driskel michael paul (34 resultados)

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fine. (20)251pp. Notes. Biblio. Index. Illustrated. Size: 4to - over 9¾ - 12" Tall.

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Sticker ghost on front free endpaper; Very good condition in lightly edge-worn dust jacket. ]. 251p. Illus.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. First Edition, First Printing. Published by Kent University Press, 1993. Quarto. Black cloth boards stamped in gold with maroon endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 250 pages. ISBN: 0873384849. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

hardcover. Condición: As New. Estado de la sobrecubierta: like new.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xiv, 313 pages, illustrations (some colour); 27 cm. Published in conjunction with an exhibition at the Museum of Art and Archaeology, University of Missouri-Columbia, October 21 to December 3, 1989; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "In the years between 1830 and 1848, the period know as the July Monarchy, French art underwent the major transformation from romanticism to realism. Yet, because of their transitional nature, the works of this period have often been ignored by art historians. By avoiding a concentration on either a single artist or a single ism, the book illuminates this 18 year period." - Publisher. *** CONTENTS: An introduction to the history, by Robert J. Bezucha; An introduction to the art, by Michael Paul Driskel; Historical subjects, by Patricia Condon; Early realism, by Gabriel P. Weisberg; At home and abroad: landscape representation, by Petra Ten-Doesschate Chu; The cult of personal portraiture, by Gabriel P. Weisberg; The coded image : agitation in aspects of political and social caricature, by Gabriel P. Weisberg; The renaissance of book illustration, by Robert J. Bezucha. Size: 4to. Collectible.

Condición: New. Brand New.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Mint copy in unclipped dust jacket protected by archival mylar.

hardback. Condición: Fine. Estado de la sobrecubierta: Fine. xviii, 251 p. : ill. ; 24 cm.

Condición: New.

Hardcover. Dust Jacket Included. F. University Park: Penn State Press, 1992. First edition. Hardbound. New in dust jacket. Still in shrink wrap! A perfect unread copy. Art. Quarto. 0.0.

Cloth. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. As new . First Printing . Dust jacket is protected with a mylar cover .

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Ink inscription on front endpaper.

very good dust-jacket, very good large black cloth, light foxing on top foredge. DRISKEL, MICHAEL PAUL. Representing belief: religion, art, and society in nineteenth-century France. University Park, Pa.: Pennsylvania State University Press, 1992, xiv, 282pp., . CONTENTS: Preamble: why study a Rossignol? -- The cultural battleground -- The aesthetics of ultramontanism -- A genealogy of the hieratic mode -- The progress of naturalism -- A return under a new sign. 9780271007472 ISBN 0271007478.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. One of the most important funerary monuments in Europe is the tomb of Napoleon, built in the Church of the Invalides in Paris between 1840 and 1861. As Befits a Legend is the first comprehensive examination of its construction process, historical context, and political and social meanings. It is also the only work published in English about this unique structure. Michael Paul Driskel's study, based on extensive archival research in France, documents the problems inherent in building the appropriate monument for such a controversial figure and the public debate it generated. Following a detailed and illuminating account of the range of proposals put forward, Driskel concludes that the form of the structure represents a symbolic mediation of conflicting demands. Louis-Tullis Visconti, a major Parisian architect who was officially commissioned for the project, is the subject of intensive scrutiny to determine the nature of his personal contribution to the design, as well as his relationship with the many sculptors involved in the collective construction process. Here Driskel offers a significant contribution to the sociology of architecture and to the question of what "authorship" means in an undertaking of this kind. As Befits a Legend bridges the disciplines of history and art history and will appeal to historians of architecture, sculpture, society, and culture, as well as those readers fascinated with the history and legend of Napoleon. Nearly 100 photographs of 19th-century statuary, drawings, and lithographs complement the text. Gift Quality 251 pages. GIFT QUALITY . Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Architecture; Architecture; ISBN: 0873384849. ISBN/EAN: 9780873384841. Inventory No: 274871.

Condición: as new. Kent, Ohio ; London : Kent State University Press, c1993. Orig. cloth binding. Dustjacket. xviii, 251 p. : ill. : facsims, plans ; 24 cm. Includes bibliographical references and index. Condition : as new. - One of the most important funerary monuments in Europe is the tomb of Napoleon, built in the Church of the Invalides in Paris between 1840 and 1861. As Befits a Legend is the first comprehensive examination of its construction process, historical context, and political and social meanings. It is also the only work published in English about this unique structure. Michael Paul Driskel's study, based on extensive archival research in France, documents the problems inherent in building the appropriate monument for such a controversial figure and the public debate it generated. Following a detailed and illuminating account of the range of proposals put forward, Driskel concludes that the form of the structure represents a symbolic mediation of conflicting demands. Louis-Tullis Visconti, a major Parisian architect who was officially commissioned for the project, is the subject of intensive scrutiny to determine the nature of his personal contribution to the design, as well as his relationship with the many sculptors involved in the collective construction process. Here Driskel offers a significant contribution to the sociology of architecture and to the question of what "authorship" means in an undertaking of this kind. Condition : as new copy. ISBN 9780873384841. Keywords : HISTORY, Napoleon Bonaparte.

Hardcover. Condición: Book fine, Dust jacket fine. 1st.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Publisher's hardback in better than very good condition: firm and square, strong joints. Complete with original dustjacket, not showing any tears or chips. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Good. Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today.Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view. Hardback in good condition with clean pages throughout and securely bound. Bumping to top outer corners of both boards and some scuffing to the rear of the dust jacket. Published in 1992, first edition.

Hardcover. Condición: Brand New. 264 pages. 9.25x7.25x1.00 inches. In Stock.

Hardcover. Condición: New in shrinkwrap. Black cloth boards, black and brown dust jacket with illustration, and lettering in black and white. xiv, 282 pp. Illustrations. Contents: Preamble: why study a Rossignol? -- The cultural battleground -- The aesthetics of ultramontanism -- A genealogy of the hieratic mode -- The progress of naturalism -- A return under a new sign.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Good. Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today.Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.