dennison leah (26 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. In.

PF. Condición: New.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 2013 in the subject History Europe - Other Countries - Modern Times, Absolutism, Industrialization, grade: A, Bournemouth University, course: Stuart History, language: English, abstract: Louis XIV was known as 'the Sun King' and his control over the culture of court life at the notorious palace of Versailles and his use of the visual arts were not only ways to celebrate the rule of 'le Roi-Soleil' but also an attempt to enhance royal authority. In his 'Memoires', Louis argued that it was essential for the monarch to be constantly visible and accessible to his subjects. France in 1610 was very unstable and it wasn't until the introduction of Richelieu by 1624 that a more cohesive policy of representation could be followed. By the end of Louis XIII's reign, in 1643 France had faced much noble discontent and rebellion, there was limited manipulation of the visual arts and court ritual. This was due to the contrasting aims of Louis XIII who had to secure his position before attempting to make a decisive strategy of the delivery of his public image.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 2012 in the subject Didactics - French - Literature, Works, grade: First, Bournemouth University, language: English, abstract: This paper focuses on Jeunet's use of post production techniques to create a distinctive atmosphere or 'mise-en-scene' to the narrative, arguing that these processes create another layer of meaning to the action on screen. It also looks into the wider issue of Jeunet's representation of Paris itself, arguing that although he has created an unrealistic image of the city with little notion of the 'real' Paris that these aspects contribute to the success of the film. Finally, it analyses the postmodern techniques Jeunet employs, arguing that by utilising these techniques within the scene he has a stronger hold on his directorial control, creating an engaging film that not only draws the audience further into the action, but aids his own postmodern ideal of grasping onto the small pleasure in life. These factors all work hand in hand within this short scene, Jeunet marries this mix of techniques together to create an aesthetic signature that adds to the success of his award winning film.

Taschenbuch. Condición: Neu. Neuware -Scientific Essay from the year 2012 in the subject Didactics for the subject French - Literature, Works, grade: First, Bournemouth University, language: English, abstract: This paper focuses on Jeunet's use of post production techniques to create a distinctive atmosphere or 'mise-en-scene' to the narrative, arguing that these processes create another layer of meaning to the action on screen. It also looks into the wider issue of Jeunet's representation of Paris itself, arguing that although he has created an unrealistic image of the city with little notion of the 'real' Paris that these aspects contribute to the success of the film. Finally, it analyses the postmodern techniques Jeunet employs, arguing that by utilising these techniques within the scene he has a stronger hold on his directorial control, creating an engaging film that not only draws the audience further into the action, but aids his own postmodern ideal of grasping onto the small pleasure in life. These factors all work hand in hand within this short scene, Jeunet marries this mix of techniques together to create an aesthetic signature that adds to the success of his award winning film.BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt 12 pp. Englisch.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Doctoral Thesis / Dissertation from the year 2014 in the subject Communications - Journalism, Journalism Professions, grade: 2.1, Bournemouth University, course: Scriptwriting for Film and Television, language: English, abstract: This dissertation investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity.It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men's Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them.Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel show figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry 'gatekeepers', the bookers, promoters and producers within the comedy business are limiting aspiring female comedians from garnering mass exposure.

Taschenbuch. Condición: Neu. Do I Look Funny In This? | An investigation into the perception and representation of female comedians on the stand-up circuit and their audiences. | Leah Dennison | Taschenbuch | 56 S. | Englisch | 2014 | GRIN Verlag | EAN 9783656725022 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Neuware -This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity.It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men¿s Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them.Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel shows figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry ¿gatekeepers¿, the bookers, promoters and producers within the comedy business, are limiting aspiring female comedians from garnering mass exposure.Books on Demand GmbH, Überseering 33, 22297 Hamburg 56 pp. Englisch.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Scientific Essay from the year 2012 in the subject Didactics for the subject French - Literature, Works, grade: First, Bournemouth University, language: English, abstract: This paper focuses on Jeunet's use of post production techniques to create a distinctive atmosphere or 'mise-en-scene' to the narrative, arguing that these processes create another layer of meaning to the action on screen. It also looks into the wider issue of Jeunet's representation of Paris itself, arguing that although he has created an unrealistic image of the city with little notion of the 'real' Paris that these aspects contribute to the success of the film. Finally, it analyses the postmodern techniques Jeunet employs, arguing that by utilising these techniques within the scene he has a stronger hold on his directorial control, creating an engaging film that not only draws the audience further into the action, but aids his own postmodern ideal of grasping onto the small pleasure in life. These factors all work hand in hand within this short scene, Jeunet marries this mix of techniques together to create an aesthetic signature that adds to the success of his award winning film.

Taschenbuch. Condición: Neu. Do I Look Funny In This? An investigation into the perception and representation of female comedians on the stand-up circuit and their audiences | Leah Dennison | Taschenbuch | 56 S. | Englisch | 2015 | Anchor Academic Publishing | EAN 9783954893478 | Verantwortliche Person für die EU: Dryas Verlag, ein Imprint der Bedey und Thoms Media GmbH, Hermannstal 119k, 22119 Hamburg, kontakt[at]dryas[dot]de | Anbieter: preigu.

Condición: New. Print on Demand pp. 58 424:B&W 5.83 x 8.27 in or 210 x 148 mm (A5) Perfect Bound on Creme w/Matte Lam.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Scientific Essay from the year 2013 in the subject History Europe - Other Countries - Modern Times, Absolutism, Industrialization, grade: A, Bournemouth University, course: Stuart History, language: English, abstract: Louis XIV was known as 'the Sun King' and his control over the culture of court life at the notorious palace of Versailles and his use of the visual arts were not only ways to celebrate the rule of 'le Roi-Soleil' but also an attempt to enhance royal authority. In his 'Memoires', Louis argued that it was essential for the monarch to be constantly visible and accessible to his subjects. France in 1610 was very unstable and it wasn't until the introduction of Richelieu by 1624 that a more cohesive policy of representation could be followed. By the end of Louis XIII's reign, in 1643 France had faced much noble discontent and rebellion, there was limited manipulation of the visual arts and court ritual. This was due to the contrasting aims of Louis XIII who had to secure his position before attempting to make a decisive strategy of the delivery of his public image. 12 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Scientific Essay from the year 2012 in the subject Didactics - French - Literature, Works, grade: First, Bournemouth University, language: English, abstract: This paper focuses on Jeunet's use of post production techniques to create a distinctive atmosphere or 'mise-en-scene' to the narrative, arguing that these processes create another layer of meaning to the action on screen. It also looks into the wider issue of Jeunet's representation of Paris itself, arguing that although he has created an unrealistic image of the city with little notion of the 'real' Paris that these aspects contribute to the success of the film. Finally, it analyses the postmodern techniques Jeunet employs, arguing that by utilising these techniques within the scene he has a stronger hold on his directorial control, creating an engaging film that not only draws the audience further into the action, but aids his own postmodern ideal of grasping onto the small pleasure in life. These factors all work hand in hand within this short scene, Jeunet marries this mix of techniques together to create an aesthetic signature that adds to the success of his award winning film. 12 pp. Englisch.

Condición: New. Print on Demand pp. 58.

Condición: New. PRINT ON DEMAND pp. 58.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Doctoral Thesis / Dissertation from the year 2014 in the subject Communications - Journalism, Journalism Professions, grade: 2.1, Bournemouth University, course: Scriptwriting for Film and Television, language: English, abstract: This dissertation investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity.It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men's Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them.Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel show figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry 'gatekeepers', the bookers, promoters and producers within the comedy business are limiting aspiring female comedians from garnering mass exposure. 56 pp. Englisch.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity.It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men s Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them.Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel shows figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry gatekeepers , the bookers, promoters and producers within the comedy business, are limiting aspiring female comedians from garnering mass exposure. 56 pp. Englisch.

Condición: New. Print on Demand pp. 56.

Condición: New. Print on Demand pp. 56.

Condición: New. PRINT ON DEMAND pp. 56.

Taschenbuch. Condición: Neu. Louis XIV. Enhancement of royal authority by the use of court ritual and visual arts | Leah Dennison | Taschenbuch | 12 S. | Englisch | 2014 | GRIN Verlag | EAN 9783656728993 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incon.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity.It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men s Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them.Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel shows figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry gatekeepers , the bookers, promoters and producers within the comedy business, are limiting aspiring female comedians from garnering mass exposure.