francois morelli (12 resultados)

Soft cover. Condición: Fine (Book Condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

Hardcover. Condición: Near Fine. In shrink wrap! No visible blemishes.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Soft cover. Condición: Fine (Book Condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.

56 pp.; 25.8 x 18.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Portland Institute for Contemporary Art, OR, September 4 - November 2, 2002. Traveled to Western Gallery, Western Washington University, Bellingham, Washington, January 6 - March 1, 2003; Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia, March 20 - May 11, 2003; Oakville Galleries, Ontario, Canada, June 14 - August 17, 2003 and Oakville Galleries at Centennial Square, June 21 - August 17, 2023 and Freedman Gallery, Albright College Center for the Arts, Reading, PA, February 6 - March 28, 2004. Curated and with an essay by Stuart Horodner. Artists include Francis Alÿs, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel, and Richard Wentworth. Includes artist biographies and exhibition checklist. Good / Very Good. Light wear of covers including light bumping of corners at spine, bowing of covers, yellowing, and light rubbing. 1 cm. of surface bubbling to verso. Inscribed by previous owners on end papers in black ink. Light yellowing of page edges. Contents otherwise clean and unmarked.

Soft Cover. Condición: Near Fine. First Edition; First Printing. Illustrated in coor and black and white, with one double fold-out. Essay by Linda Tesner. Interview with the artist by Stuart Horodner. Published on the occasion of the exhibition at the Ronna and Eric Hoffman Gallery of Contemporary Art , Lewis & Clark College, Portland OR, January 23-March16, 2003. ; Tight, clean and crisp. A gently browsed catalog in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 8.43 X 5.85 X 0.73 inches.

Trade Paperback. Condición: Very Good. Limited Edition. 4to - over 9¾" - 12" Tall (square small). Catalog of The Ronna and Eric Hoffman Gallery of Contemporary Art at Lewis and Clark College in Portland, OR from Jan 23 to March 6, 2003 exhibition of Carousel by Francois Morelli. Features full centerspread in full color in middle of book. A Very Good copy with light rubbing to front and back panels; else a clean copy with uncreased spine and full color reproductions throughout. 23pp., 9 x 9in. square. Includes an introduction by Tesner; interview with the artist by Horodner; and list of works in exhibition on back interior cover.

Softcover staple bound, 22 pages; as new condition, clean and crisp; no internal marks.

Softcover. Condición: Very Good Plus. First Edition. [ART]. Ed. Ariele Dionne-Krosnick. Contributors: Simon Belleau, Kelly Lloyd, Sex Detectives, Didier Morelli, Samuel Adam Swope, Emily Kay Henson, Francois Morelli, Spencer Stucky, Lucas Briffa. "Book of Longing." Chicago, IL: School of the Art Institute of Chicago, 2014. First edition. English language. Slim softcover with white wrappers, stamped title on front wrapper. Short texts with 20 full-color art reproductions from 11 artists curated by the author. 7 x 5 inches. 2 oz. 32 pp. First page creased in top right-hand corner. Text clean. Very Good Plus. No ISBN. No ASIN. "This 'Book of Longing' celebrates the in-between, the unresolved, and the open-ended question. It picks up the pieces left behind, left untouched, as well as the mistakes and the byproducts.".

Condición: Very Good. 23 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condición: Very Good. 8 page brochure. Sculpture. 8 plates.

Softcover. Condición: Sehr gut. Das Buch dokumentiert Projekte und Experimente von Diane Morin im Bereich der technischen und audio-visuellen Kunst, die zwischen 1998 und 2013 entstanden sind. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! Stichworte: Genres: Kunst, Technik, Experiment; Schlagworte: Diane Morin, Kunst, Technik, Experiment, Projekte, Canada, Collaboration, Kulturgeschichte, Audio-Kunst, Visuelle Kunst. 123 Seiten Französisch 431g.

No Binding. Condición: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.