ernst hans gombrich (229 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Good condition. 3rd edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Paperback. Condición: Very Good. 3rd. ***SPRING CLEARANCE SALE*** viii, 168 pages, [72] leaves of plates, illustrations; 19 cm. Studies in the Art of the Renaissance, I. Tight, clean copy. Browning. With 186 illustrations. Size: 12mo.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. COVER SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES, RUBBING, STAINING/SMUDGING AND SMALL TEARS. PREVIOUS OWNER'S NAME IS WRITEN IN BOOK. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condición: Near Fine. ***SPRING CLEARANCE SALE*** viii, 250 pages, [3] leaves of plates, illustrations (some colour); 25 cm. Originally issued as vol. 3 of his Studies in the art of the Renaissance. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** "The third volume of E H Gombrich's seminal essays on the Renaissance has the classical tradition as its central theme. Apelles, the most famous painter of ancient Greece, was said to have combined perfect beauty with supreme skill in imitating the appearances of nature. These twin ideals of perfect beauty and perfect imitation of nature, which were inherited from classical antiquity and remained unchallenged as the cornerstone of art until the twentieth century, form the starting-point for these learned and always stimulating essays. Whether discussing the rendering of light and lustre, the working methods of Leonardo da Vinci or the principles of criticism, the author's analyses and interpretations are underpinned by a deep conviction that, despite the apparent abandonment of the Renaissance ideals in the twentieth century, questions about traditions, values and standards are still of fundamental importance. This wider concern gives these essays a continuing vitality, not only for students but also for anyone interested in art and culture." - Publisher. *** CONTENTS: Lights and highlights. The heritage of Apelles; Light, form and texture in fifteenth-century painting north and south of the alps. Leonardo da Vinci's method of analysis and permutation; The form of movement in water and air; The grotesque heads. Jerome Bosch's 'Garden of earthly delights'; The earliest description of the triptych; 'As was due in the days of Noe'. Classical rules and rational standards; From the revival of letters to the reform of the arts: Niccolo Niccoli and Filippo Brunelleschi; The leaven of criticism of renaissance art: texts and episodes; The pride of Apelles: Vives, Durer and Bruegel. Size: 8vo.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. First edition. Edges foxed, wrinkle to jacket. 1984 Hard Cover. 270 pp. Discusses the lives and work of eleven poets, critics, philanthropists, psychologists, art historians, and scholars.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 247 pages, with index, bibliographical note, 170 illustrations - b&w reproductions of artworks. Royal 8vo (7" x 10"), red cloth with gilt lettering in black inset on spine, wear to crown/heel/corners, very faint foxing to edges. Gift inscription on ffep, marginalia in light pencil on approximately 10 pages.

Paperback. Condición: Good. Reprinted and Enlarged. Oversized Cover illustrated with Millet's 'The Gleaners' Small soil spot to top edge which tips margin through first nine pages of introduction. Corners heavily bumped. Minor wear to head and heel of spine. Text is clean and bright, no marks. "From prehistoric cave paintings to the experimental art of today. The development of painting and sculpture is discussed against the background of the changing styles of architecture." (from the cover blurb).

Softcover. with 186 illustrations. xii, 164, Figures 1-186 pp. Softcover. LCC: 8428113 Good condition; pages show some warping and light fading.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Clean copy.

Paperback. Condición: Good. No Jacket. Traces the history of art from primitive cave paintings to controversial works of the present day. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Binding is very loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Condición: Good. No Jacket. Traces the history of art from primitive cave paintings to controversial works of the present day. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Dampness has seeped into more than just the cover. Moderate edgewear on the boards. Binding is very loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Condición: Good. First edition copy. . Good dust jacket. Writing inside. Dust jacket price clipped. In protective mylar cover. (Art Criticism, Art, Philosophy).

Condición: Muy bueno. : En 'Lo que nos cuentan las imágenes', Ernst Gombrich y Didier Eribon exploran el arte y las ciencias a través de una serie de charlas esclarecedoras. Publicado en 1992 por Debate, este libro en tapa blanda ofrece una profunda reflexión sobre la interpretación de las imágenes y su impacto en nuestra comprensión del mundo. EAN: 9788474446241 Tipo: Libros Categoría: Filosofía|Arte y Cultura Título: Lo que nos cuentan las imágenes Autor: Ernst Hans Gombrich| Didier Eribon Editorial: Debate Idioma: es-ES Páginas: 168 Formato: tapa blanda.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st. Cloth, 256 pages, illustrations; 25 cm. Reprints of articles originally published 1949-1985. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light shelfwear, protected in a mylar cover. *** CONTENTS: The art of the Greeks; Chinese landscape painting; Tribal Styles; A medieval motif; Expressions of despair; The impact of the Black Death; New revelations on fresco painting; Kenneth Clark's 'Piero della Francesca'; The repentance of Judas; Seeking a key to Leonardo; Michelangelo's last paintings; The rhetoric of attribution: a cautionary tale; The worship of ancient sculpture; Patrons and painters in Baroque Italy; Dutch genre painting; Mapping and painting in the Netherlands in the seventeenth century; The mastery of Rubens; On Rembrandt; Adam's house in Paradise; Painted anecdotes; The whirligig of taste; The anatomy of art collecting; The claims of excellence; The meaning of beauty; Should a museum be active?; The beauty of old towns; Dilemmas of modern art criticism; A theory of modern art; Malraux on art and myth; Freud's aesthetics. Size: 8vo. Collectible.

Softcover. Condición: Très bon. Edition 2010. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Series: Studies in the Art of the Renaissance ; 4. Physical description: 191 pages, 4 unnumbered pages of plates : illustrations (some colour), facsimiles ; 26cm. Subjects: Renaissance -- Art -- Italy. 1 Kg. Item is Shipped from Ireland or US locations.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Series: Studies in the Art of the Renaissance ; 4. Physical description: 191 pages, 4 unnumbered pages of plates : illustrations (some colour), facsimiles ; 26cm. Subjects: Renaissance -- Art -- Italy. 1 Kg. Item is Shipped from Ireland or US locations.

Condición: sehr gut. 72 S., 22 cm, Schutzumschlag mit Klarsichtfolie verstärkt. Sprache: Englisch.

Soft cover. Condición: Very Good. No Jacket. paperback, illustrated, 546 pages, a very good clean copy. We are a real bookseller with real books situated in and shipping from the United Kingdom.

Softcover. Condición: Fine. Gebogener Buchrücken; Farbveränderung durch Alter/Sonne. Esta Breve historia del mundo no es un manual al uso. Se trata de una epístola-diálogo escrita en un tono llano y accesible, sin los formalismos y las rigideces de los textos académicos, pero sin el barniz de aparente pedagogía y ñoñez que da una voz de falsete a tantos libros infantiles y juveniles. La perspectiva y el género elegidos por Gombrich convierten su libro en el antecesor moderno de otros tratados, como El mundo de Sofía de Jostein Gaarder o Ética para Amador de Fernando Savater, dirigidos en apariencia a jóvenes pero que tocan cuestiones de hondo calado en el campo de las humanidades. Así pues, nos encontramos ante una obra modernísima y de plena vigencia, de perspectiva amplia y profunda, que por su optimismo, su amenidad, su generosa humanidad y su sensibilidad se lee como una novela.