darryl curran (9 resultados)

Soft Cover. Condición: Fine. First Edition; First Printing. Numerous full page plates in color and black and white. With texts by Darryl Curran, Robert Heinecken, Leland Rice, and John Upton. Published on the occasion of the exhibition organized by Friends of Photography, October 30, 1976 - January 2, 1977, and International Center of Photography, February 10 - March 13, 1977. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to.

First edition. Softcover. 26 pages. Exhibition catalog for a show that ran February 4 through March 5, 1989. Features a foreword by Dextra Frankel and an essay by Judi Freeman. Includes a number of black and white images with a long gatefold in the rear. A clean near fine copy in die-cut stapled wrappers.

Soft Cover. Condición: Fine. First Edition; First Printing. As New. Profusely illustrated, including full page plates, by Eileen Cowin and Darryl Curran. With an essay by Judi Freeman. Published on the occasion of the exhibition, February 4 through March 5, 1989. ; Tight, clean and crisp. A gently browsed catalog in excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; 8vo - over 7 3/4" - 9 3/4" tall.; 28 pages.

Soft cover. Condición: Fine. Chaffey College, Alta Loma, CA, 1985. Softcover, 48 pp. A show of work by California photographer Darryl Curran (born 1935). He is one of the pioneers of the Conceptualist approach to photography. This show took place at the Rex W. Wignall Museum Gallery at Chaffey Community College in Alta Loma, California, and at Grossmont College Art Gallery in El Cajon. Fine condition.

First edition. Softcover. 48 pages. Exhibition catalog for a show that ran April 20 through May 21, 1982 at Rex W. Wignall Museum Gallery, Chaffey Community College and then September 13 through October 15, 1982 at the Grossmont College Art Gallery. Foreword by Virginia M. Eaton, Director of Rex W. Wignall Museum Gallery. Introduction by curator Ardon Alger. Features an essay by Stephen Lewis and an artist statement. Includes numerous color and black and white images. A very near fine copy in stapled wrappers. Signed and inscribed by Curran on the front free endpaper. Scarce thus.

Condición: Good. 8vo. 48 pp. Stiff, stapled wraps. Good with staining and shelve wear along wraps. Mostly black and white plates. Catalog created for exhibit by same name held at the Rex W. Wignall Museum Gallery at Chaffey Community College in Alta Loma, CA from April 20 through May 21, 1982 and at the Grossmont College Art Gallery in El Cajon, CA from September 13 through October 15, 1982.Stamp on title page: Property of SF Camerawork.

NO. 1 Paperback Jan 01, 1981. Condición: Used: Very Good. "A literary tri-quarterly of the whole art." Literary journal in stiff wrappers. Light signs of rubbing, handling and wear, especially around edges. No marks or writing in book. Contents: Ezra Pound: From an Unpublished Draft of Canto LXXXIV; Jerome Rothenberg: Hunger; Gustaf Sobin: Sudden Essays on Shadows and Substance; Bruce McClelland: {Poli}; Jacinto Cua Pospoy: Thirty Years Later: The Estados Unidos Goes to the Moon (Tr. by Martin Prechtle and Nathaniel Tarn); Kimberly Lyons: Variations; James Hillman: Alchemical Blue and the Unio Mentalis; Charles Stein: from A Book of Confusions; John Ashbery: Untitled, White Collar Crime; Karin Lessing: "stood here, " What it Wants, Sea-Foam, September-Wings; Hayden Carruth: Who I am; Thomas Meyer: The Labyrinth at Crete, Fin de Siècle; Lyn Hejinian: The Twill; Robert Kelly: Postcards from the Underworld; Ana Mendieta: from Silueta Series 1980 (Earth and gunpowder); (Carved clay-bed); Lynn Behrendt: Rome, Assisi, Rome; The Letters of Edward Dahlberg and Charles Olson: The Early Years (1936-1948) ; Paul Blackburn: The Term; Michael Palmer: Echo; Clayton Eshleman: The Loaded Sleeve of Hades; Gerrit Lansing: Olana; Mary Caponegro: Three pieces from Microfictions; Johnathan Williams: In Marsden Hartley's Hand; Diane Wakoski: Why I Am A Poet Not A Painter; Jed Rasula: Four Poems; Rachel Blau DuPlessis: Eclogue, Killing Me; Billie Chernicoff: Corona ; Aimé Césaire: Batouque (Tr. by Clayton Eshleman and Annette Smith) ; Alan Williamson: Art Roman; Book Reviews: Weingberger on Seidel; Davidson on the Olson/Creely; Correspondence; Wesling on Michelson and Chester; Phillips on Sobin; Meyer on Davidson; Nakell on Hickmann; Smith on Wakoski; Cover Photograph: by Ana Mendieta Silueta Series 1980 (Earth and Gunpowder).

48 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inugural issue of The L.A.I.C.A. Journal, edited by Fidel Danieli, cover design by Ron Bergner. Essays "The Aesthetics of Flying Over Los Angeles," by Walter Gabrielson; "Dewain Valentine: An Interview," by Melinda Wortz; "L. A. Experience," by Barbara Smith; "ARTFROM," by Joni Gordon; "Evolution of the Institute," by Bob Smith; "Two Things You Can Count On - Art and Taxes," by Lowell Darling; "Dialogue of Women Artists," by Miriam Schapiro; "Tony Delap: An Interview," by Beverly O'Neill "Photography in L.A.," by Darryl Curran. Very Good. Small rubber stamp date on top right corner of recto cover. Library withdrawal stamp on page 48. Covers and content otherwise clean and unmarked.

[46] pp.; 28 x 21.5 cm. (pages, page size varies slightly per contributor) ; 25.3 x 33 cm. (envelope); loose leaves; printed envelope; black-and-white & color; edition size 600; unsigned and unnumbered; photocopy / xeroxed Inaugural issue of "L.A. Artists' Publication," a five volume limited series periodical of artists' communications edited by Fidel Danieli. Contributors include Betye Saar, Eleanor Antin, Fidel Danieli, Stuart Kusher, Jim Edson, Bob Haas, Greg S. Card, Darryl J. Curran, Joe Messinger, Rick Herrold, Tom Marshall, Ann A. Morris, Caroline Cochrane, Walter Gabrielson, John White, and others. "This is the first issue of a communication exchange between southern california artists and their friends. The artists, having been invited to participate by me, provided the copy or artwork, paid for their own printing or supplied the printed material, and provided the publication with a mailing list of twenty-five people each with whom they wish to share their perceptions." -- from the introduction by Fidel Danieli. Very Good. Mailed copy with mailing marks and mailing wear on envelope and significant bumping and tearing of envelope. Contents in very good condition with only light bumping of page corners. contents otherwise clean and unmarked.