Douglass fenner (53 resultados)

Condición: good. Good condition USED book. Pages are clean with normal wear. May have limited markings inside from previous owner.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Good. Hardcover, missing jacket. Owner name on front end page. Text is unmarked. Light crack to binding at page 84, rest of binding intact. Light slant to spine. Moderate wear. Good reading copy.

hardcover. Condición: Good. Good condition. Pages look free of notations. NO dust jacket if issued. There's a stray pen mark on the fore-edge.

Hardcover. Condición: Good. No Jacket. The Language of the Classical French Organ: A Musical Tradition Before 1800. Douglass, Fenner. Yale University Press, 1969. 235p. hardcover no dust jacket, boards lightly bumped/scuffed, binding tight, text clean/unmarked, NOT xlib, bibliographic sticker title page, barcode sticker inside front board8.00.…

Hardcover. Condición: Good. No Dust Jacket. 235 pages. Ex-university library book, light wear and fading to the cover edges and spine, lightly toned pages; a good sound binding. No jacket. Quantity Available: 1. Category: Music, Opera, Ballet, Dance; Inventory No: 208914.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover (Original Cloth). Condición: Fine. Estado de la sobrecubierta: Very Good. Later Printing. Dust Jacket torn, spine a bit sunned. Previous owner's name ink-stamped. Dust jacket in mylar guard. Quantity Available: 1. Category: Music; Classical; France; ISBN: 0300011172. ISBN/EAN: 9780300011173. Pictures of this item not already displayed here available upon request. Inventory No: 25278. …

Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First published in 1969, this is the 4th printing. 8vo, i-xi, 235 pp, 16 black and white plates, 10 charts. Cloth in a dust wrapper with very light wear to the top and bottom of the spine. A very good copy.

Paperback. Condición: Very Good+. New and Expanded Edition. 251 pages. covers slightly curling at edges. ".a major source for the interpretation of early French organ music."; 6 1/8 x 9 1/4 ".

Condición: Good. 4th Edition. Original gilt lettered burgundy cloth, dust jacket, illustrations in b/w, musical scales, 8vo.; Several light stains on rear dust jacket.

Hardcover. Condición: Good with no dust jacket. Second Printing. This is an ex-library copy. spine label removed, pocket and stamps on inside covers, some slight wear to bottom edge of covers. 235 pages; Ex Library; 6 3/8 x 9 1/2 ".

Condición: Poor. No jacket. Light bumps to board edges. Tanned & foxed textblock edge. Ffep removed. Pen marks to scuffed pastedowns. A couple of pages have been clipped with some text affected, but content remains good & legible on the whole.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The seventeenth and eighteenth centuries witnessed the growth of a unique relationship between the French organ and the music written for it. Until recently, however, the roots of this precise musical tradition lay hidden in the sixteenth century. Illuminating these mysteries for the modern audience, Mr. Douglass has traced the development of the French organ from the sixteenth century through the Classical Period (1655-1770).For the first time in English, an explanation is given of the role of mixtures in the plenum of the French instrument of the Classical Period. Because the plenum determines the very character of the organ, and because the mixtures exert the strongest influence upon its sonority, the reader will be able to understand why French composers were writing music for the plenum sharply different from that of their contemporaries in northern Europe. Especially useful is the first complete compilation of known sources of information about French classical organ restriction. Having assimilated the historical facts about the instrument, the reader will be ready to interpret the music of this period on a modern organ.Mr. Douglass is professor organ at the Oberlin College Conservatory of Music. This authoritative study of the French classical organ is a major source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been extensively revised.  Reviews of the previous edition: "The extensive and valuable materials assembled in this study will make it indispensable to both the performer and the scholar of French organ literature."-Almonte C. Howell, Jr., Notes "The only work of its kind in English. . . . Bringing together all of the sources into one volume was alone a task of considerable proportions, and the many conclusions drawn from a careful study of the sources make it a necessary reference for any further study. It should be not only on the shelves but also in the mind of every organ devotee."-Rudolph Kremer, Journal of the American Musicological Society "Douglass has shown us the way that organ studies ought to develop over the next few decades."-Music and Letters.…

Hardcover. Condición: Good. First edtion of this classic text. Yale Studies in the History of Music, 5. Good dj with toned spine and some small tears.

8vo. Original boards in dustwrapper. xi + 235 pp. B/white illustrations and music notation. A very good copy. . Also contains two fold out drawings in front cover.

PF. Condición: New.

hardcover. Condición: very good. no jacket. second printing. 6 3/8 x 9 1/2 " 235 pages. This is Yale Studies in the History of Music , 5 William G. Waite editor. previous owner's bookplate on inside front cover, spine slightly faded.

Soft cover. Condición: Very Good. New and expanded edition first published in 1969.

Condición: New.

Condición: New. This study of the French classical organ is a source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been revised. Num Pages: 282 pages, black & white illustrations. BIC Classification: AVRG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 16. Weight in Grams: 418. . 1995. 2nd Revised, Expanded ed. paperback. . . . . …

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: New. This study of the French classical organ is a source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been revised. Num Pages: 282 pages, black & white illustrations. BIC Classification: AVRG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 16. Weight in Grams: 418. . 1995. 2nd Revised, Expanded ed. paperback. . . . . Books ship from the US and Ireland. …

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Good. No markings. Some minor shelf and handling wear. Dust jacket is faded and nicked.

Hardcover. Condición: Fine. 1st Edition. First edition, complete in 2 volumes 291 + 198 pages. Illustrated with diagrams and musical examples. Fine fresh copies bound in publishers salt & pepper full cloth with paper spine labels, likely not issued in dust wrapper.