florine stettheimer (49 resultados)

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Unmarked hardcover in unclipped jacket.

Paperback. Condición: new. Paperback. Florine Stettheimer (1871-1944) was an American modernist of German-Jewish heritage living in New York. She was a painter, designer, and poet. Together with her sisters Ettie and Carrie, Stettheimer hosted a legendary salon on the Upper West Side, where they entertained the likes of Marcel Duchamp, Carl Van Vechten, Henri McBride, and Georgia O'Keeffe. In 1934 Stettheimer designed the set and costumes for Gertrude Stein's opera Four Saints in Three Acts to much acclaim. In 1949, Ettie collected Florine's poems inCrystal Flowers, a privately printed, elegant edition of 250. In addition to these rare poems, this new volume offers formerly unpublished material culled from archives, including three new poems and Stettheimer's libretto for her ballet "Orphee of the Quat-z-arts." Gammel and Zelazo have re-situated this overlooked poet among her modernist sisters, presenting her as an important practitioner of a modernism that integrates multiple art forms. Sixty years after it first appeared for a select few, her poetry shines for a new generation of readers ready to appreciate her irreverent camp aesthetic and her exuberant painterly style. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Like New. Dust jacket condition: Like New. Appears as new and unread. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art. 172 pages. Stieglitz, Alfred, 1864-1946--Exhibitions, Duchamp, Marcel, 1887-1968--Exhibitions, Modernism (Art)--United States--Exhibitions, Stieglitz Circle (Group of artists)--Exhibitions.

Hardcover. Condición: Very Good.

Paperback. Condición: Very Good. Light shelfwear to the cover, otherwise a clean, tight copy.

paperback. Condición: Very Good. Florine Stettheimer Ilustrador. paperback with velum jacket in great condition jm 1/30.

Condición: Good. Florine Stettheimer Ilustrador. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Poor. Florine Stettheimer Ilustrador. 1st Edition. Exhibition catalog July 13-November 5, 1995 Whitney Museum of Art, New York. Book dust jacket torn.

Paperback. Condición: Very Good. Florine Stettheimer Ilustrador. Name on inside front cover, otherwise text clean and tight; plastic dust cover has a few closed tears and has been taped in one place ; 8vo 8" - 9" tall; 143 pages.

Soft cover. Condición: Very good. Estado de la sobrecubierta: Very good. Florine Stettheimer Ilustrador. Jacket edges are slightly worn. Top and fore edges are lightly scuffed, but legibility is not impacted. Inside is unmarked.

Florine Stettheimer Ilustrador. First edition. Softcover. 143 pages. Exhibition catalog for a show that ran July 13 through November 5, 1995. Features essays by Elisabeth Sussman, Barbara J. Bloemink, and Linda Nochlin. Includes numerous color and black and white illustrations, a chronology, bibliography, and a checklist. An about good copy in wrappers with a small and faint moisture stain to th edge of the last third of the pages but with no impact on the text or images and in a very good plus printed glassine jacket that has some minor wear. Despite the flaws a solid copy.

Oversized Paperback. Condición: Good.

Florine Stettheimer Ilustrador. Softcover with dustjacket, 144 pages, very good condition except dustjacket is lightly ruffled and has small pieces missing at top edge; small stain to top edge of last few pages; noother internal marks. Foreign shipping may be extra.

hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. Publisher: D.A.P./A.F.A., New York, 2003. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Soft cover. Condición: Good. Florine Stettheimer Ilustrador. 1st Edition. Previous price sticker on front cover. Chips to DJ. Remainder mark on bottom edge. Otherwise good condition with clean unmarked pages, crease-free. BP/Art/S.

Softcover. Condición: Very Good+. Estado de la sobrecubierta: No Dust Jacket. Florine Stettheimer Ilustrador. Color Illius; 7.75 X 0.5 X 11 inches; 143 pages.

No Binding. Condición: Near Fine. 1st. Near-fine condition, lighrly soiled. Cards are sent in stiff mailers. *** The exhibition was held at Gramercy Hotel Art Fair and included artists Jane Kaplowitz, Elizabeth Peyton, and Jeff Koons, as well as works by Florine Stettheimer herself. Card.

Hardcover without dustjacket as issued, 168 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover staple bound, 24 pages, good condition, some foxing and rubbing to covers; no internal marks. Foreign shipping may be extra.

1st ed. Text: ENGLISH (Gutes sauberes Exemplar - ungelesen / good clean book) Sprache: Englisch Gewicht in Gramm: 1200 OPappband (mit Schutzumschlag) / Hardcover (with dust-jacket).

Paperback. Condición: Very Good. 1st. 55 pages, illustrations (some colour), portraits; 26 cm. Edition of 10,000 copies. Firm binding, clean inside copy. Lower right corner lightly bumped. Age toning. Vintage MoMA catalogue. *** Florine Stettheimer (1871-1944) was an artist and feminist in the early twentiieth century: a wealthy New York socialite who mingled with the avant-garde (Duchamp), but painted in a naive style that was sometimes surrealistic and whimsical. Journalist McBride was probably the most influential American art critic in the early twentieth century. Size: 4to. Collectible.

paperback. Condición: As New. Florine Stettheimer Ilustrador.

Paperback. Condición: new. Paperback. Florine Stettheimer (1871-1944) was an American modernist of German-Jewish heritage living in New York. She was a painter, designer, and poet. Together with her sisters Ettie and Carrie, Stettheimer hosted a legendary salon on the Upper West Side, where they entertained the likes of Marcel Duchamp, Carl Van Vechten, Henri McBride, and Georgia O'Keeffe. In 1934 Stettheimer designed the set and costumes for Gertrude Stein's opera Four Saints in Three Acts to much acclaim. In 1949, Ettie collected Florine's poems inCrystal Flowers, a privately printed, elegant edition of 250. In addition to these rare poems, this new volume offers formerly unpublished material culled from archives, including three new poems and Stettheimer's libretto for her ballet "Orphee of the Quat-z-arts." Gammel and Zelazo have re-situated this overlooked poet among her modernist sisters, presenting her as an important practitioner of a modernism that integrates multiple art forms. Sixty years after it first appeared for a select few, her poetry shines for a new generation of readers ready to appreciate her irreverent camp aesthetic and her exuberant painterly style. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condición: Near Fine. No Jacket. Florine Stettheimer Ilustrador. Condition of Softcover book: Near fine. Spotting on outer edges of book. (photo attached) Florine Stettheimer (August 19, 1871 May 11, 1944) was an American modernist painter, feminist, theatrical designer, poet, and salonnière. Stettheimer developed a feminine, theatrical painting style depicting her friends, family, and experiences in New York City. She made the first feminist nude self-portrait and paintings depicting controversies of race and sexual preference. She and her sisters hosted a salon that attracted members of the avant-garde.[1] In the mid-1930s, Stettheimer created the stage designs and costumes for Gertrude Stein and Virgil Thomson's avant-garde opera, Four Saints in Three Acts. She is best known for her four monumental works illustrating what she considered New York City's "Cathedrals": Broadway, Wall Street, Fifth Avenue, and New York's three major art museums. During her lifetime, Stettheimer exhibited her paintings at more than 40 museum exhibitions and salons in New York and Paris. In 1938, when the Museum of Modern Art sent the first American art exhibition to Europe, Stettheimer and Georgia O'Keeffe were the only women whose work was included.[2] Following her death in 1944, her friend Marcel Duchamp curated a retrospective exhibition of her work at the Museum of Modern Art in 1946. It was the museum's first retrospective exhibition of work by a woman artist. After her death, Stettheimer's paintings were donated to museums throughout the United States. In addition to her many paintings and costume and set designs, Stettheimer designed custom frames for her paintings and matching furniture, and wrote humorous, often biting poetry. A book of her poetry, Crystal Flowers, was published privately and posthumously by her sister Ettie Stettheimer in 1949.

Soft cover. Condición: New. Estado de la sobrecubierta: Fine. Florine Stettheimer Ilustrador. 1st Edition. Book is in perfect condition. Dust jacket/wrapper has slight edge wear. Ships from California.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. Florine Stettheimer (1871-1944) was an American modernist of German-Jewish heritage living in New York. She was a painter, designer, and poet. Together with her sisters Ettie and Carrie, Stettheimer hosted a legendary salon on the Upper West Side, where they entertained the likes of Marcel Duchamp, Carl Van Vechten, Henri McBride, and Georgia O'Keeffe. In 1934 Stettheimer designed the set and costumes for Gertrude Stein's opera Four Saints in Three Acts to much acclaim. In 1949, Ettie collected Florine's poems inCrystal Flowers, a privately printed, elegant edition of 250. In addition to these rare poems, this new volume offers formerly unpublished material culled from archives, including three new poems and Stettheimer's libretto for her ballet "Orphee of the Quat-z-arts." Gammel and Zelazo have re-situated this overlooked poet among her modernist sisters, presenting her as an important practitioner of a modernism that integrates multiple art forms. Sixty years after it first appeared for a select few, her poetry shines for a new generation of readers ready to appreciate her irreverent camp aesthetic and her exuberant painterly style. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Brossura. Condición: new. A cura di Schirò S.Illustrazioni di Bonajuto S.Traduzione di Stefano Schirò.Prefazione di Franca Alaimo.Testo Italiano e Inglese.Palermo, 2022; br., pp. 194, ill., cm 10,5x19,5. Il benvenuto, innanzi tutto, a questa raccolta che inaugura la collana "traduzioni" in seno a Spazio poesia. Mentre non ci è dato per ora conoscere - senza approfondimenti o competenze - se negli esiti pittorici di Florine Stettheimer possano riscontrarsi taluni lineamenti di poesia, siamo senz'altro convinti testimoni, adesso, sul fatto che la nostra raffinata autrice sa restituire delle ben precise immagini visive attraverso i suoi versi, tante sono le fresche pennellate con cui va a striare i propri panorami interiori oppure le visioni oleografiche con cui viene a contatto. In un periodo in cui era molto sentito a New York il massiccio fenomeno dell'immigrazione, e non essendo mai scemati gli interessi della narrativa e della poesia (come pure della musica) per raccontare i con?itti razziali che hanno quasi sempre caratterizzato la storia americana, Florine Stettheimer - pur nel novero di frequentati e prestigiosi salotti - sembra volontariamente estraniarsi da talune incombenze sociali per portare avanti, attraverso l'arte, quelli che in buona sostanza sono stati gli aspetti d'un femminismo antesignano. Grazie a Stefano Schirò, a Vincenza Cuccia e a chi ha collaborato, per questo amabile affidamento. Il direttore editoriale Nicola Romano. Libro.