ferreri marco azcona rafael (21 resultados)

Encuadernación de tapa blanda. Condición: Muy Bien. 1? Edición. Idioma: Español Formato en 4° Páginas: 77.

Encuadernación de tapa blanda. Condición: Bien. Film Ideal, Madrid, 1960. Cine. Películas. 117 pp. Texto salpicado con fotografías b/n. Tapa blanda de editorial ilustrada. Sin subrayados. Buen estado de conservación.

Condición: MOLTO BUONO. Torino, Einaudi cm.11,5x19,5, pp.VI,77,(5), 8 tavv. fotografiche in bn. ft., una cartina e una pianta, brossura, cop. fig. a colori. Coll. Nuovi Coralli, 111.

Condición: Buone. italiano Condizioni dell'esterno: copertina leggermente logorata e macchiata Condizioni dell'interno: leggermente ingiallite.

brossura flessibile. Condición: Ottimo (Fine). 1. Copertina cartonata sporca in modo lievissimo. Tagli e pagine integri. Collana: "Nuovi Coralli/ 111". flessibile VI+77 Ottimo (Fine) . Book.

Vol. in -8 (11,5 x 19,5 cm.), brossura editoriale col. avorio con piccolo disegno a colori riquadrato in grigio e arancio, titoli in nero sul piatto ant., pp. 77, (5). 8 tav. in nero e 4 cartine f.testo a p.pagina.Leggeri segni del tempo alla copertina, per il resto in buone condizioni. Traduzione di Maria Vittoria Malvano - 1. EDIZIONE nella collana: NUOVI CORALLI (N. 111).

Brossura/paperback/cucito. 1a edizione Nuovi Coralli - 111. Traduzione di Maria Vittoria Malvano. Con 8 fotografie di Jean-Loup Sieff. VI + 77 pag. Size: picc8vo/pocket.

Brossura edit. ill.Coll. 'Nuovi Coralli'n.111.Arricchito da num.se ill. in b/n f.t. Prima edizione.Buona copia.tracce del tempo alle brossure. In 16-mo. p.VI-76.

(Categ. Cinema) - (In 8.vo cm. 11,5x19,5) - (Legatura : editoriale illustrata) - (Ed. : prima) - (pp. VI-77) - (Collana : Nuovi Coralli - n. 111) 10 foto in bianco e nero nt. di Jean-Loup Sieff (59d). Fioriture in coperta e dedica del donante.

Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film, with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point," as well as manuscript annotations, on the verso. A farcical reenactment of the events leading up to, and including, The Battle of Little Big Horn, anachronistically set in a contemporary area of Paris slated for urban renewal. 9.25 x 6.25 inches. Near Fine. Cox, 10,000 Ways to Die.

Condición: Muy bien. 4to. Entre 58 y 74 pgs por número. Importante revista cinematográfica con excelentes colaboradores Encuadernados en holandesa tela-cartoné no editorial. TODOS LOS NÚMEROS CONSERVAN LAS CUBIERTAS ORIGINALES. Muy bien conservado.

Eight vintage studio still photographs from the US release of the 1962 Italian film. All with a stamp noting production No. 65-527 on the verso, and seven with the same stamp on the bottom right corner of the recto. After many years living in northern Italy, a factory worker takes his wife and children on a vacation to his rural Sicilian hometown, where he is unknowingly conscripted into performing a hit for the local mob boss. One of the first Italian films to address the Mafia, a pitch-black satire of class difference and Italian twentieth century culture. Set and shot on location in Sicily, New Jersey, and New York. 8 x 10 inches. Near Fine. Criterion Collection 424.

Vintage reference photograph of Catherine Spaak from the 1968 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée. 8 x 10 inches. About Fine.

Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus.

Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot (the "ape woman" in the film) in a dressing room with two other semi-clothed, "normal" women, conveying an immediate irony as she looks up at her husband (Ugo Tognazzi) standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana, who suffered from a condition that caused excessive hairiness, and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl.

Vintage photographs from the 1968 absurdist comedy "The Man with the Balloons," also known as "Break Up," from the prolific Italian director Marco Ferreri. Marcello Mastroianni plays Mario Fuggetta, a wealthy industrialist, whose obsession with balloons derail his life and his relationship with his beautiful fiancee Giovanna (Catherine Spaak.) He'll drive himself mad trying to find out how much air a balloon can take before bursting. 8 x 10 inches. Near Fine, light wear on corners.

Vintage borderless double weight reference photograph from the 1976 film, showing actress Ornella Muti. A chauvinistic engineer has recently been abandoned by his wife, leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker, but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity, and for its shocking final scene. Set and shot on location in Paris. 10 x 8 inches. About Fine.

Vintage borderless reference photograph from the 1976 film, showing actors Gérard Depardieu and Ornella Muti. Annotation in manuscript pencil on the verso, noting the name of photographer Tazio Secchiarolli. A chauvinistic engineer has recently been abandoned by his wife, leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker, but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity, and for its shocking final scene. Set and shot on location in Paris. 10 x 8 inches. Very Good plus, with light edgewear.

Two vintage borderless reference photographs from the 1978 film. Manuscript ink annotations on the verso. From the archive of film historian and author Joel Finler. A darkly comic, dystopian fantasy set in New York, about a lonely French electrician who attempts to raise a baby chimpanzee. Shot on location in New York City. 9.5 x 7 inches. Near Fine.

Four vintage, oversize, borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni, and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism, where a man marries a much younger woman, the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes, where Marina Vlady also won for Best Actress. 11.5 x 9.5 inches. Very Good plus.

Vintage borderless matte-finish reference photograph from the set of the 1976 film, showing director Marco Ferreri gesturing to his right, with actor Renato Salvatori in the background. A chauvinistic engineer has recently been abandoned by his wife, leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker, but trouble looms when the exposure of the relationship threatens his custody rights. A film which generated controversy at the time of its release for its graphic depiction of sexuality and male nudity, and for its shocking final scene. Set and shot on location in Paris. 9.25 x 7 inches. About Fine.