edited anne malcolmson (9 resultados)

Hardcover. Condición: Fine. First American Edition. FINE clean first edition in FINE dust jacket. Size: 8vo - over 7¾" - 9¾" tall.

First edition Close to fine and bright teal boards in like illustrated dustjacket with crisp bright text throughout. A lovely concise study with beautiful color plates by Blake. Handsome all around. Attractive color plates.

Condición: Good. 1967. No Edition Stated. 127 pages. Green pictorial dust jacket over green cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking. Light tanning to spine and edges.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. Ex-Primary School library with their markings, codes, several stamp marks - also on the block and a library pocket rear of the book. Small code on the spine of the book. Publication of 184 pages. The dust jacket is a little shelf rubbed and minor marks. There are old tape residue marks on the second last blank page from the removal of a previous library plate and little on the boards, they remain in good condition. Internally the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Condición: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED6th printing. Dust jacket pasted to boards, stamps on several pages, pocket removed on rear endpaper.

Hardcover. Condición: Good. No Jacket. Virginia Lee Burton Ilustrador. Fifth Printing. *HARDBACK, stated Fifth Printing in good condition. Ex.library with all marks, stamps, pocket, etc. Black boards with silver gilt lettering on front and spine. Corners and board edges rubbed. Decorative endpapers of green pattern design of Robin Hood w/bow drawn in a wooded glade. Pattern repeated over the whole page. 123 pages Illustrated with wonderful pen and ink drawings. Very unique book.

Hardback in Dust Wrapper. Condición: Very Good. Estado de la sobrecubierta: Good. Condition Notes: Unlaminated dust wrapper a little edgeworn and faded with several short, closed tears. Price Clipped. Gently bruised at the head, tail and corners of the binding. Previous owners' inscription to the first blank. Edges of the text block lightly spotted. Text complete, clean and tight; First edition (first printing). Hardback. Dust wrapper over green boards with gilt titles to the spine; Measures 8¼" x 5¾" (0.5 kg); pp 127; Index; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #166401 ||.

Condición: Good. Some bumps/wear at edges/corners of dust jacket and hard board. Marks and scratches to dust jacket. Private library imprint stamp at 1st inner page. Text excellent, clean and possibly unread.

First edition of this classic retelling of Robin Hood. Quarto, original cloth, illustrated. Presentation, inscribed by Virginia Lee Burton, "Greetings to the âCanerâ from Virginia Lee Burton." Near fine in the original dust jacket with some wear and tear. Anne Malcolmson, Grace Castagnetta, and Caldecott medalist Virginia Lee Burton joined forces in 1947 to produce the definitive edition of The Song of Robin Hood. Their triumphant achievement was one of the most distinctive presentations of the legend ever published, and it received a Caldecott Honor Medal in 1948. Through meticulous research and unfailing perseverance, Anne Malcolmson rediscovered fifteen of the original ballads of Robin Hood; Grace Castagnetta adapted them to modern musical notation. Virginia Lee Burton spent three years on drawings to accompany the songs, ultimately producing a work of art filled with exquisite detail and worthy of comparison to the greatest illuminated manuscripts of the medieval era.