Canisia lubrin (212 resultados)

Paperback. Condición: Very Good. Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself. …

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condición: Very Good. Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself. …

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.

Condición: good. Paperback Book.

Hardback. Condición: Good. Winner of the Carol Shields Prize for Fiction Winner of the Danuta Gleed Literary Award "Code Noir is storytelling at its deepest and most intimate. These stories are magic and you must enter them as if you, too, are wondrous." --Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return Canisia Lubrin's debut fiction is that rare work of art--a brilliant, startlingly original book that combines immense literary and political force. Its structure, deceptively simple, is based on the infamous Code Noir, a set of real historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original code had fifty-nine articles; Code Noir has fifty-nine linked fictions--vivid, unforgettable, multilayered fragments filled with globe-wise characters who desire to live beyond the ruins of the past. Accompanied by black-and-white drawings--one at the start of each fiction--by acclaimed visual artist Torkwase Dyson, and with a foreword by Christina Sharpe, Code Noir ranges in style from contemporary realism to dystopian literature, from futuristic fantasy to historical fiction. This inventive, shape-shifting braid of narratives exists far beyond the boundaries of an official decree. …

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: acceptable. Book is in acceptable condition and shows signs of wear. Book may also include underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardback. Condición: Good. Winner of the Carol Shields Prize for Fiction Winner of the Danuta Gleed Literary Award "Code Noir is storytelling at its deepest and most intimate. These stories are magic and you must enter them as if you, too, are wondrous." --Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return Canisia Lubrin's debut fiction is that rare work of art--a brilliant, startlingly original book that combines immense literary and political force. Its structure, deceptively simple, is based on the infamous Code Noir, a set of real historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original code had fifty-nine articles; Code Noir has fifty-nine linked fictions--vivid, unforgettable, multilayered fragments filled with globe-wise characters who desire to live beyond the ruins of the past. Accompanied by black-and-white drawings--one at the start of each fiction--by acclaimed visual artist Torkwase Dyson, and with a foreword by Christina Sharpe, Code Noir ranges in style from contemporary realism to dystopian literature, from futuristic fantasy to historical fiction. This inventive, shape-shifting braid of narratives exists far beyond the boundaries of an official decree. …

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. An expansive lexicon of words, terms, concepts, and ideas that takes the multiplicity of Black life as its point of departure. Thinking from Black: A Lexicon is an unusual reference book. Its contributors--the Practicing Refusal Collective--are visual artists, poets, dancers, historians, writers, architects, painters, theorists, activists, anthropologists, filmmakers, educators, and musicians. Each has engaged with the idea of a lexicon of Black living and taken up the invitation to think from Black in relation to their own medium. Some terms are enunciated in a poetic register--such as Redaction, Seeing, and Song. Some are aspirational--such as Solidarity, Garden, and Care. Some entries, such as BlackSound, Fantasy, Mathematics, and Dispossession, work in a more theoretical idiom. Words such as Gesture and Syncopation are composed of both text and drawings, and summon the body in motion. The word Time, which is defined twice, carries with it musicality, duration, and refusal. Together, these definitions offer a sense of some of the many ways that Black people tend to each other and the world. Read in relation to each other, the terms create a rich, startling lexicon that is eclectic, elliptical, cross-genre, historical, speculative, and literary--a set of words, phrases, concepts, and ideas that are part of the many languages constituting and animating Black life. Thinking from Black is a book to be read with others, as it was created. It is a book to live and think and act with, in the world. …

Condición: New.

Paperback. Condición: New.

Paperback. Condición: Good. A Carol Shields Prize winner for her collection of fictions Code Noir, Canisia Lubrin now brings readers a long-form poetic tribute to her mother, praised by Dionne Brand as "incandescent" In this stunning new poem, Canisia Lubrin's signature epic vision is distilled into a elegy to her mother, along an interwoven and unresolvable axis of astonishment that belongs as much to history as to today. Her lucid attention to what might be the oldest metaphor for grief is drawn from the searing gravity and resonance of the modern poet's decisive, interior, and inexpressible meditation on love, time, and loss in the excesses of life's ambitions. woman from fine-print time, disclose to the world: the forecast of our noontime births outdoors; how I distrust every form of authority, chiefly my own astonishment this poisoned wish is why I love, I bow to deserts, these claychildren of forests everywhere I love the rain, this is no secret, I love the solar wind; hold their elliptical life in the wasteland of our third mouths where flowers are invisible and bones are sanded and amusing, and every heliopause cloud senses our head, how we astonish our memories vining where no shade is enough, since many who'll feed me will refuse me their names, and good, who knows what bargains I would make with their meanings . . .…

Condición: New.

Paperback. Condición: New.

Paperback. Condición: Very Good. An expansive lexicon of words, terms, concepts, and ideas that takes the multiplicity of Black life as its point of departure. Thinking from Black: A Lexicon is an unusual reference book. Its contributors--the Practicing Refusal Collective--are visual artists, poets, dancers, historians, writers, architects, painters, theorists, activists, anthropologists, filmmakers, educators, and musicians. Each has engaged with the idea of a lexicon of Black living and taken up the invitation to think from Black in relation to their own medium. Some terms are enunciated in a poetic register--such as Redaction, Seeing, and Song. Some are aspirational--such as Solidarity, Garden, and Care. Some entries, such as BlackSound, Fantasy, Mathematics, and Dispossession, work in a more theoretical idiom. Words such as Gesture and Syncopation are composed of both text and drawings, and summon the body in motion. The word Time, which is defined twice, carries with it musicality, duration, and refusal. Together, these definitions offer a sense of some of the many ways that Black people tend to each other and the world. Read in relation to each other, the terms create a rich, startling lexicon that is eclectic, elliptical, cross-genre, historical, speculative, and literary--a set of words, phrases, concepts, and ideas that are part of the many languages constituting and animating Black life. Thinking from Black is a book to be read with others, as it was created. It is a book to live and think and act with, in the world. …

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. A Carol Shields Prize winner for her collection of fictions Code Noir, Canisia Lubrin now brings readers a long-form poetic tribute to her mother, praised by Dionne Brand as "incandescent"In this stunning new poem, Canisia Lubrins signature epic vision is distilled into a elegy to her mother, along an interwoven and unresolvable axis of astonishment that belongs as much to history as to today. Her lucid attention to what might be the oldest metaphor for grief is drawn from the searing gravity and resonance of the modern poets decisive, interior, and inexpressible meditation on love, time, and loss in the excesses of lifes ambitions.woman from fine-print time, disclose to the world:the forecast of our noontime births outdoors; how I distrustevery form of authority, chiefly my own astonishmentthis poisoned wish is why I love, I bow to deserts,these claychildren of forests everywhereI love the rain, this is no secret, I love the solar wind;hold their elliptical life in the wasteland of our third mouthswhere flowers are invisible and bones are sanded and amusing,and every heliopause cloud senses our head, how we astonishour memories vining where no shade is enough,since many wholl feed me will refuse me their names,and good, who knows what bargains I would makewith their meanings . . . Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…