Charles neff (101 resultados)

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A QUIET REVOLUTION; BRITISH SCULPTURE SINCE 1965.
Jacob, Mary Jane and Graham Beal (organizers). Terry A. Neff (editor). I. Michael Danoff, Henry T. Hopkins, Dennis Alan Nawrocki, Charles Harrison, Lynne Cooke, et al (contributors). Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art.
Idioma: Inglés
Editorial: London: Thames and Hudson, Publishers, 1987., 1987
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Librería: David Hallinan, Bookseller, Columbus, MS, Estados Unidos de AmericaDavid Hallinan, Bookseller
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EUR 9,92
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188 pages. Paperback: H 27.75cm x L 23cm. Stiff paper covers lightly rubbed, light bumping to front cover's fore-edge corners with some early leaves affected likewise. Foxing to top edge; faint impression of past owner's erased pencil signature still discernable at top of half-title page; interior pages are otherwise clean. Bind…ing is firm. A very good copy. With Foreword by I. Michael Danoff and Henry T. Hopkins, Introduction and Acknowledgements by Mary Jane Jacob and Graham Beal, Checklist of the Exhibition, and Artist's Biographies by Dennis Alan Nawrocki. Features eight essays: "Sculpture's Recent Past" by Charles Harrison, "Between Image and Object: The 'New British Sculpture'" by Lynne Cooke, "Tony Cragg [Anthony Douglas Cragg]: 'First Order Experiences'" by Mary Jane Jacob, "Richard Deacon: The Skin of Sculpture" by Mary Jane Jacob, "Barry Flanagan: 'Twice as Hard in a Negative Way'" by Graham Beal, "Richard Long: 'the simplicity of walking, the simplicity of stones'" by Graham Beal, "David Nash: 'Respecting the Wood'" by Graham Beal, and "Bill Woodrow: Objects Reincarnated" by Mary Jane Jacob. Published as the accompanying catalog for an exhibition "British Sculpture Since 1965" organized by the Museum of Contemporary Art, Chicago and the San Francisco Museum of Modern Art, San Francisco and opening at those two institutions in January 23 to April 5, 1987 at the former and June 4 to July 26, 1987 for the latter and thereafter touring to Newport Beach, California's Newport Harbor Art Museum from August 14 to October 4, 1987, to Washington, D.C.'s Hirshhorn Museum and Sculpture Garden from November 10, 1987 to January 10, 1988, and to Buffalo, New York's Albright-Knox Art Gallery from February 12 to April 10, 1988. ISBN 0933856245. Profusely Illustrated (ilustrador).

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Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de AmericaSpecific Object / David Platzker
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188 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size 10000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Chicago, January 23 - April 5, 1987. Traveled to the San Francisco Museum of Modern Art, June 4 - July 26, 1987; N…ewport Harbor Art Museum, Newport Beach, CA; Hirschhorn Museum and Sculpture Garden, Washington, D.C., November 10, 1987 - January 10, 1988 and Albright-Knox Art Gallery, Buffalo, February 12 - April 10, 1988. Curated and with text by Mary Jane Jacob and Graham Beal. Additional texts by Lynne Cooke. Edited by Terry A. Neff. Artists include Tony Cragg, Richard Deacon, Barry Flanagan, Richard Long, David Nash, and Bill Woodrow. Includes exhibition checklist and artists' biographies by Dennis Alan Nawrocki. Very Good. Light rubbing of cover edges. Light yellowing of page edges. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders. Profusely Illustrated (ilustrador).

Charles Simonds
Simonds, Charles; Neff, John Hallmark, and Beardsley, John, and Abadie, Daniel (Essays by)
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- Primera edición
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
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Paperback. Condición: Very Good. 1st. 97 pages, illustrations (some colour); 28 cm. Exhibition held November 7, 1981 to January 3, 1982 at the Museum of Contemporary Art, Chicago. Firm binding, clean inside copy. Lower right corner bumped. *** "This book which accompanies the exhibition is an effort to begin to assemble the phot…ographs and texts which will make it somewhat easier for future authors to deal with the diversity of Simonds's work, most of which has not even been photographed or otherwise documented. (There are also various kinds of private works which he makes for himself and friends which have not been considered here.) The photographs are arranged according to Simonds's categories and the section headings are based upon his written descriptions. The categories are not mutually exclusive; it would have been equally possible to group certain projects together as 'Cosmological' and 'Organic Architectures,' an option which the artist may exercise in the future. The three essays reflect the variety of responses that Simonds's Little People have elicited over the last decade. Simonds's work first appeared in the charged, politicized context of the early 1970s, which often focused upon the implications of his street works with regard to the conventions of the New York art world. Subsequent critiques questioned the apparent contradictions of his also making unique, salable works. John Beardsley's essays focuses on the question of the public works, while Daniel Abadie's evokes the myriad associations of fantasy and reality that we encounter through the range of Simonds's activities as an artist. The third essay alternates between a reading of the sculptures as objects and an introduction to some of the diverse ideas which contribute to their meaning; the notes can be read separately as suggestions for further exploration. The Commentaries are a personal tour of Circles and Towers Growing, again concentrating on the presence of the sculptures themselves in the exhibition. Reprinted in its entirety is Simonds's text Three Peoples, which relates the histories and beliefs of the Little People." - Introduction. *** CONTENTS: Introduction, by John Hallmark Neff; Charles Simonds's engendered places: towards a biology of architecture, by John Hallmark Neff; On the loose with the little people: a geography of Simond's art, by John Beardsley; Simonds: life built to dream dimensions, by Daniel Abadie; Three peoples, by Charles Simonds. Size: 4to.

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hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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Idioma: Inglés
Editorial: North American Review Corporation, New York, 1920
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- Publicación periódica
Librería: CanisLatrans, Highlands, NC, Estados Unidos de AmericaCanisLatrans
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Soft cover. Condición: Good. Estado de la sobrecubierta: Good. The North American Review Vol. 211 No. 4 April 1920. Various (ilustrador).

Charles Simonds: Museum of Contemporary Art, Chicago, November 7, 1981-January 3, 1982"
Simonds, Charles; Neff, John Hallmark, And Beardsley, John, And Abadie, Daniel ("
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- Primera edición
Librería: BooksByLisa, Highland Park, IL, Estados Unidos de AmericaBooksByLisa
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Soft cover. Condición: New. First Edition. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; PHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED. Book.

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- Primera edición
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de AmericaJeff Hirsch Books, ABAA
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First Edition. First edition. Softcover. 97 pages. Exhibition catalog for a show that ran November 7, 1981 through January 3, 1982 in Chicago and then went on to Los Angeles, Fort Worth, and Houston for additional dates. Features an introduction by John Hallmark Neff and essays by Neff, John Beardsley, Daniel Abadie, and Charles… Simonds. Includes 46 color and black and white illustrations, list of previous exhibitions, list of commisions, projects, films, public collections, and a selected bibliography. A very good plus copy in wrappers with some minor wear.

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Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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PIOUS AND PROFANE, PETTY AND PROFOUND: Poetic Prejudices Polemics and Perceptions from the Starr King Community
Neff, Joan M. , editor, Illustrated by Margaret Keip, Charles R. Bass, Pamela Bass, Joel Scholefield
Editorial: Thomas Starr King School for the Ministry, Berkeley
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Stapled wraps. Condición: Near Fine. Thomas Starr King School for the Ministry (Berkeley) , no date, green stapled wraps, Near Fine, 49 pages, unmarked. POETRY; G3942 N Poe; 49 pages.

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Librería: ANARTIST, New York, NY, Estados Unidos de AmericaANARTIST
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Softcover exhibition catalog of artists small sculptural dwellings, 98 pages, clean and crisp, no internal marks.

A Quiet Revolution: British Sculpture Since 1965
Beal, Grahem & Lynne Cook & Charles Morrison & Mary Jane Jacob & Terry A. Neff (editor)
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Condición: Good. Original grey boards, dust jacket, numerous (full page) illustrations (including photographs) partly in colour, 4to.

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Idioma: Inglés
Editorial: CreateSpace Independent Publishing Platform, 2017
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State and Local Taxation : Principles and Planning
Neff, Joseph, Gupta, Sanjay, Karayan, John, Swenson, Charles
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Editorial: Artforum New York, NY, 1989
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EUR 18,03
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185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wall…ace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

State and Local Taxation: Principles and Practices, 3rd Edition
Gupta, Sanjay; Karayan, John; Neff, Joseph; Swenson, Charles
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EUR 39,20
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Hardcover. Condición: Fair. Third edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.