de monchaux (117 resultados)

paperback. Condición: Good.

Condición: very_good.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Like New. Great shape- like new! Has a publisher remainder mark. paperback Used - Like New 2016.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Pamphlet. Condición: Very Good. Vol 8, No 1, pp. 53-60, Extracted from orig vol, begins with title page, Stapled & trimmed, thus is llike a pamphlet, VG.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

perfect. Condición: Very Good. n + 1. Winter 2018. Pages clean but for 3 pages that have several lines neatly underlined, otherwise unmarked. Cover is clean and bright, spine is smooth and not creased.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Trade Paperback. Condición: New.

Paperback. Condición: Brand New. 120 pages. In Stock.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condición: New. Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move. In addition to a collection of thought-provoking essays, this issue includes conversations with Elizabeth Diller, Nicholas de Monchaux and Ken Goldberg, and Chuck Hoberman. Rather than providing easy answers or touting cutting-edge technologies, ROBOLOG offers provocations to both architects and theorists. Robotic sensors, actuators, and networks have fundamentally transformed the world around us. What will architecture choose to do with them?

Soft cover. Condición: New. Log 19 tracks the reemergence of social considerations in architectural discourse, questioning what role architecture can and should play in society. The parametric is alternatively valorized and disavowed; Ron Arad s new museum is ransacked while Office KGDVS is coaxed from its silence; Georges Teyssot unravels J. Mayer H.'s sinuous Metropol Parasol project in Seville; Allan Weiss meditates on the garden at Ryoan-ji; Eric Owen Moss pays homage to Raimund Abraham; Tom Weaver reads poetry and the tedious prose of Leon Krier's Poundbury; Wes Jones reconsiders architecture as a game; Thomas de Monchaux writes on ''Rising Currents'' and the unexceptional reconstruction of Downtown Manhattan; plus observations on orphic Modernism in the forests of Asuncion, the flatness of Herzog & de Meuron's sets for ''Attila,'' a portfolio from the Hague, and more.

Paperback. Condición: Very Good.

Paper Back. Condición: Very Good.

paperback. Condición: New.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Paperback. Condición: Very Good. With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the New York Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities. The book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents a digitally prolific, open-ended approach to urban resilience and social and environmental justice; at once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. How the twenty-one-layer Apollo spacesuit, made by Playtex, was a triumph of intimacy over engineering. When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex- twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex"-a victory of elegant softness over engineered hardness, of adaptation over cybernetics.Playtex's spacesuit went up against hard armor-like spacesuits designed by military contractors and favored by NASA's engineers. It was only when those attempts failed-when traditional engineering firms could not integrate the body into mission requirements-that Playtex, with its intimate expertise, got the job.In Spacesuit, Nicholas de Monchaux tells the story of the twenty-one-layer spacesuit in twenty-one chapters addressing twenty-one topics relevant to the suit, the body, and the technology of the twentieth century. He touches, among other things, on eighteenth-century androids, Christian Dior's New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK's carefully cultivated image, the CBS lunar broadcast soundstage, NASA's Mission Control, and the applications of Apollo-style engineering to city planning. The twenty-one-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario. How the twenty-one-layer Apollo spacesuit, made by Playtex, was a triumph of intimacy over engineering. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. SOM - Journal 10 is the latest in a series of volumes presenting, from a critical perspective, the projects from the architectural offices of Skidmore, Owings & Merrill. As in the previous installments, an elected jury of experts in the fields of architecture and criticism review the projects, not only to examine their architecture and structural concepts, but also their sociocultural and historical references and impacts, to narrow in on a selection of finalists. The architectural firm is already a story in itself: founded more than eighty years ago, it has erected more than ten thousand buildings around the world. From this perspective, this compendium focuses on how a large architectural firm confronts questions of ethos and legacy when thinking about design.Projects featured (selection): Al Ahmadi Cultural Center, Al Ahmadi, Kuwait; Chhatrapati Shivaji International Airport, Terminal 2, Mumbai, India; Denver Union Station, Denver, Colorado; The University Center at The New School, New York; Shenzhen Rural Commercial Bank Headquarters, Shenzhen, China The series of critical discourse on architecture begins a tenth round: SOM - Journal 10 is the latest in a series of volumes presenting, from a critical perspective, the projects from the architectural offices of Skidmore, Owings & Merrill. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. How the twenty-one-layer Apollo spacesuit, made by Playtex, was a triumph of intimacy over engineering. When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex"-a victory of elegant softness over engineered hardness, of adaptation over cybernetics. Playtex's spacesuit went up against hard armor-like spacesuits designed by military contractors and favored by NASA's engineers. It was only when those attempts failed-when traditional engineering firms could not integrate the body into mission requirements-that Playtex, with its intimate expertise, got the job. In Spacesuit, Nicholas de Monchaux tells the story of the twenty-one-layer spacesuit in twenty-one chapters addressing twenty-one topics relevant to the suit, the body, and the technology of the twentieth century. He touches, among other things, on eighteenth-century androids, Christian Dior's New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK's carefully cultivated image, the CBS lunar broadcast soundstage, NASA's Mission Control, and the applications of Apollo-style engineering to city planning. The twenty-one-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.