dryden john mr (22 resultados)

Condición: New. In.

Paperback. Condición: New.

Hardcover. Condición: Good. Small pocket-size book quarter bound in leather with marbled paper boards. Copper engraved frontispiece, Du Guernier. Firm binding, clean contents, the spine and boards are worn. Not common.

Soft cover. Condición: Very Good. as it is acted at the Theatre Royal, modern paper wrappers, a nice copy. first published 1690; 96 pages including epilogue; keywords: drama;

Full-Leather. Condición: Fine. Carlotta Petrina Ilustrador. First Thus. First Easton Press Edition. One of the 100 Greatest Books Ever Written. Collector's Edition, bound in genuine leather. Gilt decorative black leather with gilt lettering and rules to the spine. Four raised bands to the spine. All edges gilt. Silk moire end pages. Silk bookmark. Color frontispiece. Easton Press unused book plate laid in. A Fine copy.

Full-Leather. Condición: Good. No Jacket. M. Vander Gucht et.al. Ilustrador. 4th Edition. Leather binding most likely a early 19th century rebind. Insert on spine missing but word Dryden is faint. Seventeen plates; 16 for Juvenal and 1 for Flaccus. Additional information and/or photos available upon request.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: Very Good. M. Vander Gucht, W. Hollar, F. Cleyn, P. Lombart. Ilustrador. 1st Edition. First edition, large paper copy 103 plates1697 In refurbished contemporary speckled boxed boards. Re-spined to style, raised bands, blind tooling, earlier gilt title to red calf label. Internally, frontis, title page in red & black within ruled borders, [22] ff including subscribers list, preface & life of, 48, [12] letter to the Lord of Chesterfield and Essay on the Georgics, marginal tear at 1 leaf, 49-147, [1], (a1-f4) letter to the Earl of Mulgrave, 201-640 pp, 103 copper engraved pls, lacking M1 (p81/2), odd pagination but bar M1 its complete, p 224 miss-numbered 220, 2 repaired tears to 2 pls (380/546, modern old feps, text block edges sprinkled red, some light browning to a few pls, but the text block is pristine. In verse. Each illustration contains a dedication to some contemporary public figure, listed in the Subscribers list. Illustrated with engravings variously signed: M. Vander Gucht, W. Hollar, F. Cleyn, P. Lombart. Title page is a cancel, reissued from 690 p. edition (Wing V616A). Frontis. plate signed by Michael vander Gucht. Most plates engraved by Wenceslaus Hollar or Pierre Lombart, from drawings by Franz Cleyn. Wing erroneously gives title word "Vergil". (442*282 mm). (ESTC R26296).

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: Very Good. A very nice title, with engraved frontispiece portrait of Charles Earl of Dorset, title frontispiece, portrait frontispiece to Persius, and 22 other engraved plates. 12mo, cxi (dedicatory preface by Dryden), Table, 296 pages. In full contemporary calf, somewhat worn, front joint and hinge neatly repaired. Owners' names to endpapers and title page, otherwise very clean and sound. ESTC ref T123512. Dryden translated a number of Juvenal's satires himself, and selected others, including his sons Charles and John, to translate the rest. The Persius satires are all by Dryden, with an introductory letter by Congreve.

Full-Leather. Condición: Near Very Good. Volume 1, containing Amphitrion, 84 Pages, by John Dryden: Busy Body, 70 Pages + Epilogue and Bold Stroke for a Wife, 71 Pages + Epilogue, by Mrs Centlivre: Beaux Strategem, 71 Pages, by Mr Farquhar: Committee, 72 Pages, by Sir R. Howard. The book entire and each Play has a full page B&W Frontispiece (6 Illustrations) Contemporary Full Calf Leather binding, with5 Raised Bands on spine, red Title Lable with gilt lettering and gilt I in centre of spine. Gilt hatching survives on front edges. Pages in very good condition. Some wear to cover, top corners worn through, small pieces missing from very top & bottom of spine. Size: 12mo - over 6¾" - 7¾" tall.

Hardcover. Condición: Good. 1721 (MDCCXXI) first edition on worn and rubbed calf leather printed for jacob tonson slight splits to spine side seams best to ask for images.

hardcover. Condición: Acceptable. lacking boards. textblock square, pages tanned and lightly foxed with minor tidemarks.

hardcover. Condición: very good(-). First. 645 pages, followed by a single leaf numbered 565, entitled "Table". Short folio, old panelled calf, worn and neatly re-cased, with spine & corners repaired. London: Jacob Tonson, 1700. Lacking front free end-paper, half title re-attached. The text block is relatively clean, although the title page & following 50 leaves are stained in the lower margin, and the final 2 leaves are stained on the top half. Armourial bookplate.

Leather. Condición: Good. None Ilustrador. First edition. The first edition of Dryden"s final major work, translating classical and medieval sources into influential Augustan verse, in a contemporary full calf binding. In a contemporary full calf binding. Half-title is present.First edition.A volume of fables translated by John Dryden.John Dryden's important collection of classical and medieval poetry, translated here by himself. This was Dryden's last and one of his greatest works.Including the poetry of Ovid, Geoffrey Chaucer, Giovanni Boccaccio, and Homer, with selections from their works 'Iliad', 'Metamorphoses', and 'The Canterbury Tales', alongside some of Dryden's own works.The Chaucer works appearing in this work were modernised by Dryden, who confessed that he didn't understand Chaucer's Middle English prosody, which he proclaims to in the preface.With this work Dryden aimed to increase the reputation of English literature, by adapting these classic works. All the translations to this work are in Dryden's heroic couplet.John Dryden was a popular seventeenth century English poet and literary critic. His talents in Restoration England landed him the position of England's first Poet Laureate in 1668. In a contemporary full calf binding.Externally, a little worn. Hinges cracked, with loss to calf. Front board almost detached, holding at three cords, loose but holding. Rubbing and bumping to extremities resulting in loss to calf and slight loss to boards. Slight loss to head and tail of spine. Bookplate of Pakington Geo Tomkyns to front paste down. Slight loss to upper corner of front free endpaper. Hinges weak. Internally, text block generally firmly bound. Hinges strained in places. Pages characteristically age toned, but notably bright for the period. The odd spot, heavier to first and last few leaves. One or two minor handling marks to fore edge. Slight loss to upper corner of final two leaves, not affecting the text. Good. book.

First Edition. Illustrated with a handsome engraved frontispice by H, Cooke and S. Gribelin. Quarto, handsomely bound in antique mottled calf, the spine with raised bands gilt ruled, red morocco lettering label gilt, the covers with double gilt fillet rules at the borders. lxiv, 355, [1 Errata] pp. A fine copy, the binding tight and very well preserved with little evidence of age, an old unobtrusive blindstamp signifying past ownership to the title, the text clean and crisp. A very well preserved copy. FIRST EDITION. Although the pagination runs continuously throughout the volume, the 'Short account of the most eminent painters' has its own title-page ( which reads: 'A Short Account Of the most Eminent Painters Both Ancient and Modern, Continu'd down to the Present Times According to the Order of their Succession. London, Printed for W. Rogers at the Sun against St. Dunstans Church in Fleetstreet. 1695.'). Du Fresnoy's Latin poem was originally published shortly after his death in 1668. It was followed by translations into French (1668), English (prose) (1695), German (1699), Italian (1713) and Dutch (1733). Du Fresnoy opens his poem by declaring that 'As poetry shall be like a painting, so should painting be like poetry'. Beauty should be interpreted in different ways - as may be seen in such famous ancient statues as the Antinous, the Hercules, the Venus, the dying Gladiator. Besides Dryden's translation of Du Fresnoy's poem, the present volume includes a translation of the Remarks with which Roger de Piles accompanied his French version of the poem (1668). Dryden's famous preface Parallel of Poetry and Painting stands on its own as one of the author's most respected works. The first appearance of Richard Graham's chronology of eminent artists, both ancient and modern is presented here with its own title-page. While President of the Royal Academy, Sir Joshua Reynolds published extensive notes on Du Fresnoy's Art of Painting (in William Mason's new translation) (1783). Royal Academy Contents: [T.-pl., t.-p.] - Preface Of The Translator, With a Parallel, Of Poetry and Painting - The Preface Of The French Author - A Table of the Precepts Contain'd in this Treatise - [Text, in Latin and English] - Observations On The Art of Painting Of Charles Alphonse du Fresnoy - The Judgment of Charles Alphonse du Fresnoy, On the Works of the Principal and Best Painters of the two last Ages - [Divisional title-page, 'A Short Account Of the most Eminent Painters Both Ancient and Modern . London, Printed for W. Rogers at the Sun against St. Dunstans Church in Fleetstreet. 1695'] - The Preface - Ancient Masters - Modern Masters - Ancient (Modern) Masters [indices] - Errata.

Hardcover. Condición: Very Good. First Edition. First Edition, 1700. GOOD in original binding; blind-stamped brown leather with gilt-stamped leather spine label; wear and rubbing to boards and edges; corners bumped and worn; chipping to spine ends (but headbands still present; both hinges cracked and boards loosely attached; includes original endpapers and half-title page (often lacking); book plate to ffep; some soiling to front endpaper; NO damp stains or significant foxing to pages; overall a very nice copy of this important work. Pasadena's finest independent new and used bookstore.

TWO WORKS BY DRYDEN BOUND IN MODERN (1934) FULL BROWN LEATHER. THE STATE OF INNOCENCE AND THE FALL OF MAN, AN OPERA. PRINTED BY H.H. FOR HENRY HERRINGMAN, 1684. (DEDICATION, 4pp, POEM OF PARADISE, 2pp, AUTHOR'S APOLOGY, 6pp, STATE OF INNOCENCE, 26pp. BOUND WITH OEDIPUS; A TRAGEDY BY DRYDEN AND MR. LEE, FOURTH EDITION, PRINTED FOR RICHARD BENTLEY, COVENT GARDEN, 1692. (PREFACE, 2pp, DRAMATIS PERSONAE, 1pp, PROLOGUE, 1pp, OEDIPUS, 71pp, EPILOGUE, 1pp.). NEW ENDPAPERS, BOOKPLATE TO FRONT PASTEDOWN. BROWNING OF PAGES COMMENSURATE WITH THE AGE. NOTE THAT THE AGE OF INNOCENCE IS INCOMPLETE, ENDING AT ACT V SCENE 1 (PARADISE), PARAGRAPH 11.'EVE - PLEASE THEN YOUR SELF WITH ME.'. FINE BINDING WITH A FEW MARKS TO THE LEATHER. VERY SCARCE.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1674 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 97 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 97.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.