dr anthony cordingley (8 resultados)

Paperback. Condición: new. Paperback. For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Guenter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Guenter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. Self-Translation: Brokering originality in hybridculture provides critical, historical and interdisciplinary analyses ofself-translators and their works. It investigates the challenges which thebilingual oeuvre and the experience of the self-translator pose to conventionaldefinitions of translation and the problematic dichotomies of "original" and"translation", "author" and "translator". Canonical self-translators, suchSamuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed inthe context of previously overlooked self-translators, from Japan to SouthAfrica, from the Basque Country to Scotland. This book seeks therefore to offera portrait of the diverse artistic and political objectives and priorities ofself-translators by investigating different cosmopolitan, post-colonial andindigenous practices. Numerous contributions to this volume extend the scope ofself-translation to include the composition of a work out of a multilingualconsciousness or society. They demonstrate how production within hybridcontexts requires the negotiation of different languages within the self,generating powerful experiences, from crisis to liberation, and texts thatoffer key insights into our increasingly globalized culture. Examines writers and artists negotiating their multilingual cultural contexts and hybrid identities when producing works in one language which they then translate into another. This book establishes an understanding of the heterogeneity of this form of cultural production known as self-translation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Self-Translation: Brokering originality in hybridculture provides critical, historical and interdisciplinary analyses ofself-translators and their works. It investigates the challenges which thebilingual oeuvre and the experience of the self-translator pose to conventionaldefinitions of translation and the problematic dichotomies of "original" and"translation", "author" and "translator". Canonical self-translators, suchSamuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed inthe context of previously overlooked self-translators, from Japan to SouthAfrica, from the Basque Country to Scotland. This book seeks therefore to offera portrait of the diverse artistic and political objectives and priorities ofself-translators by investigating different cosmopolitan, post-colonial andindigenous practices. Numerous contributions to this volume extend the scope ofself-translation to include the composition of a work out of a multilingualconsciousness or society. They demonstrate how production within hybridcontexts requires the negotiation of different languages within the self,generating powerful experiences, from crisis to liberation, and texts thatoffer key insights into our increasingly globalized culture. Examines writers and artists negotiating their multilingual cultural contexts and hybrid identities when producing works in one language which they then translate into another. This book establishes an understanding of the heterogeneity of this form of cultural production known as self-translation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Guenter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation.This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Guenter Grass, Vladimir Nabokov and Haruki Murakami.The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. This volume details the impact that this technological and environmental evolution is having upon the translator, proliferating sites and communities of collaboration, transforming traditional relationships with authors and editors, revisers, stage directors, actors and readers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. Self-Translation: Brokering originality in hybridculture provides critical, historical and interdisciplinary analyses ofself-translators and their works. It investigates the challenges which thebilingual oeuvre and the experience of the self-translator pose to conventionaldefinitions of translation and the problematic dichotomies of "original" and"translation", "author" and "translator". Canonical self-translators, suchSamuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed inthe context of previously overlooked self-translators, from Japan to SouthAfrica, from the Basque Country to Scotland. This book seeks therefore to offera portrait of the diverse artistic and political objectives and priorities ofself-translators by investigating different cosmopolitan, post-colonial andindigenous practices. Numerous contributions to this volume extend the scope ofself-translation to include the composition of a work out of a multilingualconsciousness or society. They demonstrate how production within hybridcontexts requires the negotiation of different languages within the self,generating powerful experiences, from crisis to liberation, and texts thatoffer key insights into our increasingly globalized culture. Examines writers and artists negotiating their multilingual cultural contexts and hybrid identities when producing works in one language which they then translate into another. This book establishes an understanding of the heterogeneity of this form of cultural production known as self-translation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. Self-Translation: Brokering originality in hybridculture provides critical, historical and interdisciplinary analyses ofself-translators and their works. It investigates the challenges which thebilingual oeuvre and the experience of the self-translator pose to conventionaldefinitions of translation and the problematic dichotomies of "original" and"translation", "author" and "translator". Canonical self-translators, suchSamuel Beckett, Vladimir Nabokov and Rabindranath Tagore, are here discussed inthe context of previously overlooked self-translators, from Japan to SouthAfrica, from the Basque Country to Scotland. This book seeks therefore to offera portrait of the diverse artistic and political objectives and priorities ofself-translators by investigating different cosmopolitan, post-colonial andindigenous practices. Numerous contributions to this volume extend the scope ofself-translation to include the composition of a work out of a multilingualconsciousness or society. They demonstrate how production within hybridcontexts requires the negotiation of different languages within the self,generating powerful experiences, from crisis to liberation, and texts thatoffer key insights into our increasingly globalized culture. Examines writers and artists negotiating their multilingual cultural contexts and hybrid identities when producing works in one language which they then translate into another. This book establishes an understanding of the heterogeneity of this form of cultural production known as self-translation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.