bugge anders (24 resultados)

4°, 63, 112 Seiten, Originalleinenband, Vorderdecke mit leichtem weißen Fleck. Text in norwegischer Sprache. [SW - Norwegen, Norwegische Stabkirchen, Kirchen].

Softcover. Condición: leichte Gebrauchsspuren. 18 S., 5 ungez. Klein-8°. Einband mit leichten Rand- und Eckläsuren. Seiten, Schnitt und Einband altersgemäß gebräunt. Innen sauber. Viersprachige Ausgabe in Norwegisch, Englisch, Französisch und Deutsch.

Softbound. Condición: Good. Covers worn, chipped. Interior tight and clean. 22 pp. Norwegian text. 150 b/w ill.

4°, Leder-O. Condición: Gut. 55/111 S., Mit 112 (3 farbig) Tafeln und zahlreichen Textabbildugnen, dunkelblauer Orig.-Lederband mit dekorativer Goldprägung, Kopfgoldschnitt, Ecken und ob. Kapital etwas berieben, Vorsätze etwas stockfleckig, private Widmung auf Vortitel, sonst gutes Exemplar 25888_Architektur Sprache: Englisch Gewicht in Gramm: 1600.

First Edition. Very good copy in the original gilt-blocked cloth. Spine somewhat rubbed at the ends, with some scuffs and dust-dulling to the covers. Front free endpaper has small tear. Remains well-preserved overall; tight, bright, clean and strong. Physical description; 55 pages, 114 plates : illustrations (black and white, and color), map, plans ; 30 cm. Notes; Ill. incl. 114 (2 col.) plates, sections, plans and map. Subjects; Stave churches Norway. Church architecture Norway. Church decoration and ornament Norway. Wood sculpture Norway. Religious architecture Norway. 1 Kg.

Zustand: gut Hardcover ohne Umschlag text französisch, Cover illustriert / leichte Gebrauchsspuren / Versandkosten 5,5 Euro da über 1kg Gewicht.

Hardcover. Condición: Good. No Jacket. A subtly impressive publication with 112 mostly b/w, occasionally colour, plates located at the end of the book. Prior to this, as well as the text, there are some b/w illustrations, building plans, stave location map etc. Sea blue cloth boards with gilt (gold) titles along the spine and logo (perhaps Viking, perhaps early Christian) on the upper board. Cloth and gilt are a little faded in places. Condition (internal): sound - mild to moderate tanning throughout; images largely unaffected. Tanning most apparent on the preliminary and final pages. pp. 56 + sequence of prints. Size: c 4to. Please note that, depending on destination, we may request a payment to cover any extra shipping/postage charges. Proceeds to Amnesty International. Abe2450. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors).

150 Tafeln, 22, XI S. roter, illustr. Orig. Karton, 25 x 20 cm ---etwas bestossen, kl. Schaden am Rücken.

First Edition. Very good copy in the original gilt-blocked cloth. Spine somewhat rubbed at the ends, with some scuffs and dust-dulling to the covers. Front free endpaper has small tear. Remains well-preserved overall; tight, bright, clean and strong. Physical description; 55 pages, 114 plates : illustrations (black and white, and color), map, plans ; 30 cm. Notes; Ill. incl. 114 (2 col.) plates, sections, plans and map. Subjects; Stave churches Norway. Church architecture Norway. Church decoration and ornament Norway. Wood sculpture Norway. Religious architecture Norway. 1 Kg. Item is Shipped from Ireland or US locations.

Condición: very good. Broschiert. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 29 Seiten. Norwegisches Exemplar. Text in Norwegisch und Deutsch. Heftklammerbindung.

Decorated Boards. Condición: Good. Estado de la sobrecubierta: No DJ. First Edition. 55 pps. + 112 plates. Gilt titles: sp. Frontis. Illust. w/ colour & b/w photos, plans, drawings & map. Blue embossed leather bds. w/ gilt designs. T.e.g. Bds. have some discoloration, wear and chips. P /bookseller's label on f.p.d.p. Some age-toning to eps. Sp. hinges chipped. Interior leaves are clean and tight. Translated by Ragnar Christophersen. Pictorial tour of the great medieval Norwegian stave churches.

4to, 56pp, colour frontis., 3 full-page colour plates & 112 full-page b/w plates, t.e.g., orig. full blue morocco, gilt decorated spine, with some light scuffing to some extremities. A VG copy.

56pp+112pp of plates. 4to. Special private edition in full blue calf, gilt decorations, a littl edgeworn. Black and white plates. A very good copy.

Condición: Very Good. Kristiania, Steenske boktrykkeri Johannes Bjørnstad, (1924). 8:o. 52 s.+ planscher. Illustrerad. Häftad. Lars Magnus Holmbäcks exlibris på titelbladet samt biblioteksanteckning. Omslaget delvis med ljusränder. Softcover / Paperback.

Soft cover. Condición: Near Fine. 1st Edition. Title - Edvard Munch - Aula billeder / Author - Anders Bugge / Publisher - ?? / Year - 1938 / Language - Norsk / Binding - Softcover / Size - 12 x 19 cm / Pages - 12 + cover.

Hardcover. Condición: Good. No Jacket. First Edition. 326pp, photos, illustrations, plans, notes. Text in Norwegian. From the 'Norwegian Churches' series. Light fading to cloth, glazed paper with yellowing to edges. Bilder, illustrasjoner, planer, notater. Tekst på norsk. Fra 'Norsk-kirkenes serie.' Lett falming til klut, glasert papir med gulning til kantene. 2kg.

Condición: Very Good. Oslo, 1925. (6),+ 27 s. Häftad, oskuren med tryckt omslag. (Norske oldfunn V.). Softcover / Paperback.

30.0 x 21.0cms 60pp + 112 full page b/w & colour illusts very good+ hardback with blue boards & gilt decorations . This copy is one of the 'special private edition'. A stave church is a medieval wooden building once common in north-western Europe. The name derives from the timber building's post and lintel construction where the load-bearing ore-pine posts are called 'stafr' in Old Norse. The chapters are: the church at Kirkevoll; the oldest stave churches; stave church basilicas at Urnes & Hoprekstad; the golden age & nascent decline of the stave churches; Gothic & decline.

Lex.8°, 55 S., 112 Tafeln, OLn. mit OU., U. m. Gebr.sp., Ecken schwach gebogen, Vorsatz lichtrandig, sonst guter Zustand. Sprache: Englisch.

3. Oslo, Dreyers Forlag, 1953, in-4°, 56 pp, b/w ills and groundfloors, coloured frontispiece and one other colored plate h.t., 112 b/w photo illustrations h.t. , publisher's gilt blue leather binding, no dustjacket. Some slight wear at extremities but still a fine/good copy.

HARDCOVER. Condición: Very Good. Hardcover edition. varia pagination, twenty-two volume set, small quarto volumes in green cloth, burgundy and black spine titles, vols 20-22 have dust jackets; minor wear to edges of all volumes, boards lightly worn but clean, tight bindings, all interiors clean throughout, light wear to dj edges, 1/2" closed tear bottom spine vol.22 dj, a handsome uniform set.

Couverture rigide. Condición: bon. RO30352204: 1953. In-4. Relié. Bon état, Coins frottés, Dos satisfaisant, Intérieur acceptable. 51 pages de texte illustré en noir et blanc+ 112 planches illustrées en couleurs et en noir et blanc, hors texte. Ex-libris à l'encre en page de faux-titre. Frontispice illustré en couleurs. Tranche en tête dorée. . . . Classification Dewey : 720-Architecture.

Oslo 1925. Orig. bogtrykt omslag. Folio. 28 s.Illustr. Uopskåret. Norske oldfunn V.

Soft cover. Condición: Very Good. 1st Edition. With 217 artworks by 90 artists, this exhibition was the first retrospective of Norwegian modern art in Riga, introducing the period from the 1880s until 1930s. The aim of the exhibition was to showcase the most important aspects of Norwegian art over a half-century. The exhibition displayed mostly paintings, but also some graphics, and was accompanied by a catalogue including introduction by Norwegian art historian Henrik Grevenor, list of artworks identifying year of creation, used technique and dimensions, artworks followed by 16 full-page artworks reproductions. The introduction article gives an overview of Norwegian art development since the Viking era until the 1930s. More detailed considered Modern Norwegian art. Mentioned all the main art tendencies and their distinguished representatives. The "golden age" of Norwegian painting began with Romanticism. Naturalism appeared around 1880s and was displayed at the exhibition by Erik Werenskiold and Halfdan Ström. Artists of the 1890s reacted forcefully against realism of the previous years and made an emphasis on color and shape. This style was introduced at the exhibition by Post-Impressionist Thorvald Erichsen, Neo-Impressionist Henrik Lund, and world-famous Expressionist Edvard Munch (3 works). Abound 1910s was born the new generation of Norwegian painters, who got acquainted with latest Paris trends during their studies there, and used them in own works. Parisian experiences are represented on the exhibition in the works of first Norwegian cubist painter Ragnhild Keyser, also in the works of Georg Backer Berg, Hallvard Blekastab, Eriksen Bjarne, Aasmund Esval, Hans Finne-Grönn, Jean Heinterg and others Scarce.