Cooke edward s (225 resultados)

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: MFA Publications Pub Date: 3/15/1989 Binding: paperback Pages: 132 First edition.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. Hi. Welcome to our small, family-owned bookstore. Copyright 2006. Published by Peabody Essex Museum, First Edition. Text by Nancy Berliner and Edward S. Cooke, Jr. Paperback. Condition: New. This copy is still in the wrapper. 8.4 x 5.8 x 0.7 inches. 160 pages. Packaged using bubble wrap and a sturdy cardboard box. Tracking number provided for no extra cost. Thanks for checking out this book from our small town brick-and-mortar and supporting a small business.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. some shelfwear but still NICE! Standard-sized.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

White Printed Wrappers. Condición: Ex-Library (Good). Ex-library. Title page has a small red heart stamp; tight, text clean. 100 p., illustrated [oto br 15].

Soft cover. Condición: Very Good. Title page has a small red heart stamp; tight, text clean. Paginated 179-314, illustrated [otob: 28].

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Used - Very Good. Museum of Fine Arts, 1991. 99 pages. Illustrated. 11 x 9", paperback. Like New.

paperback. Condición: Good.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Fine. Soft cover exhibition catalogue, 10" x 10", covers and contents are fine; 132 pages, illustrated in black-and-white and color.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Paperback. Condición: Good.

Hardcover. Condición: New. Brand New. Still sealed in original publisher's shrinkwrap.

Paperback. Condición: Very Good. A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art.Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium.Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.…

Paperback. Condición: Good. A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art.Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium.Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.…

Softcover. Condición: Sehr gut. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. 120 pages with many b/w-illustrations.

Soft cover. Condición: Fine. 1st Edition. Museum of Fine Arts, Boston, 1989. Soft Cover. Condition: Near Fine. First Edition. 131, [1] pp. "Several years ago, 26 prominent studio furniture-makers were asked to design works of furniture based on period pieces in the collection of the 25 furniture makers were invited to create a new work for this exhibition, using a piece in the Museum's collection as inspirationThe result is an explosion of form and fantasy in which past and present are mergedUa celebration of the continued existence of small-scale furniture making in the midst of mass production. Among the works discussed in this lavishly illustrated book are pieces by Garry Knox Bennett, JohnCederquist, Kristina Madsen, Judy Kensley McKie, Michael Pierschalla, and Paul Sasso. In an insightful and detailed essay, author Edward Cooke Jr. contextualizes these works, outlining their complex relationship with American traditions of furniture design.".…

Paperback. Condición: Very Good. A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art.Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium.Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.…

Paperback. Condición: Good. A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art.Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium.Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.…

SingleIssueMagazine. Condición: Very Good+ to Near Fine. Vol. 78, No. 3 (Whole No. 466). Edited by Edward. L. Ferman. Cover art by James Gurney for "Down on the Truck Farm" by Thomas A. Easton. Includes "Cool Cat" (novelet) by Edward Wellen; "Every Trembling Blossom, Every Singing Bird" (novelet) by Ronald Anthony Cross; "Shore Leave Blacks" by Nancy Etchemendy; "The Bat-Winged Knight" by Catherine Cooke; "Zurich" by Kim Stanley Robinson; "What the EPA Don't Know Won't Hurt Them" by Suzette Haden Elgin; "Shatterwrack at Breaklight" by Terry Dowling. Departments: "Books" by Algis Budrys; "Harlan Ellison's Watching"; "Science: Smashing the Sky" by Isaac Asimov. Cartoons by Sidney Harris and Henry Martin. Light handling wear; mild tanning. Book.…