bingham risher remica (72 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Bruise/tear to cover.

paperback. Condición: New.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Soft cover. Condición: New. 1st Edition.

Hardcover. Condición: New.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. "A powerful celebration of poets.Lit lovers will be dazzled."-Publishers WeeklyExamines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footsteps"A powerful celebration of poets.Lit lovers will be dazzled."-Publishers WeeklyExamines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footstepsAcclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these-"blk/wooomen revolution""Girls Loving Beyonce and Their Names""The Terror of Being Destroyed""Standing in the Shadows of Love""Revision as Labyrinth"Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies-Black studies, women's studies, LGBTQIA+ studies, and so on-Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.Examining cultural traditions, myths, and music from the Four Tops to Beyonce, Bingham-Risher reflects on the enduring gifts of art and community. If you've ever felt alone on your journey into the writing world, the words of these poets are for you. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New.

Hardcover. Condición: Good.

Paperback. Condición: new. Paperback. Intimate and sweeping poetry that examines race and lineageRoom Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"postpartum depression being an ongoing mysterynine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me.I am scared I will be naked in a burninghouse. I am scared my children won't outpace me.I am scared my children (who aren't made by me)believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you.I've lived long enough to be scared my kidneyswill give out on me. I've lived long enough to know justwhen they should. I have never shared my fearswith anyone; I am scared they will map the landand take liberties. Will the women be ashamed?I'm scared to ask. What will live again? What will die with me? "Poetry exploring the impacts of family bonds through enslavement and institutionalization in the stories of three generations of women, examining race and lineage, and asking: What do we inherit at the core of our fractured living?"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. 12th ed. Intimate and sweeping poetry that examines race and lineageRoom Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"-postpartum depression being an ongoing mystery-nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living? [sample poem] XI. the more ground covered, the more liberated you became I am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me. I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a room where everyone will ask me to remember and when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. Examines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footstepsExamines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footstepsAcclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these-"blk/wooomen revolution""Girls Loving Beyonce and Their Names""The Terror of Being Destroyed""Standing in the Shadows of Love""Revision as Labyrinth"Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies-Black studies, women's studies, LGBTQIA+ studies, and so on-Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.Examining cultural traditions, myths, and music from the Four Tops to Beyonce, Bingham-Risher reflects on the enduring gifts of art and community. If you've ever felt alone on your journey into the writing world, the words of these poets are for you. "Intertwining personal essays and interviews with distinguished poets, such as Lucille Clifton, Sonia Sanchez, Patricia Smith and Natasha Trethewey, Soul Culture: Black Poets, Books and Questions that Grew Me Up, explores the impact of identity, joy, love, and history on writing and the artistic process in the latter half of the twentieth century"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. Intimate and sweeping poetry that examines race and lineage.Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"postpartum depression being an ongoing mysterynine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me.I am scared I will be naked in a burninghouse. I am scared my children won't outpace me.I am scared my children (who aren't made by me)believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you.I've lived long enough to be scared my kidneyswill give out on me. I've lived long enough to know justwhen they should. I have never shared my fearswith anyone; I am scared they will map the landand take liberties. Will the women be ashamed?I'm scared to ask. What will live again? What will die with me? "Poetry exploring the impacts of family bonds through enslavement and institutionalization in the stories of three generations of women, examining race and lineage, and asking: What do we inherit at the core of our fractured living?"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.