burani carla (14 resultados)

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Swiss artist Martin Disler (19491996) was a self-taught painter, draughtsman, and sculptor, as well as a poet. Over the course of his career, his work evolves from clearly recognisable motifs towards the utter disintegration of figures. Especially his later paintings owe their power, as well as their size, to his particular way of working: In a highly physical process, the artist would alternate between applying and removing paint, moulding matter with brushes and knives as well as with his hands and nails until his body merged with the work. The materialisation of Disler's physical thinking, a 'theatre of survival', places him in a fascinating dialogue with Ernst Ludwig Kirchner and the great expressionist's work. This new monograph, published in conjunction with an exhibition at Kirchner Museum Davos, focuses on the last decade of Disler's career and relates his output from the period to Kirchner's art, thus revealing similarities between the two artists. The essays explore the importance of the human body and its role in the artist's creative process as well as aspects such as movement and dance, gesture, expression, abstraction and figuration. AUTHORS: Carla Burani is an art historian and has been appointed as director of Kirchner Museum Davos in 2019. Beat Wismer is a scholar of art history and has been director of Museum Kunstpalast in Dusseldorf (Germany) 200717 and Aargauer Kunsthaus Aarau (Switzerland) 19852007. SELLING POINTS: . Martin Disler (19491996) is one of Switzerland's most significant 20th-century artists whose work gained much international attention and was shown in solo exhibitions during his lifetime at important venues such as London's Whitechapel Art Gallery, the Stedelijk Museum in Amsterdam, Vienna's Albertina . This new monograph focuses on Disler's late work, putting it in context with Ernst Ludwig Kirchner's art . Accompanies the Theatre of Survival: Martin Disler. The Final Years exhibition at Kirchner Museum Davos (December 2020 until April 2021) 70 colour, 10 b/w illustrations New monograph on distinguished Swiss artist Martin Disler (19491996), putting his later paintings, drawings and sculptures in context with the art of Ernst Ludwig Kirchner and exploring aspects of Dislers work such as role of the human body in this creative process. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: Brand New. 112 pages. German language. 10.91x8.31x0.59 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. New monograph on distinguished Swiss artist Martin Disler (1949-1996), putting his later paintings, drawings and sculptures in context with the art of Ernst Ludwig Kirchner and exploring aspects of Disler s work such as role of the human body in this creati.

Paperback. Condición: new. Paperback. Swiss artist Martin Disler (19491996) was a self-taught painter, draughtsman, and sculptor, as well as a poet. Over the course of his career, his work evolves from clearly recognisable motifs towards the utter disintegration of figures. Especially his later paintings owe their power, as well as their size, to his particular way of working: In a highly physical process, the artist would alternate between applying and removing paint, moulding matter with brushes and knives as well as with his hands and nails until his body merged with the work. The materialisation of Disler's physical thinking, a 'theatre of survival', places him in a fascinating dialogue with Ernst Ludwig Kirchner and the great expressionist's work. This new monograph, published in conjunction with an exhibition at Kirchner Museum Davos, focuses on the last decade of Disler's career and relates his output from the period to Kirchner's art, thus revealing similarities between the two artists. The essays explore the importance of the human body and its role in the artist's creative process as well as aspects such as movement and dance, gesture, expression, abstraction and figuration. AUTHORS: Carla Burani is an art historian and has been appointed as director of Kirchner Museum Davos in 2019. Beat Wismer is a scholar of art history and has been director of Museum Kunstpalast in Dusseldorf (Germany) 200717 and Aargauer Kunsthaus Aarau (Switzerland) 19852007. SELLING POINTS: . Martin Disler (19491996) is one of Switzerland's most significant 20th-century artists whose work gained much international attention and was shown in solo exhibitions during his lifetime at important venues such as London's Whitechapel Art Gallery, the Stedelijk Museum in Amsterdam, Vienna's Albertina . This new monograph focuses on Disler's late work, putting it in context with Ernst Ludwig Kirchner's art . Accompanies the Theatre of Survival: Martin Disler. The Final Years exhibition at Kirchner Museum Davos (December 2020 until April 2021) 70 colour, 10 b/w illustrations New monograph on distinguished Swiss artist Martin Disler (19491996), putting his later paintings, drawings and sculptures in context with the art of Ernst Ludwig Kirchner and exploring aspects of Dislers work such as role of the human body in this creative process. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - Martin Disler (1949-1996) was arguably Switzerland's most renownded young artist of the 1980s. Gaining early recognition primarily as a draftsman, he became an internationally celebrated painter after 1980. In the last decade of his relatively short life, which he spent in virtual seclusion, Disler also turned to sculpture. Throughout his entire career, he also wrote poems and literary texts. Self-taught in all disciplines, he constantly struggled in search of his unique visual language and for the major themes that connect his entire manifold oeuvre: love and sex, anger and tenderness, war and violence, illness and death. Regarded as a representative of a wild or neo-expressive style in painting at the peak of his career, Disler always remained an utterly independent loner. This monograph is the first book to examine the various disciplines in Disler's late work, highlighting the importance of the body and its role in the creative act.; Martin Disler (1949-1996) war in den 1980er-Jahren der wohl bekannteste junge Schweizer Künstler überhaupt. Zuerst vor allem als Zeichner beachtet, wurde er nach 1980 zum international gefeierten Maler. In seinem letzten Lebensjahrzehnt, das er in weitgehender Abgeschiedenheit verbrachte, wandte er sich auch der Plastik zu. Seit seiner Jugend und bis zuletzt arbeitete er auch als Dichter und literarischer Autor. In allen Disziplinen war er Autodidakt, immer ringend um eine ganz eigene Bildsprache, aber auch um die ganz grossen Themen, die sein gesamtes vielfältiges Werk durchziehen: Liebe und Sex, Zorn und Zärtlichkeit ebenso wie Krieg und Gewalt, Krankheit und Tod. Galt er zur Zeit seiner grössten Erfolge als Vertreter einer wilden oder neo-expressiven Malerei, so war er doch immer ein gänzlich unabhängiger Einzelgänger. Diese Monografie widmet sich erstmals den verschiedenen Disziplinen in Dislers spätem Schaffen. Ein besonderes Augenmerk wird dabei auf die Bedeutung des Körpers gelegt und auf seine Rolle im kreativen Akt, also auf Körpersprache, Tanz, Bewegung, Gestik, Ausdruck, Abstraktion und Figuration.

Soft cover. Condición: Very Good. 1st Edition. 4° - 247pp - Color Plates and B/w reproductions. Exhibition Catalog: From Kandinsky to Pollock "The Vertigo of Non-form", Lugano, Museo cantonale d'Arte September 29, 2001 - January 6, 2002. First edition, text in Italian and English. Original boards. In Very good condition.