Elena gorfinkel (146 resultados)
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Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de AmericaHalf Price Books Inc.
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paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Big River Books, Powder Springs, GA, Estados Unidos de AmericaBig River Books
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Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: New.
Idioma: Inglés
Editorial: British Film Institute 5/1/2025, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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Paperback or Softback. Condición: New. Wanda. Book.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de AmericaLakeside Books
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Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
Idioma: Inglés
Editorial: Bloomsbury Publishing PLC, GB, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner's wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in i…ts sensibility, it received critical acclaim upon release, winning the Critics' Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film's de-dramatised aesthetic, one that rebukes the artifice and "slickness" of Hollywood. Gorfinkel considers Loden's craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 13,40
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Condición: As New. Unread book in perfect condition.
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 10,54
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Paperback. Condición: Fine. in original shrinkwrap Very Good paperback with light shelfwear - NICE! Standard-sized.
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 10,54
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Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
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Condición: New.
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 16,42
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Paperback or Softback. Condición: New. The Prop. Book.
Idioma: Inglés
Editorial: Bloomsbury Publishing (UK), 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 16,55
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 16,66
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Paperback. Condición: New. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micro and…macro scales at which the prop operates. Props are the material-often literal-furniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogénie, the crystal egg in Risky Business, or the domestic bric-à-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scène. And yet, the prop has rarely-almost never-been taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contexts-studio filmmaking, art cinema, adult and avant-garde films-The Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 17,13
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 14,75
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: Bloomsbury Publishing PLC, GB, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miner's wife and mother, electing instead to drift. Bracing in its realist texture and proto-feminist in i…ts sensibility, it received critical acclaim upon release, winning the Critics' Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the film's de-dramatised aesthetic, one that rebukes the artifice and "slickness" of Hollywood. Gorfinkel considers Loden's craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers.
Idioma: Inglés
Editorial: Bloomsbury Publishing PLC, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 17,95
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Paperback. Condición: new. Paperback. Actor-turned-writer/director Barbara Loden's only feature film, Wanda (1970), tells the story of an alienated working-class woman, Wanda Goronski (played by Loden), who abandons her life as a coal miners wife and mother, electing instead to drift. Bracing in its realist texture and proto-fem…inist in its sensibility, it received critical acclaim upon release, winning the Critics Prize at the Venice Film Festival in 1970. Today, Wanda is considered one of the most notable films made by a woman director and a core work of American independent cinema. Elena Gorfinkel's study of this singular film traces Loden's creative process and unconventional approach to filmmaking. Drawing on archival sources, including scripts, interviews, production records, oral history, and previously unseen ephemera, she examines the films de-dramatised aesthetic, one that rebukes the artifice and slickness of Hollywood. Gorfinkel considers Lodens craft in her framing of cinematic time, manipulation of gesture, voice, and posture, narrative ellipsis, and in her use of location and non-professional actors. Providing an account of Wanda's exhibition and reception in the 1970s and after, she traces the film's feminist legacies, and its lasting influence on contemporary filmmakers, artists and writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 18,03
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Condición: New.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 19,36
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Paperback. Condición: new. Paperback. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the… micro and macro scales at which the prop operates. Props are the materialoften literalfurniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogenie, the crystal egg in Risky Business, or the domestic bric-a-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scene. And yet, the prop has rarelyalmost neverbeen taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contextsstudio filmmaking, art cinema, adult and avant-garde filmsThe Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema. A fresh look at film through its invisible visible objects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: Bloomsbury Publishing (UK), 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 15,79
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: HPB-Diamond, Dallas, TX, Estados Unidos de AmericaHPB-Diamond
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EUR 16,19
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Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 19,60
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Paperback. Condición: New. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micro and…macro scales at which the prop operates. Props are the material-often literal-furniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogénie, the crystal egg in Risky Business, or the domestic bric-à-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scène. And yet, the prop has rarely-almost never-been taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contexts-studio filmmaking, art cinema, adult and avant-garde films-The Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema.
Idioma: Inglés
Editorial: Fordham University Press, United States, New York, 2025
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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EUR 15,85
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Paperback. Condición: Very Good. What are film props? What do they do? This book answers these questions by a close attention to those material objects that are used to construct cinematic worlds. The term "prop" is short for property. This truncated term's etymology belies the expansiveness of the concept and indicates the micr…o and macro scales at which the prop operates. Props are the materialoften literalfurniture of cinema's diegetic reality. Props are also narrative agents: think of the animacy of objects in Jean Epstein's account of photogenie, the crystal egg in Risky Business, or the domestic bric-a-brac of Sirk's melodramas. The prop is central to production design and the construction of mise-en-scene. And yet, the prop has rarelyalmost neverbeen taken as an object of analysis and theorization in its own right. This book begins by tracing the prop's curious but unacknowledged role in film theory, before proceeding to a series of theoretical speculations and close readings that bring the prop into focus. Analyses of scenes of "prop mastery" demonstrate the labor that props perform and enable, as well as the interpretive work they make possible. Across a variety of genres, modes, and historical contextsstudio filmmaking, art cinema, adult and avant-garde filmsThe Prop introduces readers to the notion of "prop value," a quality that puts the prop in proximity to the capitalist commodity, but also provides an ironic distance from the commodity's subjection to exchange value. Gorfinkel and Rhodes argue that the prop is nothing less than a condensation of how labor, subjection, value, and instrumentality underwrite the very conditions of cinema. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 19,30
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Editorial: Bloomsbury Publishing Plc, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 18,38
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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EUR 24,35
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Condición: New. Brand New.
Idioma: Inglés
Editorial: British Film Institute, 2025
Serie: BFI Film Classics, Libro 196 de 58. Libro 196 de 58 - BFI Film Classics
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New.
