cotte pascal (33 resultados)

Condición: Good. The book may have minor cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent). The book may have some highlights/notes/underlined pages - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return.

Hard cover. Condición: Good. No jacket. Missing dust jacket. The cover is shelf worn with a couple scratches on the front and back cover. The top and bottom edges of the spine are bumped. Binding is secure and inside is clean and unmarked.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Book.

27.0 x 18.0cms 208pp colour illusts very good+ hardback & dustwrapper This book explains how Kemp and his team of experts pieced together the evidence and undertook detailed historical research and technical analysis to authenticate a previously unknown da Vinci portrait possibly of the illegitimate daughter of Duke Ludovico Sforza.

Cartonato con sovracoperta. Con immagini a colori e in b/n n.t. e f.t.Con il contributo di Peter Paul Biro, Eva Schwan, Claudio Strinati e Nicholas Turner.Testo in inglese.Text in English. Numero di tavole: 0 pp.208 9781444706260 altezza 27 larghezza 19.1 Esemplare in buone condizioni. Sovraccoperta con macchie di polvere e minimi segni d'usura ai bordi e agli angoli. Lieve ingiallimento delle pagine. Testo in inglese.Text in English. Book in good condition.

Condición: Good. First edition (hardback). 8vo (26cm by 18cm), 208pp. Illustrated throughout in colour. Original black cloth, dustwrapper. There is a tippexed-out short ownership inscription to the front free endpaper; otherwise, the book and the dustwrapper are in very good condition. ISBN 9781444706260.

Condición: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condición: fine. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condición: like new. EXPEDITION SOUS 48 H EN SUIVI LA POSTE / EMBALLAGE BULLEPACK.

1st Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 208 pages: ill. (some col.); 27 cm. Subjects: Leonardo da Vinci 1452-1519 Bella principessa. Portraits Expertising. Art, Italian Attribution. Painting, Renaissance Attribution. 1 Kg.

1st Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 208 pages: ill. (some col.); 27 cm. Subjects: Leonardo da Vinci 1452-1519 Bella principessa. Portraits Expertising. Art, Italian Attribution. Painting, Renaissance Attribution. 1 Kg.

Condición: as new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condición: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Good. Leonardo Da Vinci Ilustrador. First UK Edition. HB.Physical and scientific evidence of authenticity of this Renaissance masterpiece. Black cloth boards with bright gilt lettering to spine. 208 pages, incl. fwd, preface, numerous photo illus, notes, picture credits & index. DJ unclipped, has light wear and a 0.5 tear to top of back hinge. Book tight & clean.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 208 p.: ill. (some col.); 27 cm. Notes; Includes bibliographical references and index. Summary; In October 2009, a major artwork by Leonardo da Vinci was uncovered. The 500 year-old portrait is one of the most extraordinary discoveries of our time. This is the story of how a team of experts - led by Professor Martin Kemp -pieced together the evidence, detailed historical research and technical analysis to follow a trail that leads back to the 15th Century. There is an element of mystery and an aura of mystical glamour that surrounds Leonardo. So when news of the discovery broke, it was met with astonishment, even disbelief. Here was a new work of art by a genius who left us astonishingly few - no more than a handful. Martin Kemp takes us on a journey of discovery recounting the steps he and Pascal Cotte took in authenticating the painting including the use of forensic methods usually reserved for criminal investigation. He recounts how experts matched a fingerprint found on La Bella Principessa to the great Renaissance master. This discovery throws new light on Leonardo da Vinci and his world. We learn the story of the girl who inspired the painting. The sitter, a beautiful young girl, displays a sense of melancholy and strength, a tender and fragile beauty. But who is she? By far the most likely candidate is the illegitimate daughter of Duke Ludovico Sforza. Martin Kemp tells, too, the tragic story of this princess who was to die when she was just fourteen years old. Previously changing hands for just GBP12,000, the painting is now thought to be worth something in the region of GBP150 million. As 'La Bella Principessa' (The Beautiful Princess) finally goes on display to the world, the people responsible for proving it is one of Leonardo da Vinci's tell the story of its discovery. Superbly researched and richly illustrated, La Bella Principessa reveals the Renaissance and its great master in a new light. Subjects; Leonardo da Vinci 1452-1519. - Bella principessa. Portraits - Expertising. Art, Italian - Attribution. Painting, Renaissance - Attribution. Renaissance art; Individual artists; Painting & paintings. ART / History / General. Women. Leonardo - Authorship. Drawing - Attribution. Profile portraits - Attribution. Vinci, Leonardo da. 1 Kg.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 208 p.: ill. (some col.); 27 cm. Notes; Includes bibliographical references and index. Summary; In October 2009, a major artwork by Leonardo da Vinci was uncovered. The 500 year-old portrait is one of the most extraordinary discoveries of our time. This is the story of how a team of experts - led by Professor Martin Kemp -pieced together the evidence, detailed historical research and technical analysis to follow a trail that leads back to the 15th Century. There is an element of mystery and an aura of mystical glamour that surrounds Leonardo. So when news of the discovery broke, it was met with astonishment, even disbelief. Here was a new work of art by a genius who left us astonishingly few - no more than a handful. Martin Kemp takes us on a journey of discovery recounting the steps he and Pascal Cotte took in authenticating the painting including the use of forensic methods usually reserved for criminal investigation. He recounts how experts matched a fingerprint found on La Bella Principessa to the great Renaissance master. This discovery throws new light on Leonardo da Vinci and his world. We learn the story of the girl who inspired the painting. The sitter, a beautiful young girl, displays a sense of melancholy and strength, a tender and fragile beauty. But who is she? By far the most likely candidate is the illegitimate daughter of Duke Ludovico Sforza. Martin Kemp tells, too, the tragic story of this princess who was to die when she was just fourteen years old. Previously changing hands for just GBP12,000, the painting is now thought to be worth something in the region of GBP150 million. As 'La Bella Principessa' (The Beautiful Princess) finally goes on display to the world, the people responsible for proving it is one of Leonardo da Vinci's tell the story of its discovery. Superbly researched and richly illustrated, La Bella Principessa reveals the Renaissance and its great master in a new light. Subjects; Leonardo da Vinci 1452-1519. - Bella principessa. Portraits - Expertising. Art, Italian - Attribution. Painting, Renaissance - Attribution. Renaissance art; Individual artists; Painting & paintings. ART / History / General. Women. Leonardo - Authorship. Drawing - Attribution. Profile portraits - Attribution. Vinci, Leonardo da. 1 Kg.

Couverture rigide. Condición: Neuf. Edition originale. Paris 2014. -- New -- Clothbound & Dust Jacket. ( 31,3 x 24,5 cm )( 1925 gr ). ------ 281 pages.****************** "" The Lady with an Ermine had no ermine! Thanks to a new scientific imaging method, Pascal Cotte gives us this revelation, and 27 other discoveries, in his latest book. The work of this engineer, famous for having scanned the Mona Lisa radically change our view of the work of Leonardo da Vinci. This book on The Lady with an Ermine is the first to examine in depth the painting technique of Leonardo da Vinci and reveals the secrets of the creation of his paintings. One key to this work is the unprecedented discovery of a true small ermine hidden beneath the visible animal that we see today. We also discover that the first intention of the Master was to paint a classic portrait, without any animal. Probably at the instigation of the Duke of Milan, Leonardo may have altered its composition and later added an ermine then unsatisfied transformed it again. Is it not strange that in 1493 the first poem that describes this portrait does not mention the ermine, as this is an important element. This book provides an answer. Thanks to a revolutionary new technique, Pascal Cotte is able to analyse layer by layer all the superpositions of the brushstrokes. It is thus possible to reconstruct the whole story, all its genesis. From plank of wood, through all superimposed layers to the final appearance. Everything is analyzed rigorously and methodically. It also enables to reveal important details about the construction of the painting, the wanderings of the painter, his hesitations, his errors and changes. With pedagogy and respect for the reader, Pascal Cotte takes us on a tour quite exciting with simple and clear explanations. All these findings were previously invisible with traditional equipement of laboratories of museums. The author uses a new scientific method of analysis of pictorial works he invented and named L.A.M. for Layer Amplification Method. "" ************************ ref zvel ref att.

Couverture rigide. Condición: Neuf. Edition originale. Paris 2014. 1 Volume/1. -- Neuf -- Reliure éditeur cartonnée sous jaquette illustrée. Format in-4°( 31,3 x 24,5 cm )( 1925 gr ). ------ 281 pages.****************** Présentation éditeur : "" Ce livre sur La Dame à l Hermine est le premier à examiner en profondeur la technique picturale de Léonard de Vinci et à réveler l'ensemble du processus de création de ses peintures. Une des clefs de cet ouvrage est la découverte inédite d une véritable petite hermine cachée sous l animal visible aujourd hui. On découvre également que la première intention du Maître était de peindre un portrait classique, sans animal. Probablement, sous l impulsion du Duc de Milan, Léonard aurait modifié sa composition pour ajouter tardivement une hermine puis, insatisfait, l a à nouveau transformée. Voilà pourquoi le poème publié en 1493, qui décrit le portrait n'évoque pas l'hermine, pourtant tellement incontournable : elle n'avait pas encore été peinte. Grâce à une nouvelle technique révolutionnaire, l auteur analyse couche par couche toutes les superpositions des pigments. Il peut ainsi en reconstituer toute l histoire, établir sa genèse. De la planche de bois, en passant toutes les strates superposées jusqu à l aspect final. Tout est analysé avec rigueur et méthode. Il nous révèle également des détails importants sur la construction de la peinture, les errances du Peintre, ses hésitations, ses reprises et changements. Avec pédagogie et respect du lecteur, l auteur nous emmène dans une visite guidée tout à fait passionnante avec des explications simples et claires. Toutes ces découvertes étaient jusqu alors invisibles avec les moyens traditionnels d'imagerie de laboratoire. L auteur utilise une toute nouvelle méthode scientifique d analyse des uvres picturales qu il a inventée et baptisée L.A.M. pour Layer Amplification Method."" ************************ ref zvel ref att ref 53sd-fd ref 65-1/2 srm.

Condición: Buone. francese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Condición: Neuf.

Hardcover. Condición: Brand New. 173 pages. French language. 14.92x10.24x0.94 inches. In Stock.

Hardcover. Condición: Near Fine. First edition. Illustrated. Hodder & Stoughton, 2010. Very good in d/w.

Condición: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. Condición: Good. Good. book.

Paperback. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. The author inscribed this volume to a Rochester, New York Philanthropist. The text of the inscription is in French. The text for the contents of the book is in English. There is a spot of soiling to the front free end paper, a small area of color loss at the foot of the spine and a small bruise to the upper right corner of the front blue cloth covered board, else this book would be in Fine Condition. The gilt lettering on the front board and spine cover is bright and unfaded. The interior of the book is clean and unmarked. The blue ribbon book mark remains attached, but shows some soiling to the end. The dust jacket has some light surface marks and curling to the edges. however, it is now protected by a clear removable cover. This book is heavy and may require additional shipping costs, especially if being sent out of the United States. Inscribed by Author(s).

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. This book on The Lady with an Ermine is the first to examine in depth the painting technique of Leonardo da Vinci and reveals the secrets of the creation of his paintings. One key to this work is the unprecedented discovery of a true small ermine hidden beneath the visible animal that we see today. We also discover that the first intention of the Master was to paint a classic portrait - without an animal. Probably at the instigation of the Duke of Milan, Leonardo may have altered its composition and later added an ermine then, unsatisfied, transformed it again. Is it not strange then that in 1493 the first poem that describes this portrait does not mention the ermine, as this is an important element of the painting. Thanks to a revolutionary new technique, Pascal Cotte is able to analyse, layer by layer, all the superpositions of the brushstrokes. It is thus possible to reconstruct the whole story; from plank of wood, through all superimposed layers to the final appearance. Everything is analysed rigorously and methodically. The book also reveals important details about the construction of the painting, the wanderings of the painter, his hesitations, his errors and changes. All these findings were not previously visible using the traditional equipment of museum laboratories. The author uses a new scientific method of analysis of pictorial works he invented and named L.A.M. for Layer Amplification Method.------------------------S il compte incontestablement parmi les promoteurs déterminants de l unité italienne, Napoléon III laisse aux héritiers de Garibaldi un souvenir ambigu. Fin connaisseur de l Italie où, jeune homme, il a longtemps séjourné, l empereur s est laissé gagné à la cause nationaliste autant par sa vieille fibre carbonariste que par l action de Cavour et de la belle comtesse de Castiglione. En 1859, il engage une armée de 120 000 hommes aux côtés des maigres forces piémontaises, et remporte sur les Autrichiens les succès décisifs de Magenta et Solférino. Pourtant, il s empresse de mettre un terme à la campagne. L effroyable carnage mais, surtout, le risque d une interposition prussienne l y invite. Les Italiens ne comprennent pas. Et leur perplexité vire au ressentiment quand, sous la pression des milieux cléricaux et de l'impératrice, Napoléon III refuse de faire évacuer Rome à ses soldats qui garantissent l'intégrité des Etats pontifcaux et, du même coup, retardent le parachèvement de l' unité de la péninsule. Pour prix de l épopée inachevée, la France s accumule néanmoins de Nice et de la Savoie. Outre une époustoufante galerie de peintures, l exposition présente pour la première fois la collection photographique du célèbre studio Alinari, véritable acte de baptême du photo-reportage.------.

Condición: as new. Vendeur pro. Envoi soigné en 24/48h.

Couverture rigide. Condición: Comme neuf. Edition originale. Paris 2019. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée illustrée / Hardback . Format 37,6 x 26,2 cm ( 1790 gr ) . -------- 174 pages richement illustrées . 2 reproductions à taille réelle de la Joconde contre-collés sur les 2 contre-plats. ************************ 4ème de Couverture : "" 19 octobre 2004, studio photographique du Musée du Louvre. La Joconde est confiée pendant vingt-quatre heures à Pascal Cotte pour qu'il en assure la numérisation via un procédé exclusif de prise de vue multispectrale. Un tel accès privilégié au tableau ne sera quasiment plus jamais accordé. Il a permis des découvertes stupéfiantes et incontestables, dévoilées dans cet ouvrage. Un voyage au coeur de la création du tableau, de la chronologie de sa composition et des techniques les pus subtiles de Léonard de Vinci. Des réponses picturales, scientifiques et historiques totalement inédites aux questions qui depuis cinq siècles obsèdent les admirateurs passionnés de Mona Lisa : Qui est-elle vraiment ? Pourquoi son regard et son sourire sont-ils uniques dans l'histoire de la peinture ? Combien de portraits Léonard a-t-il peints ? Quelle est la clé de son paysage mystérieux ? Quelles étaient les couleurs d'origine du tableau ? Le livre essentiel sur le tableau le plus célèbre du monde. " ////////////////// "" 174 richly illustrated pages. 2 life-size reproductions of the Mona Lisa pasted on the 2 back covers. ************************ "" October 19, 2004, photographic studio of the Louvre Museum. The Mona Lisa is entrusted to Pascal Cotte for twenty-four hours so that he can digitize it using an exclusive multispectral shooting process. Such privileged access to the painting will almost never be granted again. It allowed for some amazing and undeniable discoveries, revealed in this book. A journey to the heart of the creation of the painting, the chronology of its composition and the most subtle techniques of Leonardo da Vinci. Completely new pictorial, scientific and historical answers to questions that have obsessed passionate admirers of the Mona Lisa for five centuries: Who is she really? Why are her eyes and her smile unique in the history of painting? How many portraits did Leonardo paint? What is the key to his mysterious landscape? What were the original colors of the painting? The essential book on the most famous painting in the world. "" ****************************.

Condición: Gut. Zustand: Gut | Seiten: 173 | Sprache: Italienisch | Produktart: Bücher.