etgar yuval (91 resultados)

Hardback. Condición: New. Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne's works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist's online catalogue raisonné.At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery's renowned La Montagne Sainte-Victoire, from 1885-87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time.This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist's name without an acute accent.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of 'curating as practice'.Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne's works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist's online catalogue raisonné.At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery's renowned La Montagne Sainte-Victoire, from 1885-87, and a Paysage Provençal in private ownership. Reconstructing Cezanne reunites these two works for the first time.This publication follows the decision of the Société Paul Cezanne and the family of the artist to spell the artist's name without an acute accent.

Hardcover. Condición: new. Hardcover. Published in association with Luxembourg + Co. on the occasion of their 2019 exhibition Reconstructing Cezanne, this catalogue features in-depth analyses of Cezanne's works on paper by Fabienne Ruppen, based on DNA examination of the papers he used for his watercolours and drawings, as well as extensive commentary on new horizons in Cezanne scholarship by expert Walter Feilchenfeldt, co-author of the artist's online catalogue raisonne. At the core of this exploration are two watercolours that Cezanne produced from a large sheet of paper, which he divided into two sections for the purpose of capturing different landscapes: the Courtauld Gallery's renowned La Montagne Sainte-Victoire, from 188587, and a Paysage Provencal in private ownership. Reconstructing Cezanne reunites these two works for the first time. This publication follows the decision of the Societe Paul Cezanne and the family of the artist to spell the artist's name without an acute accent. SELLING POINTS: . A ground-breaking approach to the study of Cezanne's works on paper . Both serious enough to appeal to an academic and accessible enough for the general reader . Very desirable as a gift item, beautifully designed 78 colour, 447 b/w illustrations This fully illustrated publication is a groundbreaking approach to the study of Paul Cezannes works on paper. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good-. Boards bright, stiff and clean, bound in grey cloth and illustrated with a pictorial plate, wrapped in the original glassine sleeve which is a little rubbed from shelving, but free from any splits; Internally clean, no ownership mark or annotations, illustrated generously with colour reproductions of Cezanne's works; Binding tight. Overall an attractive, sturdy copy of this nicely produced edition. ; 10.8 X 9.2 X 0.7 inches; 80 pages.

hardcover. Condición: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

hardcover. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condición: Very Good. Exhibition Edition. 184 pages; color illustrations throughout the book. Very slightly cocked spine. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Softcover, 176 pages, as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. 1st Edition. Qto., 80 pages, colour illustrated. A Fine copy.

Paperback. Condición: Brand New. 88 pages. 8.54x0.43x10.47 inches. In Stock.

Softcover, 78 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. . 2021, exhibition catalogue, bright clean copy, no markings,Professional booksellers since 1981.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. On the life and work of the British conceptual artist known for his conceptually clear photomontagesAmidst the post-conceptual crisis of the 1970s, British artist John Stezaker (born 1949) chose to neither pursue the agitprop-inspired trends of his British contemporaries nor fully align himself with the Pictures Generation across the pond. Instead he emerged as a singular figure in contemporary photomontage, motivated by a vested interest in reviving the mechanically produced image and exploring its potentials as a medium even as it began to shift out of circulation in favor of alternative modes of image distribution. Stezaker's pieces employ a limited number of images in combination, often black-and-white studio portraits and landscape photography, creating an effect that is strikingly minimalistic and elegant for the collage medium. This is the first monograph to provide a historical account of Stezaker's life and career, offering insight into his art in the context of prevailing image appropriation techniques from the 1970s and '80s. John Stezaker is one of the most distinguished voices in the history of image-based collage. Published alongside the exhibition 'At the Edge of Pictures: John Stezaker, Works from 1975-1990' at Luxembourg + Co., London, 1 October - 5 December 2020. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New.

Paperback. Condición: New. Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children. Published to accompany an exhibition at the National Gallery of Scotland, June-October 2019.

paperback. Condición: New.

Condición: New.

Hardcover. Condición: Brand New. 76 pages. 10.00x9.00x1.00 inches. In Stock.

Condición: New.

Paperback. Condición: Brand New. 154 pages. 10.75x8.25x0.39 inches. In Stock.

Condición: New.