clay studio (6 resultados)

Hardcover. Condición: Very Good. No Jacket. Lorna Sakalovsky; Handsculpted Clay Figurines: Lorna Sakalovsky; Photography: Jakov Enyedi; Michael Amar; Studio M & R Ilustrador. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Fine/Fine. First Edition, 1st Printing. 4to - over 9¾" - 12" tall. ISBN:0-7868-3157-X. 96 pages.

Hardcover. Condición: Very Good.

Hardcover. Condición: Near Fine. First Edition; First Printing. Color Photographs; 4to 11" - 13" tall; 112 pages; 2019 Schiffer Publishing. Oversize HC is snugly bound in glossy pictorial boards. Profusely illustrated with vibrant color photographs. Contents clean, bright, and unmarked; a single pale finger print on the front endpage. About as new. NF. Oversize book likely to require additional charges for expedited or international shipping.

Hardcover. Condición: Comme neuf. Edition 2019. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2019. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | What inspiration awaits within a museum? In this rare venture, a group of 14 Resident Artists from The Clay Studio worked with 7 curators to explore the Philadelphia Museum of Art's art storage vaults.This catalog--and its accompanying exhibition at The Clay Studio--reveals the thoughts, inspirations, and creative drive shared by the artists and curators. After researching and handling artifacts in an art museum's storage, each artist chose a museum object and went back to their studio to create a new work of art in response. The resulting artworks, beautifully photographed here, are accompanied by the artists' thoughtful reactions to the experience, along with candid views of the works in progress in their studios. The curators, too, describe their "aha moments" in three luminous essays. For both artists and curators, this journey from storage to studio in Philadelphia has been revelatory and points the way to exciting future possibilities for artists, curators, museums, and gallery visitors everywhere.