Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: PlumCircle, West Mifflin, PA, Estados Unidos de America
EUR 1,27
Cantidad disponible: 12 disponibles
Añadir al carritoPaperback. Condición: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: PlumCircle, West Mifflin, PA, Estados Unidos de America
EUR 1,27
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Fine. Publisher overstock. May have remainder mark / minimal shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
EUR 5,80
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 2,31
Cantidad disponible: 19 disponibles
Añadir al carritoPaperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 3,46
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822340852 ISBN 13: 9780822340850
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 16,87
Cantidad disponible: 3 disponibles
Añadir al carritoHardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Idioma: Inglés
Publicado por Peabody Museum of Archaeology and Ethnology, Harvard University, and HU Art Museums, 2008
ISBN 10: 087365840X ISBN 13: 9780873658409
Librería: Katsumi-san Co., Cambridge, MA, Estados Unidos de America
Original o primera edición
EUR 30,84
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Near Fine. 1st Edition. 349, [11] p., illustrated. Oversize [otob ; mvie mg bx].
Publicado por Acta Palaeovotanica X, 1969,, 1969
Librería: Antiquariat Petri, Jena, Alemania
EUR 9,00
Cantidad disponible: 1 disponibles
Añadir al carritobroschürt. Obr., 98s + 33 Tafeln., in gutem Zustand, [APA35,3]., Deu 400g.
EUR 39,45
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 41,79
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: New. Partisan Canons (Paperback or Softback).
EUR 40,70
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 44,06
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
EUR 39,40
Cantidad disponible: 2 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Duke University Press, US, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 45,81
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon's production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change.Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt's works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists' efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history.Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos.
EUR 37,18
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.
EUR 37,19
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
EUR 42,83
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Case studies that counter the idea of a transcendent art canon by demonstrating that the content of any and every canon is historically and culturally specific. Editor(s): Brzyski, Anna. Num Pages: 376 pages, 38 illustrations, 8 tables. BIC Classification: AC. Category: (P) Professional & Vocational. Dimension: 233 x 159 x 22. Weight in Grams: 532. . 2007. Paperback. . . . .
EUR 53,72
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover Oct 08, 2007. Condición: New. Nice clean copy with a tight binding. Looks unread! No jacket.
Publicado por Duke University Press, Durham, North Carolina, 2007
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
EUR 26,41
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Condición: VG-. Beige and white wraps with red and black arrows and lettering; 370 pp. with occasional bw illustrations. Focusing on various moments from the 17th century to the present, the essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists' efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse.
EUR 43,25
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 52,58
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New. Case studies that counter the idea of a transcendent art canon by demonstrating that the content of any and every canon is historically and culturally specific. Editor(s): Brzyski, Anna. Num Pages: 376 pages, 38 illustrations, 8 tables. BIC Classification: AC. Category: (P) Professional & Vocational. Dimension: 233 x 159 x 22. Weight in Grams: 532. . 2007. Paperback. . . . . Books ship from the US and Ireland.
EUR 59,31
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 370 pages. 8.75x6.00x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Duke University Press Books, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: BennettBooksLtd, San Diego, NV, Estados Unidos de America
EUR 73,21
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. In shrink wrap. Looks like an interesting title!
EUR 39,32
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: New. Case studies that counter the idea of a transcendent art canon by demonstrating that the content of any and every canon is historically and culturally specific.Über den AutorAnna Brzyski is Assistant Professor of Art His.
Idioma: Inglés
Publicado por Duke University Press Okt 2007, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 48,82
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon's production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change.
Idioma: Inglés
Publicado por Duke University Press, US, 2007
ISBN 10: 0822341069 ISBN 13: 9780822341062
Librería: Rarewaves.com UK, London, Reino Unido
EUR 42,52
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon's production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change.Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt's works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists' efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history.Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 41,93
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 370 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.