crotti jean (28 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Unmarked hardcover in unclipped jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Like New. Dust jacket condition: Like New. Appears as new and unread. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art. 172 pages. Stieglitz, Alfred, 1864-1946--Exhibitions, Duchamp, Marcel, 1887-1968--Exhibitions, Modernism (Art)--United States--Exhibitions, Stieglitz Circle (Group of artists)--Exhibitions.

Paperback. Condición: Very Good condition. Muni Lieblein cover design. Ilustrador. First Printing of the First Edition. Englewood Cliffs, New Jersey:: Prentice - Hall, Inc., 1971. 5.5" wide by 8" tall. Bright, shiny, clean, square, and tight. No remainder marks. No owner's name or bookplate. Flat, uncreased spine. Anthology, with brief biographies of the 22 contributors: Tristan Tzara, Jean Arp, Marcel Janco, John Heartfield, Hans Richter, Theo van Doesburg, Man Ray, Hannah Höch, Enrico Prampolini, Jean Crotti, Francis Picabia, etc. First printing, with complete number row (10 987654321) on the copyright page. From the rear cover: "Lucy Lippard reconstructs the anarchic history and harsh, vivid spirit of the Dada movement by presenting the prose, poetry, and polemic of the artists themselves and of their poet friends. Articles - several appearing in English for the first time - by Marcel Duchamp, Max Ernst, Richard Hulsenbeck, and many others reflect the political and artistic revolution with which the Dadas confronted the crises in Europe after World War I. This collection provides vivid examples of the Dada influence on the Western world and demonstrates Dada's continuing power to affect the arts of the sixties and seventies.". First Printing of the First Edition. Trade Paperback. Very Good condition. Illus. by Muni Lieblein cover design. xii, 178pp.

Paperback. Condición: Very Good. Light shelfwear to the cover, otherwise a clean, tight copy.

Hardcover with dustjacket, 80 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. Publisher: D.A.P./A.F.A., New York, 2003. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Printed Wrapper. Condición: Very Good. Estado de la sobrecubierta: No Jacket. First Edition. Biography, 41 item catalogue, 11 colour and 30 b/w plates.

Soft cover. Condición: Very Good. No Jacket. Switzerland: Kunsthalle Berne and William Campbell. 1983. Edited by Wiiliam Camfield and Jean-Hubert Martin. 139 pages. Illustrated in color and black and white. Paperback, quarto. Very good, clean copy.

1st ed. Text: ENGLISH (Gutes sauberes Exemplar - ungelesen / good clean book) Sprache: Englisch Gewicht in Gramm: 1200 OPappband (mit Schutzumschlag) / Hardcover (with dust-jacket).

Softcover, 140 pages, in English, French and German; very good condition except covers have moderate rubbing wear especially around spine; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound 24 pages, very good condition except covers have moderate rubbing wear and discoloration; small indent to cover and first couple pages; no internal marks.

Swiss bound in printed wrappers, partly faded. Provenance: Jeanette Bonnier (1934-2016). London, Gimpel Fils Gallery, 1974. Small 8vo. [52] pp. including 42 plates (12 in colour; painting no 8. spreads across 2 plates). Text in French. With all the 41 listed paintings reproduced. With a chronology and exhibition history.

Paperback. First edition. Very Good+ paperback with light traces of shelf wear, a line of indentations to the front, and one crease to the spine; interior bright and clean; all plates present. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A monograph on the work of the Swiss-born, French artist Jean Crotti (1878-1958). Crotti was a central figure of early Euro-American Modernism--married to Marcel Duchamp's sister--and throughout his career restlessly experimented with many styles. Consequently, he has been largely forgotten by art history and is remembered primarily by scholars. His work embraced Cubism, Orphism, Dada, Tabu, Futurism, abstraction, and figuration. "Crotti was a spiritually minded, if not religious, painter who viewed art, and specifically abstraction, as a tool for grappling with existential questions and processing cosmic impulses." Text by Waldemar George. 58 text pages + 20 tipped-in color plates + 108 full-page b&w plates + 1 portrait of the artist; 6.25 x 7.5 inches. Biography, bibliography, list of works. Text in French.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. Satisfaction Guaranteed or your money back.

Genève, Pierre Cailler, Les Cahiers d'Art-Documents n° 10, 1956, in-8, agrafé, 16 p. Documentation réunie par Jean-Albert Cartier, reproductions, biographie.

Condición: Neuf.

Kunsthalle Bern, Bern 1983. 4to. 139 pages. Softcover. Very Good-. Initials written on title page. * Text in French, German and English.

Couverture souple. Condición: Très bon. Jean Crotti Ilustrador. Broché, dos carré, couverture souple d'éditeur illustrée en couleurs - 122 pp. Nombreuses reproductions en noir et contrecollées, en couleurs. Bon état. Pas si courant.

238 pp.; 17.4 x 11.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed An overview of the Dada movement by Georges Hugnet. Introduction by Tristan Tzara. Cover by Marcel Duchamp. Artists featured include Pierre Albert-Birot, Aragon, Céline Arnauld, Hans Arp, Johannes Baader, Johannes Theodor Baargeld, Hugo Ball, Jacques Baron, J.-K. Bonset, Gabrielle Buffet, Serge Charoune, Paul Citroën, Arthur Cravan, René Crevel, Jean Crotti, Paul Dermée, Otto Dix, Marcel Duchamp, Suzanne Duchamp, Viking Eggeling, Paul Eluard, Max Ernst, J. Evola, Otto Flake, Théodore Fraenkel, George Grosz, Raoul Hausmann, John Heartfield, Wieland Herzfelde, Emmy Hennings, Hannah Höch, Henrich Hoerle, Richard Huelsenbeck, Vincente Huidobro, Marcel Janco, Franz Jung, Adou Lacroix, Pierre de Massot, Walter Mehring, Clément Pansaers, Benjamin Péret, Francis Picabia, Man ray, Otto Van Rees, Georges Ribemont-Dessaignes, Hans Richter, Jacques Rigaut, Erik Satie, Christian Schad, Rudolf Schlichter, Otto Schmalhausen, Kurt Schwitters, Walter Serner, Philippe Soupault, Sophie Tauber, Tristan Tzara, Jacques Vaché, and Roger Vitrac. Printed in black-and-white. Text in French. Fair / Good. Rubbing to covers and moderate rubbing of edges with light soiling of text block edge. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked.

Soft cover. Condición: Near Fine. rare catalogue.

42 Bll. mit einer montierten Orig.Foto der Ausstellung, Moutier 1997, 4°, Orig.Halbleinen, Einband stellenw. gebräunt ** Erstausgabe --- Auflage 50 num. Ex., im Impressum von beiden Künstlern signiert >> Versand ab Deutschland möglich << ??? PREIS ZU HOCH ODER ZU TIEF ??? ANGEBOT ERWÜNSCHT !!! 500 Gramm.

Couverture souple. Condición: Très bon. Paris, Galerie Drouant-David, 1943. Un dépliant 21 x 13,5 cm, impression noire et orange sur couché blanc, recto verso, 4 pages. Édition originale de ce dépliant publié à l'occasion de l'exposition Jean Crotti qui s'est tenue à la Galerie Drouant-David, 52 rue du Faubourg Saint-Honoré à Paris du 3 au 21 décembre 1943 Liste des 62 uvres exposées. 2 reproductions en noir et blanc.

Couverture souple. Condición: Très bon. Paris, Galerie Jeanne Castel, [1936]. Un dépliant 22 x 14,7 cm à trois volets, impression noir sur couché blanc, recto verso, 6 pages. Édition originale de ce dépliant publié à l'occasion de l'exposition Jean Crotti qui s'est tenue à la Galerie Jeanne Castel, 32 avenue Matignon à Paris, du 17 octobre au 4 novembre 1936. Citations de Jean Crotti, liste des 36 pièces exposées, 3 reproductions en noir et blanc. Petites déchirures marginales, sans gravité.

in-4°, 64 p. avec 36 illustrations en noir et une en couleurs + 1 eau-forte originale. Un des 50 exemplaires sur Arches numérotés (n° 43), contenant une eau-forte originale signée et numérotée par Jean Crotti, brochure originale. Un des 50 exemplaires sur Arches numérotés (n° 43), contenant une eau-forte originale signée et numérotée par Jean Crotti, un des artistes suisses de renommée mondiale (né à Bulle dans le canton de Fribourg). Jean Crotti (1878-1958), naturalisé français en 1927, ?avait une activité intéressante dans le mouvement Dada, de 1916 à 1927. En 1921, il exposa des oeuvres d'inspiration mécaniste. Attiré par le Futurisme et l'Orphisme, il s'intitulait simultanéiste et réclamait l'introduction du temps dans la structure du tableau. Une importante monographie lui a été consacrée par M. Waldemar George? (Bénézit). Très rare avec la gravure originale.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Manifesto originale in litografia a col. di una pittura dell'Autore, cm.65x41, eseguito per la mostra dell'Artista a Parigi dal 12 giugno all'11 luglio 1959.