paperback. Condición: Good. Weller, Simon Ilustrador.

hard cover, 25 cent cover price, unpaged, 6 3/8 x 7 7/8 inches, 1st edition, good + book condition, no dust jacket, juvenile picture book,

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hard Cover. Condición: Very Good. Frankel, Simon Ilustrador. 1st Printing. Solid with light wear on the covers. The previous owner's name is on top of the front cover in ball point pen ink and also on the inside front cover. There is a one inch tear on the first inside page and writing on the top edge of the second inside page. The rest of the interior is unmarked. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condición: Very Good. No Jacket. frankel, Simon Ilustrador. 1st Edition. black c w/pictorial boards, moderate wear at spine and edges; unpaginated, clean, unmarked w/lite toning.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket. A Bonnie Book. Very nice, clean copy with some minor wear on spine. ; Small 8vo.

Paperback. Condición: Brand New. Weller, Simon Ilustrador. 192 pages. 8.50x6.00x0.50 inches. In Stock.

Condición: New.

Soft cover. Condición: Good. Simon Frankel Ilustrador. Book is all intact. Normal shelf wear to covers.

Paperback. Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: None Issued. Text is unmarked; pages are bright. Binding is sturdy. The corners of the covers are bumped. No dust jacket, as issued.

Hardcover. Condición: Very Good +. Simon Frankel Ilustrador. Presumed First Edition. A Bonnie Book. Tight binding. No chips, tears, creases on pages. "This book belongs to" page filled in. Size: 8vo (8" to 9").

Condición: New.

8vo. pp xxx, 440. Colour illustrated dust jacket. Original publisher's beige cloth with gilt lettering at spine. Illustrated in black and white. Ownership signature of Art Historian Caroline Arscott.ISBN: 0813920973 Slightly marked at top edge, else clean. Very good in lightly toned at verso, slightly worn at top of spine, very good dust jacket.

paperback. Condición: Very Good.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. 1st Edition. First edition hardback picture book with dustjacket that has some edge tears. Tidy within, no inscriptions, not ex-library. 3SN12.

Condición: New.

Hardcover. Condición: Good Plus. Simon Frankel Ilustrador. 32pp plus covers. Illustrated in colour throughout. A little morality tale with the Bluejay as the bad guy. Size 225x190mm Neat gift inscription to front paste down.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st ed., 1st printing ; ; 272 pages : illustrations (some color) ; 28 cm ; ISBN 9780810934269, 9780890900604, 0810934264, 0890900604 OCLC 31088352 "Published on the occasion of the exhibition . organized by the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art, New York, in collaboration with the High Museum of Art, Atlanta."--Title page verso; Exhibition held at Museum of Fine Arts, Houston, August 21-October 23, 1994 ; High Museum of Art, Atlanta, December 13, 1994-February 12, 1995 ; Metropolitan Museum of Art, New York, March 15-July 9, 1995 ; black cloth with gold designs and lettering ; in color photographic dustjacket ; In 1848, Gustave Herter arrived in America from Germany, fleeing political and economic chaos. His brother, Christian, joined him a decade later. By 1875 their firm, renamed Herter Brothers, was supplying the White House with furnishings, as it had been doing for some of America's wealthiest families since 1858. During this opulent period, Herter Brothers could claim to be the leading cabinetmaking and decorating firm in the country. The best of the Herter Brothers' furniture and interiors are displayed in 133 color and 167 black-and-white illustrations, including many close-up details as well as comparative work by rival fine cabinetmakers of the time in New York and Europe. Herter Brothers tells the story of the company from its earliest manifestations, when Gustave worked with other partners and alone, through his partnership with his brother, to Christian's years as head of the firm and the end of his tenure ; Katherine S. Howe is the director of the Rienzi house museum for European decorative arts in the Museum of Fine Arts, Houston.; Peter C. Marzio. Peter was the director of the Museum of Fine Arts in Houston, a post he held for almost three decades; born into a working-class immigrant family, becoming the first in his family to graduate from High School. At Juniata College he became inspired by the art and museum world, deciding to make this his career. He went on to earn a doctorate in art and American history from the University of Chicago. He served as curator of prints and drawings at the Smithsonian and then as director and chief executive officer of the Corcoran Gallery of Art, before becoming the director in Houston. ; Philippe de Montebello is a French and American museum director. He served from 1977 to 2008 as the director of the Metropolitan Museum of Art in New York. On his retirement, he was both the longest-serving director in the institution's history and the third longest-serving director of any major art museum in the world; He immigrated to the United States of America in the 1950s, and became a naturalized citizen of the US in 1955. He was educated in New York City at the Lycée Français de New York, graduated from Harvard University with a degree in art history, and earned an MA from New York University, after which he embarked on a career in Fine Arts. He became the Director of the Metropolitan Museum in 1977 and has become widely known as the public face of the museum.; Ned Rifkin joined the staff of the Hirshhorn Museum and Sculpture Garden in December 1986 as the first chief curator for exhibitions. ; Contents: A European context, 1840-80 : England / Simon Jervis. Germany / Hans Ottomeyer. France / Marc Bascou -- An introduction to the Herter Brothers / Katherine S. Howe -- From the Bowery to Broadway : the Herter Brothers and the New York furniture trade / Catherine Hoover Voorsanger -- Patronage and the artistic interior / Alice Cooney Frelinghuysen -- Herter Brothers furniture / Alice Cooney Frelinghuysen, Katherine S. Howe, Catherine Hoover Voorsanger ; FINE/FINE. Book.

Condición: New. In.

Condición: New.

Paperback. Condición: Brand New. 6th revised edition. 600 pages. 9.96x6.97x0.50 inches. In Stock.

Paperback. Condición: New. 6th. Since its first publication in 1979, Law, Ethics, and the Visual Arts has been the foundational text in the field of art law. This thoroughly reorganized and updated sixth edition takes a fresh look at primary materials and commentary from previous editions, extending the book's analysis with significant changes in format and content to reflect changes in the field. The book has multiple uses and audiences: a text for courses in law schools and graduate programs, a reference work for lawyers and museum professionals, and a lively read - filled with engaging legal stories and colorful anecdotes featuring the broad cast of characters in the art world. Complementing their own observations, the authors include excerpts from judicial opinions, scholarly and popular articles, international treaties, and statutory law. Law, Ethics, and the Visual Arts offers a cornucopia of examples, questions, issues, and lessons for students, artists, dealers, collectors, attorneys, and any reader curious about today's complex world of the visual arts.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. Pratt investigates the potential erosion of prohibiting assassination, torture, and mercenarism during the US's War on Terrorism. In examining the emergence and history of the US's targeted killing programme, detention and interrogation programme, and employment of armed contractors in warzones, he proposes that a 'normative transformation' has occurred, which has changed the meaning and content of these prohibitions, even though they still exist. Drawing on pragmatist philosophy, practice theory, and relational sociology, this book develops a new theory of normativity and institutional change, and offers new data about the decisions and activities of security practitioners. It is both a critical and constructive addition to the current literature on norm change, and addresses enduring debates about the role of culture and ethical judgement in the use of force. It will appeal to students and scholars of foreign and defence policy, international relations theory, international security, social theory, and American politics. Pratt uses practice theory and relational sociology to analyse transformations in the prohibition on assassination, torture, and mercenaries during the US War on Terror. This book will interest students and scholars of foreign and defence policy, international relations theory, international security, social theory, and American politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.