breer robert (26 resultados)

Soft cover. Condición: Near Fine. Second paperback printing, 1992. 462 pages. Second title in MacDaonald's series which ran through five volumes. Includes interviews with Jonas Mekas, Robert Breer, Michael Snow, Bruce Baillie, Yoko Ono, Andrew Noren, James Benning, Lizzie Borden, Su Friedrich, Yvonne Rainer, Trinh T. Minh-ha and others. A great collection of interviews with these film artists. B&W film stills throughout the text. Light wear to top and bottom corners of front cover. Otherwise Near Fine in clean bright wrappers. Binding is square and tight.

Hörbuch (DVD). Condición: Sehr gut. 1. Auflage. Z : 15 x 21,5 cm, Box with a DVD (103 min.) and a 64 pages booklet. - With films by Francis Alÿs, Robert Breer, Paul Bush/Lisa Milroy, Michael Dudok de Wit, Brent Green, Takashi Ishida, Susanne Jirkuff, William Kentridge, Avish Khebrehzadeh, Jochen Kuhn, Zilla Leutenegger, Arthur de Pins, Qubo Gas, Christine Rebet, Robin Rhode, Georges Schwizgebel, David Shrigley, Tabaimo, Naoyuki Tsuji, and Kara Walker.

Softcover, staple-bound; 12 pages; very good condition; light rubbing to covers; no internal marks; correction sheet laid in. Foreign shipping may be extra.

Condición: Fine. New York. 1973 first edition. Film Culture issue for Spring 1973. Breer articles on pp. 23-72. Fine, no ownership marks.

Condición: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Couverture souple. Condición: Bon. Edition originale. Reliure souple d'éditeur, plats illustrés, 17 x 24,5 cm, 544 pages. Edition originale. 442 illustrations en couleurs et noir et blanc. Texte en anglais. uvres de John Altoon, Keith Arnatt, Robert Arneson, Ruth Asawa, Alice Aycock, Morton Bartlett, Gianfranco Baruchello, Thomas Bayrle, Gene Beery, Karl Benjamin, Forrest Clemenger Bess, Scott a. a. Bibus, Douglas Blau, Bill Bollinger, Ian Breakwell, Robert Breer, Sarina J. Brewer, Heidi Bucher, Lowry Burgess, Cameron, James Castle, Joe Coleman, Bill Daniel, Peter Dean, Baby Dee, Jacqueline Fahey, John Fare, Lorser Feitelson, Stano Filko, Roland Flexner, Peter Fritz, Franck Gaard, Jan Groover, Frederick Hammersley, Margaret Harrison, Barkley Hendricks, Edi Hila, Jess Hilliard, Mark Hogancamp, Dorothy Iannone, Will Insley, Jess, Stephen Kaltenbach, Tina Keane, Patrick Keiller, Sister Mary Corita Kent, Konrad Klapheck, Hilma af Klint, Leonard Knight, Christopher Knowles, Július Koller, Panos Koutrouboussis, Jirí Kovanda, Evgenij Kozlov, Jaroslaw Kozlowski, Harry Kramer, Jim Krewson, Ferdinand Kriwet, Tetsumi Kudo, Emma Kunz, Manfred Kuttner, Paul Laffoley, Suzy Lake, Ketty La Rocca, Michael Bernard Loggins, Helen Lundeberg, Manon, Robert Marbury, John Patrick McKenzie, David Medalla, Dan Miller, Richard Allen Morris, Ree Morton, David Novros, Lorraine O'Grady, OHO, Niko, Pirosmani, Charlotte, Posenenske, Emilio Prini, Noah Purifoy, Miriam Schapiro, Michael Schmidt, Jean-Frederic Schnyder, Colin Self, Stuart Sherman, Sylvia Sleugh, Barbara T. Smith, Francisco Sobrino, Anita Steckel, Harold Stevenson, Myron Stout, Ionel Talpazan, Al Taylor, James "Son" Thomas, Miroslav Tichý, Betty Thompkins, Cleveland Turner, Jeffery Vallance, Stan VanDerBeek, Daan van Golden, Eugene Von Bruenchenheim, Ian Wallace, Melvin Way, Emmett Williams, The Philadelphia Wireman, Paul Wunderlich. Dos légèrement insolé, sinon très bon état.

Softcover, 204 pages; in English and French; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Sehr gut. 1. Auflage. B : 160 Seiten. 116 Farb- und S/W-Abbildungen. - Im Fokus steht die epochale Gruppenausstellung kinetischer Kunst, die unter dem Titel Le Mouvement 1955 in der Pariser Galerie Denise René stattfand. Sie präsentierte Werke junger Künstler, darunter Jesús Rafael Soto, Jean Tinguely, Victor Vasarely sowie deren Vorbilder Marcel Duchamp und Alexander Calder und legte einen Grundstein für die Popularität der Kinetik als künstlerische Ausdrucksform.

Exhibition catalog for an installation of work by avant-garde film director Robert Breer held at the Galeria Bonino from November 14 to December 9, 1967. The catalog deals with Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a paradethough typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. This catalog ends with a list of Breer's exhibitions between 1926-1967. Near Fine in saddle stapled wrappers, with light rubbing.

Condición: Good. [Exhibition catalogue]. 4to. [10 pp.]. Soft, stapled turquoise and blue wraps with black lettering and white borders. Very good. Black and white plates. Includes artist chronology. Catalogue created to accompany the exhibition "Robert Breer: More Floats", held from November 14 through December 9, 1967 at Galeria Bonino in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.

Brossura. Condición: ottimo. prima edizione. BREER Robert (Detroit 1926 - Tucson 2011), New York, Galeria Bonino, LTD, 1967, 19,2x25,4 cm., brossura, pp. [12 cover included), cover illustrated in two colors, 7 photographic illustrations in black and white (of which 3 on double page). Exhibition catalog (New York, Galeria Bonino, 14th November - 9th December, 1967).

First Edition. First Edition. An early animation flipbook by Robert Breer, published on the occasion of the World Retrospective of Animation Cinema in 1967. A highly abstract piece, offset printed in black, white, and yellow, devoted to quickly altering geometric forms. 4 x 2.5 inches, with side-stapled card wrappers. Very Good plus, with light use from previous flipping.

Complete set of four matching exhibition catalogs for a staggered series of installations by avant-garde film director Robert Breer, held at the Galeria Bonino in New York between 1965 and 1970. The first catalog is for an exhibition at the gallery titled "Constructions and Films," and was held in early 1965, noted as Exhibition No. 10. The other three catalogs deal with exhibitions of Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a paradethough typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. Each catalog ends with a list of Breer's exhibitions to date. These three exhibitions, titled "Floats," "More Floats," and "93 Floats," were held at the gallery in 1966, 1967, and 1970, and are labeled Exhibition Nos. 18, 29, and 44, respectively. All four volumes Near Fine or better, each in saddle stapled wrappers, with light occasional rubbing.

senza rilegatura. Condición: ottimo. prima edizione. BREER Robert (Detroit 1926 - Tucson 2011) Köln, Galerie Ricke, 1968, 21x15 cm, [4], invitation sheet folded in two parts, illustrated with line images published on the occasion of the exhibition (Cologne, Ricke Gallery, 6 March - 6 April 1968).

Condición: VG. no date no place. Appears to be 1966 , University Museum, Berkeley, California. 8p. of bw photo plates of Breer's art. VG.

Vintage reference photograph from the 1962 experimental short film, showing Swedish-American artist Claes Oldenburg and his wife, the artist Pat Muschinski, outside of their home in the countryside. Mimeo label snipe affixed to the verso. From the archive of film historian and author Joel Finler. Director Robert Breer was best known for his abstract, avant-garde films, which combined painting, hand-drawn rotoscoping, 16mm and 18mm footage, and photographs. 10 x 8 inches. Near Fine.

Six unbound sheets printed 1 side only, each 6 x 27 1/2 inches; very good condition for this item; except each sheet is yellowed and chipped at edges but no major tears; missing the clothespin clip that originally held the pages together. Landmark Neo- Dada / Pop Art exhibition designed as an alphabetical typed list with printed hand corrections of definitions of relevant art terms for a new vocabulary, interspered with quotes by the participating artists: George Brecht, Robert Breer, Jim Dine, Jasper Johns, Allan Kaprow, Billy Kluver, Roy Lichtenstein, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Jean Tinguely and Robert Watts.

Printed cardboard box contains battery motorized plastic sculpture , 4 x 4 inches; very good condition; the box has light rubbing; the sculpture is clean and cisp and is inscribed in black marker on bottom, "To Barbara London / Bob Breer 8/18/92". Battery not included. Printed on inside flap of box, "The Float is mechanically engineered to move slowly in starting. It also turns direction upon bumping into another object - after a pause of several seconds.".

No Binding. Condición: Fine. Film. 16mm. Just under two minutes duration. Breer: maker of what might be the first kinetic artist's book (1955), follower of Han Richter's kinestic film scrolls from early in the 20th century, together with those of the latter's friend Viking Eggeling.Breer's own delightfully imaginative animation films and objects/multiples and books consistently have the lightness of touch that's achieved with such difficulty for (by) serious artists. A lovely film in near perfect condition given by Breer to an organizer at the Drury Lane Arts Lab in the 1960's (signed on the film can strip in ink). While birds can be heard singing a shrill song, lines crisscross wildly as if they were aiming to form shapes. Their effort seems hopeless until at long last they manage to come t oether and become a man walking his dog.but they soon break up and form the word.END.

No Binding. Condición: New. Officially unlimited edition of this plastic battery powered multiple, fewer than 50 seem to have been sold at the time. There was a limited edition of 11 copies, which was exactly the same but was numbered and signed, and sprayed blue. It goes for around £3500 on ABE.used to be £6000! Motorized plastic sculpture in stencilled original cardboard box. Unopened. Dated the year after Breer's seminal work on the Pepsi Pavilion, created by Experiments in Design and Technology (E.A. T). This is a miniaturized version of those largs "floats" that would parade around autonomously. Comes with an original handwritten letter about placing his works with the London Filmmakers Co-operative. Like the big models, every time this little moving sculpture bumps into something it changes course. A robot, a friend. Mint in new condition original box with slight dent on box corner.

Condición: Near Fine. First Edition. Publisher's stiff printed wraps bound by two black plastic screws. First edition. Near Fine with very faint creasing to front wrap, a little shelf wear to rear wrap. From the collection of "design guru" and notable collector of postmodern objects Jim Walrod with his emboss on the first page. This rare flipbook was produced for the Manchester band New Order, whose avant-garde dance music epitomized the postmodern blending of high and mass culture, for one of their biggest hits: the moody techno song "Blue Monday." Copies were sent out for friends of the Hacienda, Factory Records' head honcho Tony Wilson's Situationist-inspired nightclub. It was co-designed by William Wegman, famous for his portraits of his own dogs. Filmmaker Robert Breer created an animation of one of Wegman's Weimaraners to be flipped through (presumably along with the song) in a kind of "manual video." Music videos were all the rage at the time. Madchester, Wegman's Weimaraners, Factory Records, music videos, The Hacienda-- peak '80s style was achieved here.

Limited Edition, number 9/10. Motorized plastic sculpture in stenciled and spray-painted cardboard box. SIGNED and numbered on the battery case door at the base of the sculpture. Apparently a limited edition release of the more common white Float sculpture also issued by MoMA via their gift shop. The spray-painted stencil reads "E.A.T. / BLUE / 9-10 / R.B. '71". Dated a year after his seminal work on the Pepsi Pavilion, created by Experiments in Design and Technology (E.A.T.). In addition to the animations for which he is best known, Robert Breer also created a series of "floats", motorized abstract shapes that he would parade, often through rural landscapes. This MoMA edition represents a miniaturized version of the Float sculpture series. Manufactured by Bandai, the Japanese plastic toy producer. Sculpture tested, but not working, otherwise appears near fine. Box with long, closed tear at the top fold, some creases, and overall signs of light wear. Scarce.

No Binding. Condición: Very Good. 1st Edition. Koln, Germany: Galerie Ricke, 1969. Exhibition Announcement. 5 13/16 x 8 4/16 . Very good. Minor creasing and edgewear. Foxing to back. Postage stamp, hand-applied rubber stamp and address. Galerie Ricke announcement for group show featuring Lothar Baumgarten, Bill Bollinger, Robert Breer, Alan Cote, Jan Dibbets, Mike Heizer, Ralph Humphrey, Don Judd, Steve Kaltenbach, Ronnie Landfield, Clarke Murray, and Robert Watts. Backside announces Soeben erschienen: New York Ten/69 , a series of multiples by Alan Cote, David Diao, Ronnie Landfield, Lee Lozano, Brice Marden, William Pettet, Alan Shields, Kenneth Showall, Lawrence Stafford, and Peter Young. "Don Judd", before he reverted back to "Donald".

Montreal: La Cinematheque canadienne. 1967. 10.5 x 6.5 cm. Flip book in original paper covers; approx 100 leaves creating an animated sequence of abstract shapes printed in black and yellow; very good. First edition, printed as part of the World Retrospective of Animation Cinema. The American artist Robert Breer (1926-2011) was renowned for his experiments in animation. Known as the "kinetic poet of the avant garde" he worked across many of the great movements of the twentieth century and within a huge array of genres. His films often feature abstract images careering across the screen, a style which is represented in this flip book.

Paris: Galerie Denise Rene. 1955. 12 x 9 cm. Flip book in original black paper covers; approx 100 leaves creating an animated sequence of abstract shapes; very good. First edition, inscribed by Breer to Hans Richter. This book was published for the pioneering "Le Mouvement" exhibition at Galerie Denise Rene, which was the first kinetic art show in Paris. The American artist Robert Breer (1926-2011) was renowned for his experiments in animation. Known as the "kinetic poet of the avant garde" he worked across many of the great movements of the twentieth century and within a huge array of genres. His films often feature abstract images careering across the screen, a style which is represented in this flip book.Breer first signed with Denise Rene in 1955 and found himself at the epicentre of the Parisian avant garde. Partly inspired by his father's work as an engineer for Chrysler, he found that his art was most successful when it dealt with movement and moved away from painting to film-making and other more kinetic forms. He was a natural fit for "Le Mouvement", in which he and other important avant garde figures such as Victor Vasarelt and Pontus Hulten displayed their experiments in motion and caused an artistic sensation.Provenance: first leaf inscribed by Breer to Hans Richter, the Dadaist painter, film-maker and art historian. As a film-maker Breer acknowledged a debt to Richter: "Of course, I was excited to meet Hans; his early abstract "Rhythmus" films from the 1920s, their play with figure and ground, clearly influenced my early "Form Phases" series." (Interview with Michelle Kuo). With note from former owner clarifying provenance.