Boer wietse (68 resultados)

Brossura. Condición: new. A cura di Lavenia V., Marcocci G. e Boer W. D. Roma, 2019; br., pp. 204, cm 15x21. (I Libri di Viella. 325). Questo volume è un piccolo omaggio per Adriano Prosperi in occasione del suo ottantesimo compleanno; un segno di affetto e di gratitudine per il suo insegnamento da parte di allievi e colleghi che con lui si sono confrontati e da lui hanno imparato. Come Prosperi ha messo in evidenza in diverse occasioni, la ricerca delle origini (concentrarsi sulla ghianda invece che sulla quercia, avrebbe detto Marc Bloch) è un seme da cui nella storia sono germogliate facilmente l'intolleranza, la manipolazione e l'incomprensione del passato. I saggi riuniti in questo libro nascono da questa consapevolezza, sono legati da fili comuni e scaturiscono dall'analisi di una fonte. Nel solco dell'insegnamento di Prosperi, mirano alla ricostruzione di vicende individuali che attraversano i conflitti dell'età moderna e aprono uno sguardo sugli intrecci tra fedi, culture e aree del mondo diverse. Libro.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. dj. First Edition, First Printing. Octavo, xxvi, 494 pages. In Very Good condition. Spine is dark blue with white lettering. Bumping to head and tail of spine. Mild cocking to spine. Text block clean. Shelved in Case 10. 1415478. Shelved Dupont Bookstore.

hardcover. Condición: Very Good. Excellent condition, dust jacket included when applicable, no markings in text.

Condición: New.

Hardcover. Condición: New. xxvi, 494 pages : illustrations : 24 cm. Contents: Introduction: The sacred and the senses in an age of reform / Wietse de Boer and Christine Göttler -- Insinuating the cross: sight, suggestion, and self in Renaissance painting / Alfred Acres -- Display and devotion: exhibiting icons and their copies in counter-reformation Italy / Andrew R. Casper -- 'In sensus cadentem imaginem': varieties of the spiritual image in Theodoor Galle's Life of Blessed Father Ignatius of Loyola of 1610 / Walter S. Melion -- 'An odour. A taste. A touch. Impossible to describe': Nole me tangere and the senses / Barbara Baert -- 'The beads with which we pray are made from it': devotional ambers in early modern Italy / Rachel King -- 'The melodie of Heaven': sermonizing the open ear in early modern England / Jennifer Rae McDermott -- Beyond vision: the impact of Rogier van der Weyden's Descent from the cross / Jennifer R. Hammerschmidt -- 'A cui ne fece dono': art, exchange, and sensory engagement in Anthony van Dyck's Lamentation for the Antwerp Beguines / Sarah Joan Moran -- Tasting God: the sweetness of crying in the counter-Reformation / Joseph Imorde -- The sense of hearing politicized: liturgical polyphony and political ambition in fifteenth-century Florence / Klaus Pietschmann -- Of eels and pears: a sixteenth-century debate on taste, temperance, and the pleasures of the senses / Laura Giannetti -- To captivate the senses: sensory governance, heresy, and idolatry in mid-Tudor England / Matthew Milner -- Piazza San Marco: theatre of the senses, market place of the world / Iain Fenlon -- A Neapolitan Heaven: the sensory universe of G.B. Giustiniani / Wietse de Boer -- The temptation of the senses at the Sacro Monte di Varallo / Christine Göttler -- Vision, medicine, and magic: betwitchment and lovesickness in Jacques Grevin's Deux livres des venins (1568) / Yvonne Petry -- The return of the species: Jesuit responses to Kepler's new theory of images / Sven Dupré. …

Hardback. Condición: New. Illustrated. The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Illustrated. The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Illustrated. The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Díaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stähler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer.…

Hardcover. Condición: New.

Condición: New.

Gebunden. Condición: New. &Uumlber den AutorWietse de Boer, Ph.D. (1995) is Professor of History at Miami University. His research focuses on Italian early-modern religious and cultural history. His publications include The Conquest of the Soul: Confession, D.

Condición: New. &Uumlber den AutorGiuseppe Marcocci, Ph.D. (2008), Scuola Normale Superiore, Pisa, is Assistant Professor of Early Modern History at the University of Tuscia. He has published widely on the Portuguese world, including L invenzione di un.

Condición: New.

Hardback. Condición: New. The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order's defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Illustrated.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order's defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz.…