canticum canticorum (11 resultados)

Unpaginiert, ca. 80 S. OKart. =13. Kranichdruck. Eins von 300 num. Exemplaren auf Rundsiebbütten. Sprache: deutsch.

16°. 62 S. OPbd. >>> Versand nur innerhalb Deutschlands <<< - Etw. bestoßen, Rckn. am ob. Kap. leicht geplatzt.

8°. 615 pp., 2 ff. Original softcover Greek text with apparatus, Italian translation and notes. - Fine, clean.

47,5 x 33 cm. 40 Seiten. Rotbrauner Orig.-Maroquinband mit Rückentitel und blindgeprägtem Deckeltitel. In Orig.-Kassette). (Einband Willy Pingel, Heidelberg & Christian Zwang, Hamburg). - 1. Ars-Librorum Druck und eines von nur 25 römisch nummerierten Exemplaren der absoluten Luxusausgabe. Gedruckt auf gelblichem Hahnemühle-Bütten. Nur diese Ausgabe wurde von Hand kostbar in Maroquin gebunden und enthält 4 weitere handsignierte Orig.-Lithographien von Gerhard Kraaz, davon 2 doppelblattgroß. Das Hohe Lied in deutscher Neufassung auf Grund des hebräischen Urtextes von Gotthard de Beauclair. Mit 34 Orig.-Lithographien von Gerhard Kraaz, davon 4 signiert. Das Impressum vom Herausgeber und Künstler signiert. Tadellos erhalten. - Gotthard de Beauclair Leben und Werk 1 mit 2 Abb. auf S. 31-32. - spindler 40/21.

Condición: Very Good. #70 of 200 copies signed by the artist. 34 cm; 70, [10] pages (last five blank). Text of the Song of Songs in German. Illustrated throughout with original lithographs by Sigg printed from stone by Emil Mathieu. Printed on hand-made paper (by Richard de Bas, watermarked "Arta"). Pages loose in portfolio as issued, and preserved in laid paper chemise. Remains of original slipcase present but non-functional. Else fine.

33 x 49 cm. 40, (4) S., in Rohbögen, in einer (hier unbedruckten) Pappkassette. Exemplar ohne Zusatz-Lithographie. Bestens zum Aufhängen oder für einen Privateinband geeignet. Tadellos erhalten. Tiessen 15 (mit Abbildung). Spindler 40.21. * Erster Druck des Ars librorum Verlages. Aus der Bell Antiqua gesetzt und auf eigens für dieses Werk handgeschöpften, getönten Hahnemühle-Büttenkarton gedruckt. - Eins von 250 handschr. nummer. Exemplaren der selteneren englischen Version dieses Werkes (ein großer Teil der Auflage wurde zerstört!), mit einer zusätzlich beiliegenden doppelseit. Orig.-Lithographie des Künstlers. Im Druckvermerk von Kraaz und Gotthard de Beauclair signiert. - Meiner Meinung nach das schönste von Kraaz illustrierte Werk.

4to (170 x 236 mm). (106) (instead of 108) ff. Printed in red and black throughout. With a full-page woodcut printed in red, showing David as bearded king, playing the harp in a wooded landscape; Potken's Latin preface on verso. Blindstamped German pigskin on four raised double bands, dated 1580 on the upper cover, with a central panel of Fides and Spes ("Que Vocem Insigni Caritu / De Nomine Virtus Omnia Q / Pietas Suatet Obire Sequo", signed "MM" on a rock) on the front cover and of Caritas with a beggar ("Impetrat Alma Fides Cri/sto Quam Dante Salutem / Expectare Soror Spes Ani", signed "M M" in the bottom corners) on the back, both enclosed within rollstamps of tendrils and Reformers. Stored in custom-made black half morocco case. A fine copy of the first book ever printed in Ge'ez, also "the first book to be printed in the West in an oriental language other than Hebrew, and the first psalter to be printed in a language other than Hebrew, Greek, or Latin" (Austern). Apart from the Psalter, it contains the Song of Solomon as well as Biblical hymns and prayers. - In his preface, the editor Johannes Potken, provost of St George's Church at Cologne, describes "how he had heard Ethiopian strangers in Rome reciting sacred hymns, in which he recognized the names of the Blessed Virgin, the Apostles and certain saints. Aroused by curiosity he determined to learn Ethiopic - which he calls 'lingua Chaldea' - and eventually succeeded in mastering enough of the language to enable him to publish this edition in the native character" (Darlow/M.). - This is the first book printed in Ethiopic, using a specially made font to correspond to the Ethiopic syllabary. Remarkably, Potken's manuscript source can be identified as an Ethiopic Psalter in the Vatican Library; the original record showing it was loaned to Potken on 28 October 1511 is also preserved there. Potken espoused a private theory that Ethiopic was in fact Chaldaic (Aramaic); he was not dissuaded by the fact, which he acknowledged, that the Jews of Rome were unable to understand the Ethiopians. He also relates that he had been interested in this mysterious part of the world since hearing stories of Prester John in his childhood. In 1518, after his return to Cologne, Potken had the Ethiopic Psalter reprinted, this time as part of a four-language edition that included Hebrew, Greek, and Latin. The font is apparently the same as that of the present edition, abeit in a considerably worn state. - Rare in the trade: only three other copies in auction records since 1958. - Lacking the two middle leaves (2 & 3) in quire [13] (supplied in facsimile). Occasional slight worming to text. Binding very well preserved but silk ties removed; the 16th century owner's once-blindstamped initials appear to have been erased from the upper cover. Curiously, the captions under the plate stamps on the covers are transposed; apart from that, these panels appear to agree with the description given by Semler (Sammlungen zur Geschichte der Formschneidekunst in Teutschlandt [1782], no. 19) of a Latin Bible printed at Tübingen in 1578. While Haebler does not describe these panels, he writes that the bookbinder "M. M." may be "identified without fear of objection with Mathias Moratz of Leipzig", active ca. 1575, who "curiously applied his initials only to his plate stamps, but to these almost without exception" (cf. Haebler I, 297). - Early ink ownership in Ge'ez under the frontispiece: "P'et'irosi P'eshek'atori P'erofesesiri" (Peter, pastor and professor); a 16th century ink note of acquisition on front pastedown: "Emi à Bibliopola Gallo Ioanne Barlemianus Lugdulensi Ao. 1580 mercatum paschali" (bought from the French bookseller Jean Barlemian of Lyons, at the 1580 Easter fair). Later in the library of the engineer and collector Arthur Emmanuel Vershbow (1922-2021) and his wife Charlotte Vershbow (née Zimmermann, 1924-2000), with their bookplate to front pastedown (acquired from William Salloch in 1971). Vershbow sale, Christies, New York, 10 April 2013, lot 112. Latterly in a French private collection. - Edit 16, CNCE 5832. Adams B 1481. BM-STC Italian 99. Tinto, Gli annali tipografici di Eucario e Marcello Silber, 157. Darlow/Moule 3560. Isaac 12191. Sander 5942. Bohatta 376. Brunet IV, 921. Graesse V, 469. Fumagalli, Bibliografia Etiopica, p. 353. Smitskamp, PO, 233. Princeton University, Century for the Millennium, 27. Pollard 229. Linda P. Austern, Psalms in the Early Modern World (2016), pp. 4-6. OCLC 22397849.

26,5 x 14 cm. 31 Seiten. Mit 11 Orig.-Holzschnitten und 13 Holzschnittinitialen von Eric Gill. Mit farbigem handgefertigtem Überzugspapier von Eva Aschoff bezogener Orig.-Halbpergamentband mit Rückentitel. (Signiert: Eva Aschoff). - Druck der Cranach Presse in 200 nummerierten Exemplaren auf Bütten. Gedruckt in der Jenson-Antiqua in Rot, Schwarz und Braun. Das Buch wurde von Eva Aschoff mit farbigem handgefertigtem Überzugspapier bezogen und signiert. Vorliegendes Werk ist dokumentiert und abgebildet bei "Schauer, Deutsche Buchkunst 1890 bis 1960, Band II, Seite 130-131". Besonders bekannt sind ihre Arbeiten für den Insel-Verlag. Das Hohe Lied Salomo der Cranach Presse in einem unikalen Exemplar. - Müller-Krumbach 56. - Sarkowski 1393 A.

1954, 175 pp., 175 pp., English and Chinese lang., plate (code E-105).

1Bl., Titelblatt, Tafelblätter, Original-Pergament-Einband mit Kordelbindung. 4°. Folge von 16 Farbtafeln. Zweifarbiges Impressum (rot/schwarz). Vorliegend eines der eigentlich römisch nummerierten Exemplare der Vorzugsausgabe auf handgeschöpftem Bütten. Gesamtauflage 400 Exemplare. Das vorliegende Exemplar ohne Nummer. Rodenberg 372. 34. Druck der Marees-Gesellschaft. Sehr schönes Exemplar. Farbfaksimiles eines niederländischen Holzschnittbuches (15. Jahrhundert) aus der Bayerischen Staatsbibliothek München. Die Abbildung zeigt eine Seite aus dem Inhalt. Very fine copy of this faksimile. Not numbered. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Deutsch Gewicht in Gramm: 1000.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1515. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 446, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 446.