dundas judith (14 resultados)

Hardcover. Condición: Very Good. No Jacket. 231pp. Extremities lightly rubbed. Illus.; endnotes; index. No Dj.

Hardcover. Condición: Good. Very good- hardcover, missing dust jacket. Binding is tight, sturdy; boards and text also very good. Light sunning to top edge of boards. NOT ex-library. Ships from Dinkytown in Minneapolis, Minnesota.

hardcover. Condición: Used-Very Good. Cloth, no dj. Minor shelf wear.

Soft cover. Condición: Good. 1st Edition. Binding has wear. 112 p., well illustrated with images from antiquarian tomes about luck and fortune, including the engraved title page of Sigismondo Fanti's "Triompho di Fortuna" (Venice, 1526) [B1:2:1].

Hardcover. Condición: Very Good +. No Jacket. First Priinting. Book is a clean tight unmarked copy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 292pp. Corners & ends of spine lightly rubbed. Dj corners & ends of spine lightly chipped. Illus.; endnotes; biblio.; index. Signed & inscribed by Author on ffep.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Text is unmarked; pages are bright. Previous owner's plate glued inside the front cover. Binding is sturdy. Dust jacket shows just a little light wear around the edges. 288pp.

Softcover. Condición: Fine. First Edition. Fine gray paperback. 96 pages, unmarked. Marianne G. Briscoe, Michael Hinden, William E. Gruber, Judith Dundas, Stephen Watt. ; Y1Y; 8vo 8" - 9" tall; 96 pages.

Hardback. Condición: Very Good. 288p hardback, navy cloth with bright blue jacket, very good condition, light wear to jacket corners, binding like new, pages clean and neat like new, very good pre-owned copy with no internal wear Language: English.

Condición: New.

Condición: Gut. Ill.; 292 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Dustjacket a little teared. Otherwise good and clean. - The painting and the poetry of the Renaissance shared the same goal of imitating nature. English poets of the sixteenth and seventeenth centuries frequently underlined the force of ut pictura poesis - the ancient analogy between poetry and painting - by means of ekphrases, or descriptions of works of art, and through metaphors drawn from the visual arts. The present study is concerned with various kinds of allusions and what they can tell us not only about Renaissance poets attitudes toward the visual arts, but also about their attitudes toward their own art of representation In their poems lies a neglected source of art criticism. Since, in her view, the language of Renaissance criticism offers our best approach to an understanding of the poetry of the period, Judith Dundas begins her book with Sir Philip Sidney and ends it with John Drydenthe two poet-critics who most clearly enunciate the importance of the analogy between poetry and painting. Between these boundaries are chapters on Shakespeare, Spenser, Chapman, Jonson, a group of seventeenth-century minor poets, and Milton. The order of the chapters is partly chronological and partly thematicdepending on the interest of particular developments in the poets allusions to the visual arts. The illustrations that accompany the text are chosen to suggest the background of pictorial reality against which the Renaissance poets were writing. They also show the painters response to the accomplishments of poetry that are, in themselves, a response to nature In including illustrations, Dundas does not wish to blur the distinction between poetry and painting, since it is in their very difference of medium that the arts achieve their triumphs. These triumphs led to the debate, known as the paragone, about which art is the superior; but, as Dundas notes, the significance of this debate is that it served as a topos for discussing the relationship of art to truth. Sprache: Englisch Gewicht in Gramm: 550 Original cloth with dustjacket.

Cloth with dustjacket. Condición: Gut. 288 p.: Ill. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schutzumschlag weist minimale Randläsuren auf, außerdem leicht berieben, sonst aber sauber und in gutem Zustand / dust jacket has minimal edgewear and is also slightly rubbed, but book is otherwise clean and in good condition. - Franciscus Junius the Younger (1590 1677) is famous as virtually the founder of Germanic philology. He also composed an important and influential treatise on the art of painting as it is viewed in ancient literature. This was a commission from the Earl of Arundela famous collector of antiquitieswhom he served as librarian. It is the relationship between this treatise, The Painting of the Ancients, and his annotations to the works of Sir Philip Sidney that is the focus of this book. Juniuss volume containing these works is in the University of Leiden Library; it is copiously annotated, in Latin, in Juniuss hand. Many of the same ancient authors that appear in The Painting of the Ancients (1638), his English translation of his De pictura veterum (1637), also figure in his annotations to Sidney. Like Sidneys Defence of Poesie, Junius was composing a defense of art against attacks by puritans and other iconoclasts. Dundass book shows how ut pictura poesis, the analogy between poetry and painting, was at the center of both these defenses. The Introduction offers a brief account of Juniuss life and interests, which encompassed not only the philological but the artistic, all held within a coherent view of a divinely ordered universe. Chapter 1 considers Juniuss purpose in his annotation of texts concerned with English literature. In the next chapter, Dundas proceeds to his defense of art and how English poets contributed to this. The next three chapters deal with Juniuss use of ancient authors, both poets and prose writers, in his treatise and in his annotations. With chapter 6, Dundas turns to Juniuss narrative summaries and his rhetorical glosses in the margins of Sidneys Arcadia. Underlinings, as well as these glosses, indicate his rhetorical interests. Finally, in chapter 7, Dundas explores, with the help of his own parallels between poetry and painting, the unity of the arts and their sisterhood in memory. Here is the justification for Juniuss close study of Sidney. Through his annotations, as well as through quotations in his treatise, the reception of this sixteenth-century poet in the seventeenth century is illuminated. At the same time, this study gives a fresh perspective on art theory in the Renaissance. Two appendices treat ancient authors important to Juniuss theory of art: Longinus and the Philostrati and Calli- stratus. Although Sidney did not know their work, his understanding of the imaginations role in invention is in keeping with theirs. / Contents List of Illustrations Preface Acknowledgments Note to the Reader Introduction 1. The Art of Annotation 2. English Poets and the Defense of Art 3. The Painted Poetry of Ovid 4. The Playfulness of Ancient Poets 5. The Laws of Nature and the Laws of Art 6. The Wit of Narrative 7. The Enriching of Memory and the Unity of the Arts Appendix 1 Longinus Appendix 2 The Philostrati and Callistratus Notes Bibliography Index. ISBN 9780874139822 Sprache: Englisch Gewicht in Gramm: 711.

Condición: New. KlappentextFranciscus Junius the Younger (1591-1677) is famous as virtually the founder of Germanic philology. But he also composed, at the request of the Earl of Arundel, whom he served as librarian, an influential treatise on the art o.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1861. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 344, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 344 344.